Spasso spasso2014-01-04.sbd.r16.q3hd.flac162
2014-01-04 Thomas O'Neil Cellaras
Title
Spasso Live at Thomas O'Neil Cellaras on 2014-01-04
description
See: https://www.facebook.com/spasso.music Set 1: 01. Moondance 02. Don't Know Why 03. Harvest Moon 04. Still In Love With You 05. Slip Sliding Away 06. Blue Bayou 07. Let's Get Together 08. Ain't No Sunshine 09. Girl from Ipanema 10. Do It Again 11. Doctor My Eyes 12. Evil Ways 13. You're No Good 14. Ventura Highway 15. Tin Man 16. Landslide 17. Brown Eyed Girl 18. Amie 19. Midnight Hour 20. At Last Set 2: 21. Gimme One Reason 22. Waiting In Vain 23. Big Black Horse and a Cherry Tree 24. The Way It Is 25. Bloody Well Right 26. Africa 27. I Will Survive 28. Mustang Sally 29. I'm a Believer 30. Funky Town 31. Someone Like You 32. Superstition 33. Chain Of Fools 34. Your Mama Don't Dance 35. Proud Mary Cast of characters: Kevin B. Selby - Keyboards, Arrangements, Vocals, acoustic guitar, Melodica Melissa Cunnington - Vocals, Keyboards Musicians perspective: Starting off 2014. Yay. I sold my Yamaha Motif XF7 the afternoon of the gig. So I am now hauling my big Motif XF8 and enjoying that full action! This will be the last gig through the Behringer Xenyx 2442USB for awhile. I purchased a Jamhub Bedroom model and will mix us through that. Will continue to capture the "room" via a Zoom Q3HD and we'll use another Q3HD to capture the stereo out of the main mix coming off the Jamhub. Should be interesting! Muuuuuuch less cabling. Oh...and we'll go back to using the on-board Insert effects of the Motif XF8 on our keyboard sounds (and thus discontinue using the Line6 M5 stompbox modeling)....unless it drives me crazy in which case we'll go BACK to the M5's for phaser, flanger, etc. This particular recording is the matrix recording: A "matrix" recording is where you take a soundboard recording (the Zoom R16 in this case) and blend in a stereo recording "from the room" (in this case, a Zoom Q3HD sitting at the back of the room pointed at our PA speakers). Matrix recordings usually pick up more of the room noise and crowd noise, but it is the frequencies and overall sound of the room that the soundboard recording DOESN'T pick up...so blending these two sources gives you a more "live" and warm sound when compared to a straight soundboard recording. Until next time, Kevin B. Selby Spasso performed cover songs of material "made famous by" the following artists: | Van Morrison | Paul Simon | Norah Jones | Linda Rondstadt | Lipps, Inc. | Santana | Bruce Hornsby | Eva Cassidy/Bill Withers | Toto | Adele | Neil Diamond/The Monkeys | Tracy Chapman | Sade | Steely Dan | Pure Prairie League | Gloria Gaynor | Neil Young | Stevie Knicks | The Youngbloods | Supertramp | America | Etta James | Jackson Browne | Stevie Wonder | Tina Turner | KT Tunstall | Bob Marley | Loggins and Messina
| Files (download all files) |
|---|
| 2014-01-04_Thomas.ffp (download) |
| spasso2014-01-04.sbd.r16.q3hd.flac162.md5 (download) |
| spasso2014-01-04.sbd.r16.q3hd.flac162.ffp (download) |
| spasso2014-01-04.txt (download) |