The Spectrum, Philadelphia, PA

Summary (download all files)
DTS-Audio-CD 5.1 Mix; SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin

Textdoc (download)
Grateful Dead
The Spectrum
Philadelphia, PA
September 23, 1987

DTS-Audio-CD 5.1 Mix

Set 1:
d1t01 - Tuning
d1t02 - Feel Like A Stranger >
d1t03 - Franklin's Tower
d1t04 - Walkin' Blues
d1t05 - Friend Of The Devil
d1t06 - Tons Of Steel >
d1t07 - Desolation Row
d1t08 - Big Railroad Blues >
d1t09 - The Music Never Stopped

Set 2:
d2t01 - Bertha >
d2t02 - Cumberland Blues
d2t03 - Playing In The Band >
d2t04 - Uncle John's Band >
d2t05 - Playing In The Band Jam >
d2t06 - Drums >
d2t07 - Space >
d2t08 - I Need A Miracle   >
d2t09 - Dear Mr. Fantasy >
d2t10 - Around And Around >
d2t11 - Good Lovin' >
d2t12 - La Bamba >
d2t13 - Good Lovin'

Encore:
d2t14 - U.S. Blues

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums

Audio Information:
Original  SBD (shnid = 30887)

Source:       Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes.
Transfer:   MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5.
Mastering:  Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC.
No noise reduction or selective frequency augmentation/attenuation was performed.
Transfer and encoding by Chris Ladner.

Comments:
Last performances of "Tons of Steel" and "La Bamba".
Thanks to the provider of the MSCs who for various reasons  wishes to remain anonymous.
Overall this recording has a lot more high end  than the source listed on the archive as being a MSC >DAT transfer.  This is likely the MSC that was used on that DAT transfer as the "Healy Weirdness" described during Desolation Row corresponds to a poorly patched tape flip.  There are no dropouts in La Bamba on this recording.

Notes:
This recording has the nasty digital static at the beginning of the show (Stranger) coming through with what sounds like Bob's vocal mic as his voice is all distorted while you can hear Jerry and Brent's ok.

Tape flip during the first verse of Desolation Row patched from a similar sounding performance (no drums, just guitars/voices) on 5/10/87 using Wavelab.

Tape flip durin Space was very short and crossfaded into near-imperceptiblity.

Original  AUD (shnid = 90559)

taper : Joe D'Amico ''aka'' Joebeacon

nak 300 mics w/cp4 shotguns > sony d-5

nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend

Both  SBD and  AUD were patched with:
AUD (shnid = 133606)

Source / Lineage : Taper section  nakamichi CM 100 / CP-4s > Marantz PMD 420,  Master Cassette > CD,
Transfered on a Nakamichi DR-2 > Tascom CDRW 2000 > me >EAC > TLH level  8 > flac 16 > you > enjoy

Tape and Transfer By Jon Pasternak
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 11-NOV-2016 - Trader Little Helper
- Tagged 11-NOV-2016 - Tag&Rename
---------------------------------------------------------
More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analog audio outputs of your CD/DVD player.

Burning Instructions

Burn them the absolute same way as you would burn any
normal Audio-CD from FLAC files.

Brokedown House Production

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     5:28.54       57986252 B   ---   --   -----    wav  1.0000  gd1987-09-23d2t14.wav
   143:16.22     1516387156 B                            1.0000  (23 files)



Media Size
1.32 GB(1415577600 bytes)
Media Size Uncompressed
1.41 GB(1516387156 bytes)
SHN Disc Count
0
WAV Disc Count
0
Date Circulated
11/11/2016
Entered By
mvernon
Created At
Fri Nov 11 2016 17:10:14 GMT+0000 (Coordinated Universal Time)
Updated At
Sun Nov 13 2016 13:51:31 GMT+0000 (Coordinated Universal Time)

Checksums
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