Grateful Dead
Pittsburgh Civic Arena,
Pittsburgh, PA
April 3, 1989

SBD + AUD Matrix 4 Source Mix (55%-AUD/45%-SBD)

Set One:
d1t01 - Greatest Story Ever Told->
d1t02 - Bertha->
d1t03 - Walkin' Blues
d1t04 - Jack A Roe
d1t05 - El Paso
d1t06 - Built To Last
d1t07 - Victim Or The Crime
d1t08 - Just Like Tom Thumb's Blues
d1t09 - Don't Ease Me In

Set Two:
d2t01 - Blow Away
d2t02 - Estimated Prophet->
d2t03 - Crazy Fingers->
d2t04 - Uncle John's Band->
d2t05 - Drums->
d3t01 - Space->
d3t02 - Gimme Some Lovin'->
d3t03 - I Need A Miracle->
d3t04 - Stella Blue->
d3t05 - Sugar Magnolia

Encore 1
d3t06 - Johnny B. Goode
Encore 2
d3t07 - Black Muddy River

Audio Source Information:
Soundboard
shnid = 7507
Mastered by Jay Serafin, Serafin Station Studio B
LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN

Jay's comments:
any/all editing,fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96kHz data stream) at Serafin Station Studio B [this show was released in 05/00]

My comments:
Both sets (d1t01, d2t01) start rather abruptly.  Most likely a few notes are lost in both cases.
There is a bit of distortion, tape flutter, or static in d1t01 from 1:11 to 1:15 and around 1:42.
Extracted with EAC in secure mode.  There was a sync error on d1t9, bu copy completed.

Jay asks that the integrity and hard work of his mastering be respected: "all I ask is that the shows aren't edited in any way, such as taking out a lot of the between song lulls, etc. They're left in there because they were part of the show...".  Sounds reasonable to me.
Thanks.
Bob H.

Audience1
shnid = 29758
Source Audience FOB (11th Row)
Mics Beyer Dynamic M88's
Tapedeck Sony TCD5M
Media Maxell MX90
Taper Glen Charlton

Digital Mastering by Charlie Connor
Shn'd 4/19/01 by Charlie Connor

I don't know why this didn't end up on the etree db until June 23, 2005 but I'm reseeding
the Etree BT tonight.

FoB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>
Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>
Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR
redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)

Audience2
shnid = 125023
Master Audience Recorded By Fitzy, Transfer By Keo!
 Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's
Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz
 Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
  Dithered/Flacked With Korg Aqua To 16/44
   SBE's Checked/Fixed With Trader's Little Helper
    Metadata Tagging With Tag&Rename

Video
no shnid
Video: AUD > ??? > HI-8 tape (low generation but unknown lineage)
Transfer: Sony DCR-TRV460 Camera > Firewall > Sony Vegas Pro 11 > MPEG2 > LCPM
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 1-AUG-2013 - Trader Little Helper
- Tagged 1-AUG-2013 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings

SET ONE

Stereo Matrix
SBD 0
AUD +1

SET TWO

Stereo Matrix
SBD 0
AUD +1
---------------------------------------------------------
Audio Patches:
1) At the start of the show, 22.780 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the first 8 seconds of Greatest Story Ever Told.

2) Between Walkin' Blues and Jack-A-Roe, 12.101 seconds were missing from the audience1 and were filled in using audio from the soundboard.

3) Between Jack-A-Roe and El Paso, 2 minutes and 37.761 seconds were missing from the audience1 and were filled in using audio from the soundboard.

4) Between El Paso and Built To Last, 11.436 seconds were missing from the audience1 and were filled in using audio from the soundboard.

5) Between Built To Last and Victim And The Crime, 55.682 seconds were missing from the soundboard and were filled in using audio from the video.

6) Between Built To Last and Victim And The Crime, 1 minutes and 13.075 seconds were missing from the audience1 and were filled in using audio from the soundboard/video.

7) About 5 minutes into Victim And The Crime, 33.520 seconds were missing from the aduience1 and were filled in using audio from the soundboard.

8) At the start of the 2nd set, 48.400 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the beginning of Blow Away.

9) About 7 minutes into Crazy Fingers, 3.338 seconds were missing from the soundboard and were filled in using audio from the audience2.

10) About 5 minutes into Uncle John's Band, 2.595 seconds were missing from the soundboard and were filled in using audio from the audience2.

11) About 8 minutes into Uncle John's Band, 7.833 seconds were missing from the soundboard and were filled in using audio from the audience2.

12) About 4 minutes into Drums, 2 minutes and 8.652 seconds were missing from the soundboard and were filled in using audio from the audience2.

13) About 1 minutes into Space, 3 minutes and 11.697 seconds were missing from the audience1 and were filled in using audio from the audience2.

14) About 5 minutes into Sugar Magnolia, 11.243 seconds were missing from the soundboard and were filled in using audio from the audience2.

15) About 6 minutes into Sugar Magnolia, 4 minutes and 57.484 seconds were missing from the audience1 and were filled in using audio from the video\audience2. This includes the break between Sugar Magnolia and Johnny B. Goode.

16) Between Sugar Magnolia and Johnny B. Goode, 1 minute and 9.761 seconds were missing from the soundboard and were filled in using audio from the video\audience2. This includes the first notes of Johnny B. Goode.

17) At the end of the 2nd set, 27.656 seconds were missing from the soundboard and were filled in using audio from the audience2. This includes the last notes of Black Muddy River.

Brokedown House Production

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