Phish
1991-03-16
Ten Mile Room
Breckenridge, CO

Source:  Audience & Soundboard Multitrack mix
Transfer:  DAT(c) @ 48kHz > Sony PCM-R500 > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X v12.5.0.264 (fades, edits) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger

DAT provided by Charlie Miller & Arielle Phares
Transfer & edits by Jeff Mitchell (jeffhmitchell@gmail.com)
Seeded to etree 2015-07-08

Set 1:
s1t01 - Intro
s1t02 - The Man Who Stepped Into Yesterday >
s1t03 - Avenu Malkenu >
s1t04 - The Man Who Stepped Into Yesterday >
s1t05 - Golgi Apparatus
s1t06 - Reba
s1t07 - The Landlady >
s1t08 - Bathtub Gin
s1t09 - The Curtain >
s1t10 - Rocky Top
s1t11 - Colonel Forbin's Ascent >
s1t12 - Fly Famous Mockingbird >
s1t13 - The Oh Kee Pa Ceremony >
s1t14 - Suzy Greenberg >
s1t15 - Run Like An Antelope

Set 2:
s2t01 - Llama
s2t02 - Divided Sky
s2t03 - Guelah Papyrus
s2t04 - My Sweet One
s2t05 - Split Open & Melt
s2t06 - Magilla >
s2t07 - Buried Alive >
s2t08 - The Squirming Coil >
s2t09 - Cavern
s2t10 - You Enjoy Myself

Encore:
s2t11 - Manteca >
s2t12 - Possum


Tech Notes:
- diginoise from 09:21:96 - 09:22:02 in Antelope, patched with #25433
- diginoise from 01:22:18 - 01:22:22 in Divided Sky, patched with #25433

Notes: Take Five was teased prior to the start of the first set. Forbin's was dedicated to Mike from Telluride. Suzy included a Reba tease. Trey teased Who Knows in Melt. Possum contained a Manteca tease in the intro and Charlie Chan and Complete Stop signals. A show on this date was originally scheduled for the Marriott Ballroom in Vail, CO; that show was cancelled. This Breckenridge gig was originally scheduled for Thursday, March 14, and was a late reschedule.

Although, not specifically commenting on 1991-03-16, these notes provide more information on some of these multitrack recordings.  Taken from http://db.etree.org/shn/441:

Hello,

Some comments on this show and these sources....
I helped Mike make several of these tapes. The Board used was a highly modified soundcraft 200b 16 channel mixer. We miked the band's equipment (mostly) with our own high end mics - we had some Schoeps over the drum kit, B&K's on trey's guitar and over the organ. The aud mics for this night were AKG C460B w/ omni capsules. I remember these b/c i risked life and limb climbing and hanging them on the walls. We had some other studio mics as well, but it changed nightly, and I don;t really remember the changes / uses.
We used alot of the band's mics as well. The signals for all went to a splitter - and then a snake went to the house, and a snake went to the 200B. We had an effects rack, I don't recall what it was. Recordings were live to 2 track DAT on a SV3700.
This particular night we taped on the band's truck. Several other nights we had a room in the building. halloween '90, Boulder theatre, and Breckenridge i know we had an indoor backstage 'room'. It was a challenge in the building to seperate our mix from house noise.
Loads of fun - everyone run out and buy a V3 now - Mike's a great guy, and I had a great time being his helper on these. I was only 19, and as Mike's helper, and being 'with the band', I got into some 21 and over shows. Phish was great fun in a small arena. I haven't seen them in a larger environment than this.
Glad they circulate, too.

JC Mahoney

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