Los Lobos LosLobos-GuitarsNotGunsSandCityCA22-AUG-2010
2010-08-22 "Guitars Not Guns"
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Los Lobos Live at "Guitars Not Guns" on 2010-08-22
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Los Lobos (AUD) "Guitars Not Guns" (Dedicated to Bob Morales) Sand City, CA 22-AUG-2010 Recorded By: RasBobre https://www.facebook.com/rasbobrerecordings https://archive.org/details/@rasbobre Mic Location: Approximately 60 ft, left of center SP-CMC-18 > Edirol 09 > Audacity > FLAC Frontend V1.7.1 This recording is dedicated to Ritchie Valens' older brother, Bob Morales who passed away Saturday, 15-SEPT-2018 at the age of 81. I recall meeting Morales a couple of times with Los Lobos, a giving and respectful gentleman. He was heavily involved with the arts and this benefit, "Guitars Not Guns". We were up at the Rodney Strong Winery the day before this show when a call came in and the organizers needed Lobos to play a doubleheader due to a last minute cancellation. Lobos was booked as a co-bill with John Hiatt this night at the Mountain Winery, Saratoga. Lobos was to open, but due to the traffic coming over the hill from Santa Cruz, they had to flip-flop with Hiatt. From KION, Salinas, CBS; https://www.kion546.com/news/local-icon-bob-morales-brother-of-ritchie-valens-passed-away-saturday/796066757 If you've seen "La Bamba," you know Bob Morales. He's the boisterous older brother of late rock n' roll star Ritchie Valens. Morales, a longtime Central Coast resident, died Saturday at the age of 81. He was suffering from prostate cancer. "People would ask him about Ritchie and he would well up with tears and cry. And I kind of related with that as I look at all these comments and posts," Morales' daughter, Bly Morales, tells KION. We met with Bly and Morales' wife, Joanie, at their home in Royal Oaks. Joanie says the 1987 hit movie means a lot to Morales, helping him explore his Mexican roots. "Throughout this process he learned to love his culture and the people, and the notoriety that he got for being Ritchie's brother," Joanie said. While Valens was the star, Morales was the every man. Longtime friend and former Watsonville Mayor Daniel Dodge explained the reason why. "From the family life that was expressed on the screen, and they felt part of it and connected to it. And they felt that way with Bob," Dodge said. Bly shared a similar understanding, saying someone told her, "people related to Ritchie and idolized him because he was a rock n' roll star. But they related to and idolize your dad because he was just a real guy. So I think it was just him being so real and open and honest about his life." The stories you see in the film are based in truth, fights and all. "It was pretty nice in comparison to the real [thing]. He was a varmint. He was radical," Joanie said. But that's not who he was once he met Joanie, in Santa Cruz, and raised a family on the Central Coast. "People do change," Joanie said. "[He is the] most loving, forgiving, accepting person I'd ever known." Morales was involved with different local groups, musical and charitable, giving what he could to anyone who asked or needed. "One of his most famous saying was 'If I have it, then you have it. Because that's just who he was," Bly said. Original Story (9/17/18) Local and cultural icon, Bob Morales, died Saturday. The Central Coast resident is the brother of rock and roll star Ritchie Valens. Valens, who's song "La Bamba" - one of the biggest music hits of all time, was portrayed with Morales in 1987 move "La Bamba.," about Valens' life. "It is really an end of an era for many of this generation who really changed rock and roll history," Monterey County Supervisor, and friend of Morales, Luis Alejo said. Morales and much of his family live in the Watsonville area, where he was active in the community. Alejo tells KION Morales was involved in the local music scene, and worked with the group "Guitars not Guns." "It's nice to interact with the local families and local icons like Bob Morales because he always tried to do his part to make Watsonville better," Alejo said. "Most of all, anyone who ever met Bob will tell you he was a great friend and a good man. And when we lose local icons like Bob Morales, certainly our local communities won't be the same." About Guitars Not Guns ( http://guitarsnotguns.org/ ) ; Our program is targeted to foster kids and at-risk youth ages 8-18 using high teacher-to-student ratios. Each class consists of a maximum of 10 students with three adult instructors. Each program is 8 weeks long with a one hour session each week. In addition to learning how to master changing from one chord to another, children learn perseverance & discipline and build self-esteem. More importantly, the kids learn to enjoy the interaction and have fun in a group setting. Those kids who complete the full 8 week program have earned the right to keep the guitar and are invited to return for a second 8-week session of more advanced instruction. They’ve earned it! About Los Lobos; Los Lobos were already East L.A. neighborhood legends, Sunset Strip regulars and a Grammy Award winning band (Best Mexican-American/Tejano Music Performance) by the time they recorded their major label debut How Will The Wolf Survive? in 1984. Although the album’s name and title song were inspired by a National Geographic article about real life wolves in the wild, the band—David Hidalgo, Louie Perez, Cesar Rosas, Conrad Lozano and Steve Berlin—saw parallels with their struggle to gain mainstream rock success while maintaining their Mexican roots. Perez, the band’s drummer, once called their powerhouse mix of rock, Tex-Mex, country, folk, R&B, blues and traditional Spanish and Mexican music “the soundtrack of the barrio.