Cinema Teatro Parrocchiale, Cologne, Italy
Summary (download all files)
flac16; Zoom H2 wave recorder (embedded microphone)> HD> Sound Forge 7.0> CD Wave Editor> FLAC Frontend(level 6)
Recorded by Commissario Rex
(Transferred?) and seeded by LDB
Files renamed to etree/archive.org standards, new checksums generated & datafile modified w/ tracklist corrections
by George Berridge & Alex Ford 5/28/13.
Recorded by Commissario Rex
(Transferred?) and seeded by LDB
Files renamed to etree/archive.org standards, new checksums generated & datafile modified w/ tracklist corrections
by George Berridge & Alex Ford 5/28/13.
Textdoc (download)
Little Feat February 5, 2013 Cologne Bresciano, Cinema Teatro Parrocchiale Cologne, Italy Source/Lineage: Zoom H2 wave recorder (embedded microphone) > HD > Sound Forge 7.0 > CD Wave Editor > FLAC Frontend (level 6) Recorded by Commissario Rex (Transferred?) and seeded by LDB Files renamed to etree/archive.org standards, new checksums generated & datafile modified w/ tracklist corrections by George Berridge & Alex Ford 5/28/13. 01. Intro / Rocket In My Pocket 02. Honest Man 03. Representing The Mambo 04. Spanish Moon 05. Salome 06. Dixie Chicken > Bass Jam > 07. Key/Drum Jam > Dixie Chicken 08. Church Falling Down 09. Willin' 10. Rooster Rag 11. Mellow Down Easy 12. Fat Man In The Bathtub > Abba Zaba > Fat Man In The Bathtub 13. Let It Roll TT 118:49 suggested disc split after track 07 (key/drum jam > Dixie Chicken) Bill Payne ~ vocals, keyboards Paul Barrere ~ vocals, guitar Sam Clayton ~ congas, vocals, percussion Kenny Gradney ~ bass Fred Tackett ~ guitar, mandolin, trumpet Gabe Ford ~ drums Another one recorded by Commissario Rex and brought to you by your truly ldb. Sounds very good too! ldb LDB Master Series #339 Out of my 7,000+ shows and radio broadcasts, I have many concerts that were special for some reasons: the setlist, the musicians, the venue or unexpected events. These are the ones I'd like to propose you. Most of these come from my cassettes collection, so they will be released at a slower pace than my Master Series! But you won't be disappointed! I will try to gather the most unusual things I have in my collection and, as always, your feedback and comments will be my reward for all the work involved in this project. DO NOT share this music on mp3, just convert it for your own use. Sharing mp3 is the right way to make me stop sharing music here. Finally, some notes about your truly ldb: I have been a fan of live music since I was 9 years old (that is where I attended my very first show, a PFM/De Andre gig at Milano's Palalido) and my first taped show was at 11 using a crappy portable cassette player with embedded microphone. I become more serious about taping in 1983 when I started to record every show. In 1991 I acquired my first Sony Professional and in 2000 I moved to MiniDisc to finally settle on R-09 in early 2008. I have attended over 500 shows in my career. Most of them were taped but for others bad luck struck and I could not record it: on top of my mind there's a Paul McCartney show in 1993 in Milano where I was caught by the security or Porcupine Tree in Roma in March 1999 when the DAT machine would seem to work but listening back to the tape there would just be a long bunch of silence. Or during a Y. Malmsteen show where I got so annoyed that I left halfway through the show and erased the tape and finally on a PFM show in Milano in 2007 where I had to leave before the encore because the baby-sitter had to leave early that evening. Some other times I was very close not to tape or had to do it in extremely difficult situations: for the four Peter Gabriel shows at Earls Court in 1987 security was checking tapers with metal detector; at the David Gilmour comeback show in London in 2001 at RFH I had the security guy sitting next to me but I managed to tape the show without checking one single time my MiniDisc! There was a time I was traveling anywhere in Europe to see shows, especially if there was no touring in Italy: I remember Rush in Paris in 1992 when the trio did not even know what Italy was. I have seen shows at stadiums (Genesis at Wembley) and in places with 30 people (Porcupine Tree in Milano in 1997); bands that would later become huge (Pearl Jam in a free show for 150 people) and masters of jazz (Miles Davis or Sarah Vaughan). Shows I will never forget (Pink Floyd at Versailles castle) and some I would rather forget (no comment...). I truly believe that live music is what keeps music alive, what make us enjoying it together, what allow us to have deep feelings and transmit it to others. Studio records are nowadays 'commodities': you can buy online as anonymous wav files and listen in your iPod or at home. Live music will always imply an effort to buy the tix, travel to the venue, see the show, think about it when coming back home.
Media Size
1 KB(581 bytes)
Media Size Uncompressed
0
SHN Disc Count
1
WAV Disc Count
1
Date Circulated
05/28/2013
Entered By
Albix
Created At
Tue May 28 2013 21:35:24 GMT+0000 (Coordinated Universal Time)
Updated At
Thu May 30 2013 22:23:05 GMT+0000 (Coordinated Universal Time)
Checksums
flac.ffp (download)
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