In 2018 Jeff Knudsen donated his 5000+ cassette tape collection to www.shnflac.net.
The ensuing GEMS Lossless Legs production is releasing each of these tapes as raw transfers in digital format, one file per cassette side.

Transfer info: Nakamichi CR-7A (Rebuilt by ESL August 2019) -> Sound Devices MixPre-3M
Transfer by: Jay Haines
Date on label: May 7, 1984
NOTE: Tape 2 Had dolby NR, Type C indicated. Playback for this transfer was with Dolby Type C ON.


Here's what deadlists.com says occurred on this date and the sources in circulation at the time of this seed.
This release may or may not be one of these sources.
This entry is included as an aid to future researchers.
As always, listen, look at the pictures and judge for yourself.

Band 	Grateful Dead
Venue 	Silva Hall - Hult Center for the Performing Arts
Location 	Eugene, OR
Date 	5/7/84 - Monday 	posters 	tickets, passes & laminates
One 	Iko Iko ;
C C Rider ;
Loser ;
Mama Tried >
Big River ;
Bird Song ;
My Brother Esau >
Deal
Two 	China Cat Sunflower >
I Know You Rider ;
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
The Wheel >
Throwing Stones >
Not Fade Away
Encore 	It's All Over Now, Baby Blue
Comments
Recordings
Master recording source(s): Cass Master
Download/Listen Sources

    SBD -> Cassette Master (Nakamichi 550/Maxell XLII
    sbd >dat
    SBD -> Cassette Master (Nakamichi 550/Maxell XLII
    SBD -> Cassette Master (Nakamichi 550/Maxell XLII
    Sennheiser 441's > patched thru unknown decks > T
    SBD> Cass> DAT> cdr

Contributors 	(Gordon Sharpless)
Caretaker 	Barry Barnes email update


********** The GEMS Knudsen Tape Project  **********

In 2018, Jeff Knudsen bestowed his tape collection to the AZ GEMS
team for distribution and archiving. We have cherry picked some shows
and released them but have only scratched the surface. The process
of producing a complete and accurate mastered file set is time consuming:
select the show, compare to existing sources, adjust the tape deck,
transfer to digital, speed correct, master, aquire the source ID and
torrent. We realized we would never release most of collection using this
method.

As long as music is on tapes in a closet, it is useless. If it circulates
it is preserved for others and for the future. Rather than go through
the whole file set creation process, we transfer each tape or tape
side as a single digital file. A two tape concert consists either two big
audio files, 1 for each tape or 4 big audio files, one for each side of
the two cassettes.  We transfer professionally using the best gear and
a high quality Analog to Digital device. The Azimuth and Dolby settings
are correct. We release these files for everyone. We do not evaluate
the quality of the source, master it, or track it.

The Knudsen Tape Project is about sharing the tapes.

In each numbered release, along with the digital music files, we
include a photo of the tapes. The goal is to release as many of the
tapes as possible to the website www.shnflac.net.

We think the fruits of this project will become more interesting as time
passes. We believe that access to raw, properly transferred audio will
be of value to both present and future listeners, researchers and others.
Audio mastering technology is moving at breakneck speed. We can only imagine
the future technology that will be available. Having access to unmastered sources
could be invaluable.

HISTORY

The collection was started with a box of tapes Jeff Knudsen recieved
from his friend Dick Latvala in the late 70's. Dick was just a regular
guy in Pahoa, Hawaii and had not yet begun officially working with the
Greatful Dead. Over time, Jeff's collection grew. At that time, tapes were
currency and Jeff had gold. His collection increased to about 5000 coveted
tapes, via mail trades and all night copy-athons. Jeff shared them freely
and widely. If you had a soundboard tape in your collection years ago there
is a good chance it came from Jeff Knudsen.

WHAT CAN I DO WITH IT ?

Every release in this project is from a band that allows it's fans
to trade music non-commercially. We neither add or take away from that
permission. We only ask that you credit the Knudsen Tape Project if you
use the material. We ask nothing else of you and you do not need
to ask permission to use them. Since we ask only for source credit, we would
rather not hear complaints. Take what you need and leave the rest.

LINEAGE QUESTIONS

The notion of documenting lineage is a modern one, or simply one Jeff
did not entertain. We do not have lineage information on most of these
tapes. Any information we have will be in the photo of the tapes.
Some of the tapes sound absolutely fantastic. Others may remind
you of a tape you had long ago.

Now the rest is up to the community, with whom we have absolute faith
in the ability to discern.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Contact shnflac@gmail.com if you need more information.


SHNTOOL OUTPUT
    length     expanded size    cdr  WAVE problems  fmt   ratio  filename
    31:45.032     548649332 B   cxx   --   ---xx   flac  0.6396  gd1984-05-07-1A.flac
    26:14.185     453365432 B   cxx   --   ---xx   flac  0.6287  gd1984-05-07-1B.flac
    47:09.278     814832204 B   cxx   --   ---xx   flac  0.6051  gd1984-05-07-2A.flac
    43:06.560     744929252 B   cxx   --   ---xx   flac  0.5808  gd1984-05-07-2B.flac
   148:15.056    2561776220 B                            0.6096  (4 files)

gd1984-05-07-1A.flac:2d89481391e9b867da742cdef450cad2
gd1984-05-07-1B.flac:8182b02464ff14eaf0c9693c1679fdda
gd1984-05-07-2A.flac:2524d698ae5c343de8e15c78ae1dac9e
gd1984-05-07-2B.flac:346c8f4b97d5e17c87a23b10d31281cd

c0404debb8db7f17a9133eb7d1b56b6b *gd1984-05-07-1A.flac
e3aeb55e0b3265519d814732fdcb9dcf *gd1984-05-07-1B.flac
0fd5f4b72ad4652c1f3bc9615e0b01d2 *gd1984-05-07-2A.flac
0350c04d72d707e23663b9e781a0789d *gd1984-05-07-2B.flac