Ominous Seapods OS1999-11-12.sbd
1999-11-12 Styleen's Rhythm Palace
Title
Ominous Seapods Live at Styleen's Rhythm Palace on 1999-11-12
description
Ominous Seapods Styleen's Rhythm Palace Syracuse, NY 11/12/99 Recording: SBD -> ? -> Cassette Transfer: Cassette-> Nak DR-3 -> Audigy Sound Blaster ->           Red Roaster 27 v.5.57 (all edits) -> CD -> iTunes (.wav) ->           Audacity (retrack) -> FLAC  Recorded by ? Transferred by Vin Isaia Set I [45:37] 1.  ...Good to be Alive 2.  Tornado Rain->> 3   Come On Baby, Let's Go Downtown->  (Neil Young) 4.  Out of Myself 5.  `did you shit yourself' 6.  Rock n Roll is So Damn Cool-> 7.  Lighthouse 8.  Too Much Fire on the Brain 9.  `let's hear it for fz' 10. Waiting for the Bomb to Drop-> 11. the Super Man Curse 12. 5:15                               (Pete Townsend) Set II [90:36] 1.  `born again' 2.  Money to Burn 3.  Old GP-> 4.  Sad, Sad Corner 5.  ->> Reserved for Passengers En Route* 6.  ->> For Now...* 7.  `disappointed' 8.  Hey Donny Osmond 9.  Come Back Again 10. Michael Murphy III 11. Rock & Roll                        (Lou Reed) 12. Bong Hits and Porn-> 13. Jump for Joy                       (John Carter and Tim Gilbert) 14. e:      I Hope I Shall Arrive Soon 15.          Unmarked Trunk 16.          Blister in the Sun        (Gordon Gano) * - audio issue (see Notes below)  Brian Mangini - keyboards Ted Marotta - drums Dana Monteith - guitar Tom Pirozzi - bass Todd Pasternack - guitar Marty Racine - FOH Notes: `Song1 ->> Song2' is shorthand for `Song1 -> Jam -> Song2' when Song1 ends properly and Song2 begins properly (referred to as `segue jam'). With about 2 min left in En Route, an audio issue from the CD appears. It shifts from just noticeable to as prominent as the music as the jam ends, and so as they sing, the song fades out. The segue jam has the issue very prominently, so when For Now starts the song is faded out. One sentence of banter is also missing.  Super thank you to Todd, Dana, Brian, Tom and Ted for allowing this show to be recorded, and super thank you to Marty for his work and hospitality. Please support artists and establishments who allow themselves to be recorded.
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