†Three decades, two more Grammys, a worldwide smash single (“La Bambaâ€) and thousands of rollicking performances across the globe later, Los Lobos is surviving quite well -- and still jamming with the same raw intensity as they had when they began in that garage in 1973. The band chronicles a key moment of their expansive journey on Disconnected In New York City, a dynamic live album that marks the band’s 40th anniversary and launches their new association with 429 Records. Recorded over two nights in December 2012 at The City Winery in NYC, the engaging 12-song set celebrates Los Lobos’ great legacy as a freewheeling and unpredictable live band, which most recently includes touring in Europe with Neil Young and Crazy Horse in June 2013. Disconnected in New York City features fresh interpretations of songs from throughout their three decade recording career, including their first ever live recording of “La Bamba,†their worldwide pop crossover hit from the 1987 film which reached #1 on the U.S. and UK singles chart and whose video won a 1988 MTV Music Video Award. The collection covers the band’s 25 year studio discography, from “Gotta Let You Know†(a bouncy zydeco rocker driven by Hidalgo’s accordion from How Will The Wolf Survive?) through “Tin Can Trust,†a bluesy rock ballad that was the title cut from their last studio release in 2010. By design, Disconnected in New York City has songs that have been longtime staples of Los Lobos’ tours mixed with other gems that had somehow fallen by the wayside over the years. The mix includes the mid-tempo shuffling rocker title track from The Neighborhood (1990); the easy flowing and whimsical (thanks to Berlin’s jazzy sax solo) “Oh Yeah†(from This Time, 1999); the spirited, traditional flavored, Rosas penned Spanish language “Chuco’s Cumbia†(from The Town and the City, 2006); the graceful and spiritual “Tears of God†(from By The Light of the Moon, 1987); “La Venganza de Los Pelados,†a fiery burst of Latin rock fusion with mariachi textures (from The Ride, 2004); the soulful, simmering blues of “Little Things†(from The Town and The City, 2006); the Latin blues funk classic “Set Me Free Rosa Lee†(from By The Light of the Moon); and two mid tempo funk pop/rock tunes from 2002’s Good Morning Aztlan, “Maria Christina†and “Malaque.†As per the literal meaning of its title, Disconnected In New York City sets itself apart from Los Lobos’ other acclaimed live recordings (most notably, 2005’s Live At the Fillmore) by stripping down the instrumentation for a mostly acoustic affair. Lozano, who drives the grooves with his bass and also plays the deep-bodied Mexican 6-string acoustic bass called the guitarron, says, “It’s funny because when the venue hired us, they specifically requested that we do something acoustic to fit its smaller dinner house vibe. The idea popped into our heads to ask them if we could record it and they were cool with that. “We’re well known for our electric, high energy performances but we’ve done acoustic stuff for certain smaller auditorium tours,†he says. “Playing these songs acoustically makes them feel more intimate. We notice that when you play softer and quieter, the audience tends to pay attention to everything we’re doing. When you play rock, they’re thinking more about rhythm than melodies and lyrics, but playing them this way allows for more subtle elements of the songs to stand out.†Perez laughs when he calls the Los Lobos Unplugged experience “folk music for the hearing impaired - it’s still loud because the acoustic instruments are amplified! The idea of making a record like this came from never having the opportunity to work some of our favorite songs from over the years into our usual sets. Because most tours are done in support of new albums, the fresh material we play means that some favorite older tunes fall away over time. When we thought about making another live album and what would make it different, the logical concept was to revisit songs we haven’t played in a while but had been requested by a lot of fans. We had already documented our rock show with Fillmore, so we felt kind of liberated to take another approach with this one. “There are two challenges releasing a live album, though,†Perez continues. “One is choosing certain songs over other ones. It’s like having kids. We love Tommy as much as Johnny but one day Johnny gets to go the park today and Johnny stays home. In spite of this, we do cover a lot of ground. The biggest problem is the way people sometimes perceive live albums, like they’re an afterthought put out to fill some kind of gap. Bands love doing them but fans don’t always pay attention. But historically, it can be a license for great creativity. Jimi Hendrix did Band of Gypsies to fulfill his last recording commitment, but it was one of the most incredible recordings he ever made. Because Disconnected in New York City marks a key anniversary and the start of us working with a new label, we put a lot of thought into the project, from its design and structure and how we performed the songs.