SHNID 123573 Phish 1994-04-06
The Masonic Temple, Toronto, ON
Summary (download all files)
flac16; Audio Technica AT825 > Marantz PMD430 (Maxell XLII-S); Master XLII-S cassettes > DAT > Mackie mixer (flip phase one channel) > XLII-S cassettes (in Marantz PMD510, speed adjusted) > Sound Devices 722 (24/96) > Audiogate (+5 dB, fades, tracking, dither/re-sample to 16/44.1) > xACT (flac 8); Taped & Transferred by taperjoe
Textdoc (download)
Phish Concert Hall Toronto, Ontario April 6, 1994 Source: Audio Technica AT825 (X/Y stereo mic) > Marantz PMD430 / Maxell XLII-S Lineage (full explanation below): Master XLII-S cassettes > DAT > Mackie mixer (flip phase one channel) > XLII-S cassettes (in Marantz PMD510, speed adjusted) > Sound Devices 722 (24/96) > Audiogate (+5 dB, fades, tracking, dither/re-sample to 16/44.1) > xACT (flac 8 w/ SBA & tags) Recorded & transferred (1/2013) by taperjoe. Disc 1 - set 1: 1. Llama 2. Guelah Papyrus 3. Poor Heart 4. Stash 5. The Lizards 6. Sample in a Jar (tape flip at end) 7. Scent of a Mule 8. Fee 9. Run Like an Antelope Disc 2 - set 2: 1. The Curtain 2. Down with Disease 3. Wolfman's Brother 4. Sparkle 5. Mike's Song > 6. Lifeboy (tape flip at end) 7. Weekapaug Groove 8. The Squirming Coil 9. Cavern Encore: (no mics, levels adjusted on the fly) (pause button hit during encore break) 10. Ginseng Sullivan 11. Nellie Cane 12. Sweet Adeline Recorded from the small balcony that wraps the perimeter in the room. I had forgotten about the guys who keep yelling, "WHO ARE THE BRAIN POLICE!" at times throughout the show. At the time the reference was lost on me...now at least I know it's a Zappa reference but I still have no idea why they would have been yelling it.. Full explanation of lineage: The recording rig used was checked out from Columbia College in Chicago where I was a student taking a location recording class at the time. This is to say I was a somewhat inexperienced taper. :) The master cassettes had one channel that was out-of-phase with the other. The cause was believed to be a mis-wired connector on the mic; someone at Columbia had modified the cable taking off the XLRs & replacing them with 1/4" (to be compatible with the cassette deck), wiring one backwards from the other. The problem on the tapes was discovered a couple years later so an effort was undertaken to correct it... Cassettes were transferred to DAT, then the DAT was played back through a small Mackie mixer (1202 or 1402) & the phase was reversed on one channel. The output of the Mackie went BACK TO THE MASTER CASSETTE, recording over the original analog master. I know, pretty stupid move. At the time I still LISTENED to cassettes & figured, "Well, this is fucked, why would I want to keep it in its current state?". No eq or anything else was used, it was simply an effort to fix the phase problem. BUT, now the recording has been "fixed" at 16-bit resolution. The result: a recording that is now A>D>A>D. I did this transfer at 24/96 so I wouldn't feel the need to do it again. They're archived (as untracked tape sides), but I wouldn't consider them worthy of circulation, the 16-bit versions should be fine. I think this is why I haven't been in a big hurry to circulate these, but they sound better then I remembered, especially the Toronto show, so why not! Enjoy!!
Media Size
912.49 MB(956815034 bytes)
Media Size Uncompressed
0
SHN Disc Count
0
WAV Disc Count
0
Date Circulated
01/24/2013
Entered By
jasonsobel
Created At
Fri Jan 25 2013 05:35:05 GMT+0000 (Coordinated Universal Time)
Updated At
Fri Jan 25 2013 05:35:05 GMT+0000 (Coordinated Universal Time)
Checksums
FFP (download)
ph1994-04-06_at825_s1t01.flac:5b41bfcf6d44c88cdb0dc47a2c176dbc ph1994-04-06_at825_s1t02.flac:dfc94065d62bb6e3de4b3bb32072cf98 ph1994-04-06_at825_s1t03.flac:57bcc752c09cd4e0d106679f54d7ba7b ph1994-04-06_at825_s1t04.flac:d92a104a467e65f2366aa7fe70c8fb07 ph1994-04-06_at825_s1t05.flac:6bba4218264288e9b7347f9515b32ea3 ph1994-04-06_at825_s1t06.flac:cd8218be0fa3e2d84385f677e0d5e803 ph1994-04-06_at825_s1t07.flac:527de45ad3a2ecf6cb80f4fbc85715c9 ph1994-04-06_at825_s1t08.flac:d8c05a049e1de7df84879c62b65625ab ph1994-04-06_at825_s1t09.flac:fd82d44e379b2414f80c4604db768ab4 ph1994-04-06_at825_s2t01.flac:6c848d8fe1ab9c27deb4f5725b16d69a ph1994-04-06_at825_s2t02.flac:b2903d8301bbc168aef55e9a9c9f88e7 ph1994-04-06_at825_s2t03.flac:6b911a109642b550df394b82aa22822e ph1994-04-06_at825_s2t04.flac:9bfc40d907bdcb216a753b3774b92f08 ph1994-04-06_at825_s2t05.flac:c2f1d3ae9aae435cf448953a1055aae4 ph1994-04-06_at825_s2t06.flac:8ac10c7af35e56a0d6e352d8ac559f8c ph1994-04-06_at825_s2t07.flac:28821dc0c90f41795a4c13f74b3bd406 ph1994-04-06_at825_s2t08.flac:7f0d33a63d76328b9239c66e52ee9f97 ph1994-04-06_at825_s2t09.flac:61497134737bfe69e033fe1c9caf7c3f ph1994-04-06_at825_s2t10.flac:7533b65f6565a28adb269585b477782b ph1994-04-06_at825_s2t11.flac:a6ef14cdd9740c9775c29c32af8446d2 ph1994-04-06_at825_s2t12.flac:54cd23790737f988d56284c7146f3263
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