New Riders Of The Purple Sage
5/26/73 11:00am
Kezar Stadium, San Francisco, CA

John Dawson - guitar, vocals
David Nelson - lead guitar, vocals
Buddy Cage - pedal steel
Dave Torbert - bass, vocals
Spencer Dryden - drums
guests:
Matthew Kelly - harmonica (on Groupie and Willie & The Hand Jive)
Darlene Didomenico - vocals (on Whiskey)


source: sbd master - 16 track, 2 tape, 10 ampex reel @ 15 ips,
	*except track 13: sbd master 2 track (thanks Rob Bleetstein)

most likely a Betty board recorded on an ampex mm-1100,
tape acquired by Rob Berger on auction site from seller in san diego

ampex mm-1200 > a/d by @ 24/96 by sonicraft a2dx labs >
mix by Alan Bershaw June 6 & 7, 2018 (see notes)



01 - tuning & Bill Graham introduction	01:04
02 - Its Alright With Me		04:04
03 - Rainbow				03:53
04 - She's No Angel			04:25
05 - You Should Have Seen Me Runnin	04:06
06 - Kick In The Head			04:21
07 - Crazy Arms				04:14
08 - Henry				04:37
09 - Hello Mary Lou			03:37
10 - Sutter's Mill			03:05
11 - Groupie				03:26
12 - Whiskey				03:24
13 - Willie & The Hand Jive* 		10:35



Notes on the mix:
I wanted to create an enjoyable stereo listening experience while conveying the multitrack recording as accurately as possible, without any processing to the individual channels and without compression or EQ applied to anything including the final mix.  In other words, staying true to the sound of the actual tape with full dynamic range.

After evaluating the 16 tracks, I began by creating 3 submixes (rhythm section/guitars/vocals), much like I would have mixed it live.  The first song had the most adjustments going on and like any live mix, the sound of each channel gradually improves during the first several songs, so this also applies to the results.

Each submix was created in stereo, starting with the 5 drum channels. Torbert's bass had 3 channels so that was next, prior to mixing him into the drums submix.  One channel was a DI and the other two were outboard signals, only one of which was working properly and neither of the outboards had any signal until partway into "You Should Have Seen Me Runnin." I disregarded the bad channel (outboard stage right), which only added distortion. Its only the bass DI for the first couple of songs, but when the good outboard channel kicks in, I split the two working bass channels. The low end gets punchier and gains definition from there on out.

The other two submixes were the 3 guitars, where I placed Dawson in the center, Cage's pedal steel emphasized on the left and Nelson's lead emphasized right, just like you'd be looking at them onstage.  Ditto for the vocal submix, although I adjusted that somewhat for whoever was singing lead.

Then it was just a matter of blending the submixes together and checking the results on several pairs of speakers and a good set of headphones.  I should also mention that there was one channel (track 16) being used for an ambient mic.  That mic wasn't turned on until "Kick In The Head" and its just a single omni capturing crowd ambience. It makes no audible difference during the songs, but after "Kick In The Head" can be heard between songs, and for a few seconds allows one to hear a bit of Dawson's stage banter when his microphone cut out. Speaking of which, this set was not without technical difficulties and the mastering deck was paused a couple of times between songs, while issues were being addressed. These abrupt cuts have been smoothed over and do not effect any of the songs except at the beginning of "Henry," where a few seconds were missed when they were slow to get the tape rolling again.

At some point I may play with mixing individual songs, as this could no doubt be mixed a lot more meticulously, but without getting carried away, I'm satisfied with it for now (48 hour turnaround Rob! During the workweek!).

It achieves what I set out to do, with minimal polish and I had fun with it.  It may not sound like a typical Betty Board anymore, but I tried to keep it true as possible to the sound she recorded.  Hope folks enjoy it.

Here's to Rob Berger for acquiring this lost multitrack master reel! And thanks to Rob Bleetstein for sharing his board recording with us so we could include the missing last song.

Alan Bershaw 6/7/18

s1t01 tuning_Bill Graham Intro.flac:c5a3eb8def7aff16be3fdb974bcdecf8
s1t02 It’s Alright With Me.flac:1c2411f8162770e05d5933fcc7fada99
s1t03 Rainbow.flac:9e86f40d00e5daa995acf7254c8df162
s1t04 She's No Angel.flac:76b82bd119dde54625d82fae83327f97
s1t05 You Should Have Seen Me Runnin.flac:ccf39ffe68248bec65e027d938ad645f
s1t06 Kick In The Head.flac:7661652661b28411384c8af3030a6c93
s1t07 Crazy Arms.flac:a209dde4716d1badf6c9b741b182f032
s1t08 Henry.flac:ad4950cea3afdadf9320240f151eb800
s1t09 Hello Mary Lou.flac:98a47093ad8d74f213d379a110a9ff47
s1t10 Sutter's Mill.flac:ff6aa488d83e3e195733b66113120732
s1t11 Groupie.flac:8c0b93021bb560928614392168429e44
s1t12 Whiskey.flac:0894a1bbd368dee174729e0fbb47e4b6
s1t13 Willie & The Hand Jive.flac:7cdf72551c9753b0e73ffae19ebbd838