SHNID 13133 String Cheese Incident 2001-12-29
Bill Graham Civic Auditorium, San Francisco, CA
Summary (download all files)
Schoeps MK41 > MP2 > AD2K+ > DA-P1; Transfer: DAT > ?? > CDR > Track Thief > .shn
Textdoc (download)
String Cheese Incident December 29, 2001 Bill Graham Civic Auditorium: San Francisco, California Source: John Hart's Schoeps MK41 > MP2 > AD2K+ > DAP1 Extracted using Track Thief and Shortened on a Macintosh G4 Cube by nodrog@continet.com Disc One Set 1 1. close your eyes 2. MLT 3. these waves 4. ballad of Stagger Lee? 5. sittin? on top of the world 6. white freightliner blues? 7. rhythm of the road> 8. crosstown traffic Disc Two Set 2 1. intro 2. outside inside 3. under African skies> 4. turn this around 5. hotel window 6. hold what you?ve got? 7. way back home Disc Three Set 2 continued 1. Miss Brown?s teahouse> 2. rollover Encore 3. Black and White? Guests: ? with Darol Anger on fiddle and Taj Mahal ? with Darol Anger on fiddle ? with Michael Franti Notes: First Time Played: Ballad of Stagger Lee (traditional cover) ----- Reviews from the Incidentalist: The December 29th show, though, ranks far and away as the worst show I have seen out of 49. On the 29th we got in line early to secure a block of seats for our whole group. We got in and had plenty of time to wander and check things out. I saw a bit of Topaz in the side room, and checked out parts of Taj Mahal. SCI somehow decided that tonight was to be the night to showcase all the boring overplayed new tunes. Close Your Eyes to open? Yawn. The MLT after that was hoppin as always, but then came the John Barlow tune, These Waves. What? I thought that getting him involved was supposed to improve the songwriting. As Chris Bowd said when he posted the lyrics a couple months ago, this song is essentially garbage. After that, Daryl Anger came out and plated a couple great bluegrass traditionals - the SOTOTW was cool White Freightliner was really fun. Rhythmn of the Road is always cool to hear, and the set closer with Crosstown Traffic had me thinking of the 4th and B show they busted it out. Second set is where it all went downhill. ANOTHER overplayed new song, Outside Inside, to open the set. Then I thought they went into Way Back Home, but it turned out to be Under African Skies - which is a nice tune, but still a cover that they HAVE been overplaying. Then came the rock band song, Turn this Around. I've never liked this song, it sounds like SCI trying to be a 91X band. Then a new ballad, Hotel Window. Slow and a bit depressing. A brief bluegrass reprieve came next, Hold What you Got, with Daryl Anger again, got me up and smiling. Then came another Under African Skies? No, this one WAS Way Back Home. Did they take the melody directly from UAS for this one? At this point, Gregg sits down. I started yearning for some older Cheese, lamenting the loss of my favorite band to what this has become. I thought "Where's the REAL funk? How about a Miss Browns Teahouse?" Well, somebody must have tipped the band off that I wasn't happy, because the next song WAS Miss Browns Teahouse. Sweet! But the jam in the middle of it went from nowhere to noplace, it sounded dark and Phish-like. Why is Phish rearing its head in a fun happy funk tune like MBTH? The Roll Over was the same as well - nice happy tune that somehow ended up as a launching pad for a jam that went nowhere. The encore, YET ANOTHER SONG OFF OUTSIDE INSIDE, Black and White, featured Spearhead again. I think this guy is good and a genius in his own genre, but why is a bluegrass/jamband bringing him out 2 nights in a row? Kyle really shined and dominated during night 2, I could barely hear Kang in the mix, and it disappointed me that Kang did not pick up his fiddle even once. With Daryl Anger there, they had the perfect opportunity to bust Rivertrance with dueling fiddles, or something equally spacy and cool. Here are my thoughts on it: I'm sorry, but SCI is really NOT a rock band, you need a dominating lead guitar to do that. Kang is great and talented, but he is not a lead guitar player. SCI is not a funk band either. Kyle seems to have really taken control as the bands leader and is transforming them into one, but you need a bass player that can take over at times for that - Keith is good in his own way but not capable of dropping the bombs and taking over in the funk. At least I didn't see it.. Also, it appears to me as if the SCI scene has been overrun with tourrats. It's as bad as the Phish scene had gotten folks. Never before have I seen so many kids with Phish shirts, selling gooballs in the Ramada lobby, asking for kickdowns, etc.. While in line on Friday the 28th, one dready girl kept walking by saying "Please pass extra