Gov't Mule
The Landmark Theatre
Syracuse, NY
Friday April 20th 2018

Set1: 72:44
d1t01. crowd/intro music/tuning
d1t02. Railroad Boy>
d1t03. Slackjaw Jezebel
d1t04. Larger Than Life->
d1t05. She Said, She Said->
d1t06. Tomorrow Never Knows(1)
d1t07. Million Miles From Yesterday
d1t08. Traveling Tune
d1t09. Trane(2)
d1t10. Eternity's Breath->
d1t11. "Bridge jam"->
d1t12. St. Stephen Jam
d1t13. Time To Confess(3)

Set2: 89:26
d2t01. crowd/tuning
d2t02. River Of Fools*#
d2t03. Tears Of God**#
d2t04. Broke Down On The Brazos->
d2t05. Tributary Jam>
d2t06. Kind Of Bird(4)
d2t07. Feel Like Breaking Up Somebody's Home*>
d2t08. Jesus Just Left Chicago*
d2t09. Danny Louis intro
d2t10. 30 Days In The Hole->
d2t11. I Don't Need No Doctor->
d2t12. 30 Days In The Hole
d2t13. Dark Was The Night, Cold Was The Ground
d2t14. encore break/banter
d2t15. Key To The Highway*%


Warren Haynes - Guitars & Vocals
Matt Abts - Drums
Jorgen Carlsson - Bass Guitars
Danny Lewis - Keyboards, Guitar, Horns & Vocals

*w/ Hook Herrera - Harmonica
**w/ Hook Herrera - Harmonica & Vocals
% w/ Rick Gerkin - Keyboards

(1)w/ Day Tripper & Hard Days Night teases
(2)w/ "JB's" & Norwegian Wood teases
(3)w/ Les Brers In A Minor tease
# concert debut
(4)w/ Happy Together & Wind Cries Mary teases


Location: FOB, Orch Right Center, Row G(9th), between seats 106 & 108 off ctr aisle ~

Mic config: DIN Kwonbar, Schoeps A20S shock, large Manfrotto stand @ 10ft, small screens ~

Source: Neumann SKM140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@24/48>AES/EBU>Sound Devices 722 @24bit/48kHz ~

Transfer, editing, mastering & conversion: Sound Devices 722 master file @24bit/48kHz>firewire>Sound Forge Pro 11.0>44.1/16-CD Wave v1.98(tracking)>FLAC16 via TLH v2.7.0(level 8), tag w/Tag Scanner 6.0.28, ffp & md5-TLH ~

Notes: ~ S.F. 11.0(fades, Sony volume gain +1.75db(s1) +2.3db(s2), resample(iZotope 64-bit SRC-highest quality w/ anti-alias filter) & dither(iZotope MBit+ advanced ultra dither to 44.1/16) ~
~ Apogee - soft limit on ~
~ Editing performed in 24bit/48kHz realm ~
~ Recording, transfer, editing, mastering & conversion by Steven Weld ~
~ Many Thanks to The Mule & crew for allowing us to record and share the music ~
~ I must note that my taper friend Bill Goldberg(6 rows behind me) met with much resistance and hostility from "fans" around him and the venue management that responded. He was denied being able to tape from his seat and left the show in disgust.

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