†Steve Berlin is Los Lobos’ saxophonist, flutist and harmonica player who met the band while still with seminal L.A. rockers The Blasters. He joined the group after performing on and co-producing (with T-Bone Burnett) their breakthrough 1983 EP …And A Time To Dance. Though he wasn’t jamming with the others way back in the “Krypton days†(as Perez calls it) in the barrio garage, Berlin felt it was important to find a special way to mark his cohorts’ 40th year--just as they had done on their 30th by inviting special guests (Dave Alvin, Bobby Womack, Elvis Costello, Mavis Staples) to be part of their 2004 date The Ride. “Trying to figure out a way to acknowledge 40 years as a band is harder than you might think,†he says. “We got to play with all of our heroes on our 30th so what was something we had not done? So, like Louie said, we thought the best thing was to bring back songs we rarely if ever play and put them into a fresh context. We wanted to create something of value for our fans that would reflect the mutual appreciation we share with them –starting, of course, with ‘La Bamba,’ which we had never documented live before. I think it was important also that once we knew the set lists for the shows that we would eventually choose the final tracking from, we didn’t over-think the arrangements. We only rehearsed these shows for a single day. The coolest part of how Disconnected worked out is that we hadn’t been doing some of these songs long enough to worry about how to pull them off. And because we performed them acoustically, we couldn’t just blast everyone with power and skate through them. We had to be present and make the choices that occurred to us in each moment.†Around the time of their last big anniversary Rolling Stone magazine summed up that distinctive, diverse and spontaneous Los Lobos aesthetic perfectly: “This is what happens when five guys create a magical sound, then stick together for 30 years to see how far it can take them.†Most fans know that the group came together from three separate units. Hidalgo, the band’s lead vocalist/guitarist (whose arsenal includes accordion, percussion, bass, keyboards, melodic, drums, violin and banjo) met Perez at Garfield High in East LA and started a garage band. Rosas, who plays guitar and mandolin, had his own group, and Lozano launched a power trio. “But we all hung out because we were friends and making music was just the natural progression of things,†says Perez. “Like if you hang around a barbershop long enough, you’re going to get a haircut.†Looking back at the historical and cultural sweep of the band, Lozano sees the release of Disconnected In New York City as Los Lobos coming full circle. “A lot of people forget that though we were rock musicians when we got out of high school, the band started off as an acoustic outfit,†he says. “We wanted to play Mexican folk music because those were our roots and there was this whole Chicano awareness thing happening back in the early 70s. We started to pay attention to our traditions and culture, and focused on those styles of music for years. We studied music from every region of Mexico, learned how to play all these authentic instruments. So that’s what we did for ten years until we decided to play rock again by bringing in drum and electric bass. “We were playing this restaurant gig for two years, and some small local clubs, playing the same songs, when people in the crowd started shouting out, ‘Do you know any Beatles or Grateful Dead tunes?’†Lozano adds. “Soon we got fired from the restaurant and headed back to the garage to write our first original songs that were rock with some accordion on them: ‘Let’s Say Goodnight’ and ‘How Much Can I Do?’ We made a little tape and gave it to the guys in The Blasters, which included Steve Berlin, when we went to see them live on Sunset Strip. They loved our tunes and invited us to open their show at the Whiskey-A-Go-Go, which was the first time Los Lobos performed on the other side of the Los Angeles River. We played some originals and old favorites by Hendrix, Cream, The Yardbirds and Beatles – all the stuff we loved as kids. The icing on the cake is that the audience loved it, too.†\ Los Lobos still are: Louie Perez - Drums, Guitars, Percussion, Vocals Steve Berlin - Saxophone, Percussion, Flute, Midsax, Harmonica, Melodica Cesar Rosas - Vocals, Guitar, Mandolin Conrad Lozano - Bass, Guitarron, Vocals David Hidalgo - Vocals, Guitar, Accordion, Percussion, Bass, Keyboards, Melodica, Drums, Violin, Banjo Enrique "Bugs" Gonzalez - Drums/Percussion Please support musicians that are open to having their live shows recorded and shared by attending their performances and purchasing officially released recordings and other merchandise. http://www.loslobos.org/site/ https://www.facebook.com/loslobos/ http://www.loslobosmerchandise.com/ All downloaders are invited to visit and contribute to the Los Lobos fan site: The Neighborhood Forums at http://www.jabfela.net If you are a taper and would like to record and share a Los Lobos show, please contact Dan Gale at dgale@loslobos.org and he will work with the bands management to get you approved.