Widespread Panic
Pepsi Center
Denver, CO
12/31/2010

Source: Busman Audio BSC1/K41 (nos) > Edirol bm2p+ UA-5 > Edirol r-09 (24/48)
Location: FOB/DFC 45ft from stage, 6.5ft up
Transfer: SDC > WaveLab 6 (Normalize, -24dB @ 70Hz, Fades, Convert to 16bit, 
Resample to 44.1 with Apogee UV22HR Dither) > CDWave (Tracking) > 
Traders Little Helper (FLAC6)
Tagging: FLACs Tagged With Mp3tag v2.46a

Recorded by Ryan Stearns


Set 1:

01 Intro
02 Ribs & Whiskey
03 Don't Be Denied
04 Wondering
05 When You Coming Home
06 Driving Song >
07 Who Do You Belong To

Set 2:

01 Intro
02 Holden Oversoul >
03 North >
04 Blackout Blues*
05 Blight >
06 Bust It Big >
07 Pleas >
08 Mr. Soul

Set 3:

01 Happy New Year 
02 Disco >
03 Tall Boy
04 Sharon**
05 Tongue (Shuffle In A)**
06 Imitation Leather Shoes >
07 Love Tractor
08 Postcard
09 Pilgrims >
10 Tie Your Shoes >
11 End Of The Show >
12 Ain't Life Grand
13 Crowd
Encore:
14 Blue Indian 
15 Lawyers Guns & Money >
16 Action Man


Notes:

*w/ G Love on harmonica
*w/ David Bromberg on guitar and vocals

Remaster Notes:
I was pretty happy with how the tapes came out, but wanted to see if I could clean things up a bit on the low end and bring out more of the mid and high tones. I analyzed the waveform using the FFT Meter and Spectrum Meters, identified the low frequency spike, and used the Parametric Equalizer to even things out. I then used the RMS Loudness Normalizer and set a desired loudness of -10dB, incorporating a Peak Limiter with a max peak level of 0dB. Fades were then added at the beginning and end of sets, file then converted to 16bit/44.1 with Apogee UV22HR Dither, CDWave used for tracking and encoded to FLAC using Traders Little Helper. All editing was done in 24bit/48Hz. The end result in my opinion is a much more balanced and dynamic recording that still has plenty of punch without burying the mid and high tones under a blanket of muffled bass. Feedback is welcome and appreciated. Thanks! 

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