ticket to local tourkid". Wait, isn't that a contradiction? LOCAL - TOURKID? It took all of my self control not to tell her that with a sales pitch like that, she better be expecting to get naked and dance for somebody. So much of the ME ME ME, I kept seeing, and it left a bad taste my mouth. I ended up going to see Phil on New Years. I had never done a Grateful Dead related new years show, and was really glad I went. They played until 3 AM! By that time my body had just about shut itself off. Finally, I have something I have get off my chest - about that "exclusive" Secret Identity Dance on the 29th. One guy went as far as telling me how he helped organize it, was tight with mama Sutra, and what an awesome show stopping once-in-a-lifetime party this was going to be. Even when I said I didn't have a ticket and that it wasn't that big of a deal, he still went on to say how much I was going to be missing out, and whata kickass time it was going to be. Has our scene become that separated and elitist? Would any of you do that to somebody you even remotely liked? "Oh, it's going to be the best ever, I got ALL my friends in, too bad you're not going" Ok, I just had to get that out. It was great seeing everybody, sorry about the honest, albeit negative feedback on String Cheese Incident. I'm not going to stop seeing them, but I think I will be picking my Incidents this year based on location as much as anything else. Hawaii anyone? ------ So night 2 arrives and we get in early enough to grab a couple rows of seats in the same section of the balcony as the night before. Prior to the show Barbara and I went up to the 4th floor to the Academy of Superheroic Arts (no comment; more later). Munched on some pizza and got settled in for Taj Mahal, who put on an infinitely more pleasing set than G-Love did the night before. New addition to the balcony was a large red LOVE banner, which pretty much set the tone for the night. Close Your Eyes MLT These Waves Ballad of Staggerlee * ^ Sittin' On Top of the World * ^ White Freightliner ^ Rhythm of the Road > Jam > Crosstown Traffic * w/ Taj Mahal ^ w/ Darol Anger The Close Your Eyes to open got everyone moving and was a pretty good version, but I, frankly, enjoyed the rest of the set much more. I hadn't heard MLT in a long time, so I was really pleasantly surprised when the band decided to do this one. Very nice version as well with Kyle continuing to shine this night. These Waves....as it began I was really happy to hear this again. I figured it might wait until NYE, but was happy to hear it on 12/29 instead. The ending of the song still needs a bit of work, but the verses, chorus and bridge are all worked out and sound great. Taj and Anger are then introduced and the band starts into the Ballad of Staggerlee. While this is not the GD's version of Staggerlee, it is based on the same traditional tune/story. Very similar to the Tony Furtado Band version. Excellent fiddle from Darol. The Sittin' on Top of the World (again with Taj and Anger) is vastly different from prior versions (save for the Boulder version two weeks ago). Much slower and shuffles along very similar to LoS's version (circa 1996). Taj then left the stage and the band did an excellent (though fairly standard) version of White Freightliner with Darol. Darol leaves and the band starts the familar jazz-note intro to Rhythm of the Road. Outstanding version with a tremendous segue jam (the only one of the set) into a surprising Crosstown Traffic (though I suppose I shouldn't have been that surprised in that traffic on Market St. that afternoon was so bad that it caused what is typically a short cab ride to the City Lights bookstore in North Beach to be a 20 minute one). As I've said before, there's nothing better than a Crosstown Traffic after sitting in it earlier that day. Nice 40 minute break allowed for plenty of socializing and touring around the BGCA. Outside Inside > Under African Skies > Jam > Turn this Around > Hotel Window Hold What You've Got ^ Way Back Home Mrs. Brown's Teahouse > mini parade > Rollover e> Black & White (with Michael Franti) While I enjoyed the special guests and energy of the first set, the second set had a profound emotional effect on me. Outside Inside to open was fine...I've frankly grown tired of seeing this one, but starting the second set worked for me. What was nice about this version is that it segued into a great version of Under African Skies. Well played and jammed out into a Mauna Bowa tease that had the cheers rising in anticipation, before disappointing us by going into Turn this Around. You could almost hear the collective "ahhhh". As I've contended for the last 1.5 years, Turn this Around is a good song (in