Identifiers for Spin Doctors
1989 1990 1991 1992 1993 1994 1995 1996 1997 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2017 2018 2019 2020 2022
Archive Identifier | |
---|---|
Date | Venue |
Source | |
Spin2011-05-12.Spin2011-05-12.o2Academy2liverpoolEngland | |
2011-05-12 | O2 Academy 2 |
116889 | Zoom H1> SD Card SD Card>Samplitude SE (trimming)>CDWav>Trader's Little Helper>Flac |
spins2011-05-15.dpa4011 | |
2011-05-15 | Jazz Cafe |
116890 | DPA 4011 (ORTF)->Tascam DR-680 (96 kHz/24bit) SD-Card -> Audition (Boost Levels, add fades, resample to 44.1/16) -> CD-Wave -> Flac |
SpinDoctorsLeamingtonSpa2011-05-18 | |
2011-05-18 | The Assembly |
spins2011-05-18.DPA4011 | |
2011-05-18 | The Assembly |
spins2011-05-19.dpa4011 | |
2011-05-19 | The Stables |
spins2011-10-13.tlm170.flac16 | |
2011-10-13 | Bowery Ballroom |
116887 | Neumann TLM170s (hypercard, split 30' in the balcony, flanking the sound mix area) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge 10.0c (L/R channel time alignment - removing 4 samples [1/2400th of a second] from beginning of the right channel to make it match the left; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. |
spindoctors2011-10-20.flac24 | |
2011-10-20 | Town Ballroom |
116885 | M-Audio Pulsar II's -> ART USB DualPre -> Sony PCM-M10 (LPCM 44.10kHz/24bit) Location: 13' high, Center Stage, Behind SBD Transfer: Sony PCM-M10 > Soundforge > Trader's Little Helper (wav > flac) |
SpinDoctors-2011-10-20.Flac16 | |
2011-10-20 | Town Ballroom |
spindoctors2011-10-21.skm140.sunboy.flac16 | |
2011-10-21 | Westcott Theater |
116888 | Location: just behind mixer booth, 1.5' loc, 40' from stage lip Mic config: DINA Kwonbar, Schoeps A20S shock, manfrotto stand @ 8.5 ft, small screens Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@96/24>AES/EBU>Sound Devices 722 @96kHz/24bit Transfer,editing & conversion: Sound Devices 722 master file @96kHz/24bit>firewire>Sound Forge 9.0e>44.1/16-CD Wave v1.96.1(tracking)>FLAC16 via FLAC frontend 1.7.1(level 8), tag w/Tag Scanner5.0, ffp 1.7.1 Notes: ~ S.F. 9.0e (volume gain +1.9db to 0.1db peak, fades, resample(high setting 4) w/anti alias filter & dither-high pass triangular/noise shaping-high pass contour to 44.1/16) ~ |
spindoctors2011-10-23.tlm170.flac16 | |
2011-10-23 | Brooklyn Bowl |
116882 | Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (L/R channel time sync by removing 6 samples at the beginning of the recording from the right channel; volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings); Tracked in CDWav. |
spindoctors2011-10-23.tlm170.flac24 | |
2011-10-23 | Brooklyn Bowl |
116883 | Neumann TLM-170 (hypercardoids, FOB almost parallel to right PA, about 15' from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (L/R channel time sync by removing 86 samples at the beginning of the recording from the right channel); Tracked in CDWav. |