Ominous Seapods OS1998-03-12.aud
1998-03-12 the Stray Dog

Title
Ominous Seapods Live at the Stray Dog on 1998-03-12

description
Ominous Seapods Stray Dog Dillon, CO 3/12/98 Recording: AT4041 -> Nak DR-3 Transfer:  Nak DR-3 -> Audigy Sound Blaster ->            Red Roaster 27 v.5.57 (all edits) -> CD -> iTunes (.wav) ->            Audacity (retrack, normalize) -> FLAC   Recorded by Heidi Isaia and Pete McBride Transferred by Vin Isaia Set I [60:34] 1.   Waiting for the Bomb to Drop-> 2.   Some Days 3    Sad, Sad Corner 4.   ->> Animal 5.   1/4lb Hot Dog 6.   Guardian Angels 7.   Oberon and Titania 8.   That's How They Got Along 9.   Sally Simpson                            (Pete Townsend) 10.  Schizophrenic Rain 11.  Michael Murphy III 12.  Waiting Room 13.  Blackberry Brandy Set II [47:34] 1.   I Hope I Shall Arrive Soon->> 2.   Sneakin' Sally thru the Alley            (Allen Toussaint) 3.   Jet Smooth Ride 4.   Raspberry Beret                          (Prince Rogers Nelson) 5.   Gunshot Static 6.   ->> Pull from Adirondack Blue 7.   I'm So Sorry About Your Tortured Mind Set III [60:34] 1.   Stephen O'Rourke->      La Fiesta 2.   Get Outta My Life Woman                  (Allen Toussaint) 3.   Taste Sensation Overload 4.   Seymour 5.   ->> Scandal Me 6.   As I Stand Here Now-> 7.   (I Can't Get No) Satisfaction            (Mick Jagger and Keith Richards)                             8.   the Legend of John Henry's Hammer Brian Mangini - keyboards Ted Marotta - drums Dana Monteith - guitar Tom Pirozzi - bass Max Verna - guitar Marty Racine - FOH Notes: `Song1 ->> Song2' is shorthand for `Song1 -> Jam -> Song2' when Song1 ends properly and Song2 begins properly (referred to as `segue jam'). Only normalization and editing analog tape flips were performed. Tape flip before Michael Murphy III and John Henry's, no music missing in either case. Super thank you to Max, Dana, Brian, Tom and Ted for allowing this show to be recorded, and super thank you to Marty for his work and hospitality. Please support artists and establishments who allow themselves to be recorded.

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