Greensky Bluegrass gsbg2022-10-08.akgc414xlii.flac24
2022-10-08 Marshfield Fairgrounds
Title
Greensky Bluegrass Live at Marshfield Fairgrounds on 2022-10-08
description
Greensky Bluegrass October 8, 2022 Levitate Flannel Jam - Hoot Stage Marshfield Fairgrounds - Marshfield, MA *=*=*=*=*=* *=*=*=*=*=* *=*=*=*=*=* *=*=*=*=* 24/48 RECORDING *=*=*=*=* *=* NOT SUITABLE FOR CD BURNING *=* *=*=*=*=*=* *=*=*=*=*=* *=*=*=*=*=* Taper: Zachary Semcken Source: AKG C414 XLII (Hypercardioid) > MixPre 6 II (32 Bit Float @ 96) Location: Left of FOH, DFC, Approx. 100' from Stage Lip, Mics DIN @ 8' Editing: WAV > Reaper 6.68 (Gain, Mixing, Normalizing, Resample 32/48) > Audacity 3.2.1 (Fades, Tracking) > FLAC (Level 8) Setlist: 01. Intro/Tuning 02. What You Need¹ 03. Little Maggie > 04. Give a Shit² 05. Banter: Howlin' at the Moon³ 06. Stress Dreams 07. Banter: Golden Highway Tuning 08. Fixin’ to Ruin⁴⁵ 09. Burn Them⁴⁶ 10. Past My Prime 11. Ain't Wastin' Time No More⁷ 12. Hit Parade of Love⁸ 13, Old Barns 14. Banter: Sound of Space 15. Leap Year 16. Encore Break 17. Grow Together Set Time: [01:38:39.788] Greensky Bluegrass: Michael Bont - Banjo Paul Hoffman - Mandolin Mike Devol - Bass David Bruzza - Guitar Anders Beck - Dobro Notes: ¹ with Josh Limpert (Audio Engineer) on Vibraslap ² with Dylan Langille (On The DL Photography) on Tibetan Finger Cymbals ³ with snippets of Sam Bush's "Howlin' at the Moon" ⁴ with Bronwyn Keith-Hynes on Fiddle & Dominick Leslie on Mandolin ⁵ with Dylan Langille on Wood Block ⁶ with Josh Limpert on Tambourine ⁷ Allman Brothers Band cover ⁸ Jimmy Martin cover Crowd overall was on the talkative side, so there's some of spiked cider fueled crowd noise interspersed throughout the recording. During "Fixin' to Ruin", there was a ridiculously large bang that occurred. I performed some audio tweaks to make it more palatable, but it's still very jarring. Thanks to the Levitate crew for welcoming tapers and the Greensky Bluegrass crew for letting us archive their performances. This recording is dedicated to all the tapers that have taught me to love archiving live music. Compiled on 2022/10/09.
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