some ways it's infinitely better than Howard) and this version was fantastic; it went way out there before slamming back into the theme, before finishing, slowing down and segueing into Hotel Window. I know some of you are bored during this BNR moment, but for me, this song is pure bliss and heartfelt sadness all at once. Once again, SCI moved me to tears.....real ones...my heartstrings were pulled so hard on this one that I cried my eyes out as Billy sang. Back out comes Darol and the boys go into the Ralph Stanley classic, Hold What You've Got. While not markedly different from other SCI versions, Darol still added a lot of fiddle and freed Michael up to play mandolin the entire song. Way Back Home was fantastic. Maybe the best version of this song I have heard. It went waaaaay out and came back. Mrs. Browns got everyone moving again and funking it up. Keith was all over this one. While the song was never finished, it segued into a rather mellow jam in which a mini-parade took place...several large and small creatures/superheroes of different "species" marched/danced across the middle of the floor to the center. The parade jam segued into the first non-NYE Rollover in a holiday run that I can remember. This made me very happy and this version was nothing short of spectacular. Highlights: Turn this Around, Hotel Window, Rollover. The B & W encore started and at first appeared to be a trainwreck. Michael started with the second verse and then instead of going back to do the first verse, did the second verse a second time. Pretty unusual for Michael, I thought, but then when Michael Franti was introduced, it became sort of clear that the flub may not have been a flub at all. The B & W included/featured Michael Franti on a beat box of sorts, in which he rapped or scatted various statements about war and peace and music being the international unifier. What *I* thought he was saying was "You can bomb the world to pieces, but you can't find no inner peace" as opposed to what others have reported ("You can bomb the world to pieces, but you can't bomb the world to peace.") Either way, the rap was an emotional plea to change the way "we're" doing business, to challenge the misguided leaders of this country, and made for a wonderful and moving social statement. The more I listen to Franti and Spearhead, the more I think that he/they are truly gifted and positive. While a bit edgier than Marley (both musically and lyrically), they certainly try to convey many of the same themes Bob did 20 years ago. All in all this show was a great one. May have flowed a bit better than the prior night, but wasn't that much better than the prior night to make this show stand out as best of the run. In fact, as will become fairly clear in my 12/31 review, I really would be hard-pressed to pick a best of run show. ------ 12/29/01 After what I thought was a fairly average show the night before, I was pumped to see if the boys would turn it up a notch...and they did. Set One... Close Your Eyes is gettin' better every time I hear it. It's a great song to open a show with...'Close your eyes, look inside, and see what you can find." and the jam in the middle has come a long way. MLT was a great follow up, nothin' gets a crowd of cheese-junkies movin' like a little salsa. The jam was great, as usual, and the boys already seemed like they were playin' a lot tighter than the night before. I still don't like These Waves, i feel like Britney Spears might end up covering it at some point in her career. Taj Mahal and Darol Anger were nice additions and they did one of Taj Mahal's songs "The Ballad of Stagger Lee". It was nice, but a breather for sure. Then we got a great SOTOTW and everybody was bouncin' again. The grass kept growin' as the boys did a nice version of White Freightliner. After the guests left the stage, it was obvious that we'd get somethin' crazy...and we did in the form of ROTR. Great version! BNR. Billy picked us into a frenzy and the jam out of ROTR was awesome. I don't think anybody saw the Crosstown Traffic coming, I know didn't, but I was psyched to see my first one. Kang rips this cover and the crowd erupted as the first set concluded. As I waited in the slow-moving beer lines I felt a lot better about this set than either of the ones from the night before. Although the song selection wasn't great, the musicianship was topnotch. The band was much tighter than the night before and the crowd was diggin' it. Set Two... They came back out and opened 2nd set with Outside Inside. They didn't do any intro for it, (you know the one they've been doin' recently that sounds like the BOTWP intro) but I actually really got into the song. I usually don't like this one, but I