Temecula Valley Symphony tvs2021-09-25.mke2002binaural.1644
2021-09-25 4.Mic.Mix 1644 CD resolution
Title
Temecula Valley Symphony Live at 4.Mic.Mix 1644 CD resolution on 2021-09-25
description
THIS IS THE 16BIT 44.1KHZ MKE2002 BINAURAL CD RESOLUTION FILE SET Temecula Valley Symphony presents — A Chamber Music Concert Featuring the Soloists of the Temecula Valley Symphony Ignite the Passion concert September 25, 2021 saturday 3pm Grace Presbyterian Church Temecula, Ca ~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~ program: (show arrangement of songs differs from paper program stated arrangement) house-in — tuning — preamble Quintet in Eb Major for Piano and Winds, K,452 — W.A. Mozart Movement 3 — Allegretto Oboe, Clarinet, Bassoon, Horn, Piano Moments Musical, Op.16 No.4 in e minor — Sergei Rachmaninoff Piano solo - Marie Anannian Sonata for Clarinet and Piano — Francis Poulenc Movement 2: Romanza (Tres calme) Movement 3: Allegro con fuoco (tre anime) Clarinet and Piano Polonaise de Concert, Op. 14 — David Popper Hungarian Rhapsody, Op. 68 —  David Popper Solo Cello, Ruslan Biryukov - Piano < < < intermission >>> Kol nidrei — Max Bruch (A prayer sung in Jewish synagogues at the beginning of the service on the eve of Yom Kippur, Day of Atonement) Solo Cello — Ruslan Biryukov Accompanied by the San Diego Cello Quartet Ethan Zhong, Justin Wu, Debora Okhotina “O mio bambino caro†— Giacomo Puccini Soprano - Caroline Nelms — Piano, Marie Ananian Overture on Hebrew Themes Op. 34 — Sergei Prokofiev Violin-1, Violin-2, Viola, Cello, Clarinet, Piano Serenade for Wind Instruments, Cello, and Double Bass in D minor, Op. 44, B. 77 — Antonin Dvorak Movement 4, Finale Oboe-1, Oboe-2, Clarinet-1, Clarinet-2, Bassoon-1, Basson-2, Contrabassoon, Horn- 1 Horn-2 Horn-3, Cello, Double Bass, Conductor Zun-Hin Woo Concert sponsored by Albert Ball ~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~ ~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~+~ Ambient Stereo Recordings by Mike French TFH — A Journey to the Impact Zone > Line Audio CM3 pair as XY-90º coincident stereo -> Tascam DR70D 2448 input 3/4 > Sennheiser MKE2 pair as PZM stereo on Gudes box -> DPA MMA6000 preamp -> Tascam DR70D input 1/2 > Sennheiser MKE2002 Artificial Head stereo on Gudes box -> Edirol R90HR 2448 From stage edge, center, low elevation Due to a very echoey and vague sounding PA system for the preambles and announcements, and, because the wireless mic caused a very sharp EMF static spiking on all of my recordings, when turned on and off, there was an edit done to create a musical content only version of the recording; IOW, all spoken word, and stage resetting noises were removed for the final file set. The mics were not in any useable location for the PA sound, and mostly created a lot of vague or dead air spaces; some spoken preamble/announcements were up to 15 minutes long (set-2 begin). Lots of clonking and bonking during the stage resets were removed as well. Thats why.
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