was feelin' it on that night (coulda been the popcorn). UAS was exactly what the crowd needed. Fun, jumpy, tune and the place was rockin' for the jam out of it. The segue was killer as they melted into a crazy version of Turn this Around. This is another song that's been growing on me and this night was a great one. Maybe not Vegas great, but real close, and a very similar jam. Slow and methodical. BNR. Hotel Window is a great breather. I'd take this one over Barstool any day. BNR. Angor comes back out for a quick version of Hold What You Got. The crowd was movin' again and the fiddle work was great. Way Back Home was pretty standard as I recall, but this song too is growing on me. It and Turn this Around have really grown over the past couple of tours. While the set was really great to that point, what was to follow made the show. Ms. Brown's was killer. Super funk, Kyle starts to really take over on this one and the jam that follows was wonderful. I thought we might get a Rollover closer tonight, and sure enough, we did. Kyle went nuts in the jam and thank god they finished the song in it's entirety without slipping anything in the middle. The song is great the way it is, and sounds better when they just play it straight through instead of makin' sandwiches. The Second Set was great and they came back out to encore Black and White. Some guy, who I thought was the same as the night before, came out half way through and did a real cool freestyle rap in the middle of Black and White. I actually really enjoyed him up there. We all endin' up singin': "You can bomb the world to pieces, but you can't bomb the world to peace." over and over. It was really nice, and fitting as we approached the New Year. IMO, this was a much better show than the night before. The band was definately tighter. The jams and transitions seemed to flow better. Highlights were definately: ROTR>jam>Crosstown, UAS>jam>Turn this Around, and especially MsB's>jam>Rollover. ------ The show was, well, ok. My experience of the crowd was disappointing. I guess Horning's being 3/4 of the shows I've seen gave me a rather skewed view of The Scene. SO much alcohol and trash outside the venue. SO much smoking inside the venue (cigarettes). We got there somewhat late, near the end of Taj's set and had to take nosebleed seats. There was just this VAST quantity of cigarette smoke, which really degraded my concert experience. I could have gone down to the floor, but I have back problems and prefer to sit for usually about 1/2-3/4 the concert. So we sat in the upper, upper seats and inhaled packs of tobacco smoke. The show itself was pretty good, but not amazing. I did enjoy seeing them play with Taj and Darol. They didn't play any of my Most Favorites and did play some that are, well, not boring, but not my favorites either (way back home, these waves....though both those songs have potential). I thought it was a really average cheese show. It certainly didn't suck, I rather enjoyed it, but neither did it showcase the ecstatic energy they are more than capable of, you know? High points had to be Crosstown Traffic, which was awesome, and Hold What You Got, which was fun and bouncy. We left near the end (well past midnight, hour drive ahead of us, wanted to be out of there before the crowd did, and we were so tired of the smoke). We split during Way Back Home and missed Michael Franti!! sigh.
Media Size
0
Media Size Uncompressed
0
SHN Disc Count
2
WAV Disc Count
3
Date Circulated
11/14/02
Entered By
ford prefect
Created At
Thu Nov 14 2002 20:14:35 GMT+0000 (Coordinated Universal Time)
Updated At
Thu Nov 14 2002 20:14:35 GMT+0000 (Coordinated Universal Time)
Checksums
All (download)
37643446a5743d3376dc0fbc358dfd63 *sci2001-12-29d1t1.shn 3d4ebbd261eb2f00f620f68056848783 *sci2001-12-29d1t2.shn 2944e57e208a3f2bbcb8c7691217d482 *sci2001-12-29d1t3.shn 0d19c5a1ef2f557ec6af553ac5bfa704 *sci2001-12-29d1t4.shn 137b987a8fc11e2723641a776034ea73 *sci2001-12-29d1t5.shn 182184bd6627f3844b6fda9146807b17 *sci2001-12-29d1t6.shn 5d0cd8548487f1603d194167a1e23a7d *sci2001-12-29d1t7.shn 131f9cfbe4d8516378d4055653b84aa2 *sci2001-12-29d1t8.shn a71c816a9b82e4dd24c23e8b1badc54f *sci2001-12-29d2t1.shn ee4e9f324604b2799168fedc5795b3eb *sci2001-12-29d2t2.shn f82c2829ff24643965af3d23ef2e66c8 *sci2001-12-29d2t3.shn a98d14c54948d81e63eb5368437502fa *sci2001-12-29d2t4.shn 485457e6ce4d2cbc3e0177c45ae870a3 *sci2001-12-29d2t5.shn 86db264b1a9b1a96864996d8f24aba12 *sci2001-12-29d2t6.shn 40497672637f83fc959e21c4c6b835f4 *sci2001-12-29d2t7.shn a2207f2fc3bf6203f2ed99749939fb4d *sci2001-12-29d3t1.shn 3d8d4fecf4527a90a468a2723c962fdc *sci2001-12-29d3t2.shn e8446c901ae8032360f4bc70cf312930 *sci2001-12-29d3t3.shn
No users own this source