Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
| Archive Identifier | |
|---|---|
| Date | Venue |
| Source | |
| gd1992-06-12.sennME80.wklitz.96095.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 96095 | flac16; Sennheiser MD421's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
| gd1992-06-12.152725.sbd.miller.flac2448 | |
| 1992-06-12 | Knickerbocker Arena |
| 152725 | flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 |
| gd1992-06-12.nak300.baker-keo.sirmick.111080.sbeok.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 111080 | flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo |
| gd1992-06-12.123682.crupi.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 123682 | flac16; Source: OTS/DFC/Audix shotguns > Sony WM-D6 (Set 1: 90 min Denon HD8; Set 2: 100 min Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16 bit, tracking, added fades and normalize) > TLH (flac@8/ffp/sbe); Recorded, transferred and seeded by Bob Crupi |
| gd1992-06-12.137492.boedicker.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 137492 | flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck(Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal; Tapes, 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section |
| gd1992-06-12.137823.aud.lamarre.berger.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 137823 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd1992-06-12.137824.aud.lamarre.berger.flac24 | |
| 1992-06-12 | Knickerbocker Arena |
| 137824 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger |
| gd1992-06-12.134967.Nak300CP4.Fitzy.Keo.Flac1644 | |
| 1992-06-12 | Knickerbocker Arena |
| 134967 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-12.134968.Nak300CP4.Fitzy.Keo.Flac2496 | |
| 1992-06-12 | Knickerbocker Arena |
| 134968 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1992-06-12.116279.naks.boedicker.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 116279 | flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boudaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 1st Row Taper Section. |
| gd92-06-12.bk4011.Fochesato.4882.sbeok.shnf | |
| 1992-06-12 | Knickerbocker Arena |
| 4882 | (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne |
| gd92-06-12.sbd.braverman.15821.sbeok.shnf | |
| 1992-06-12 | Knickerbocker Arena |
| 15821 | SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman; upgrade in circulation |
| gd1992-06-12.sbd.miller.90111.sbeok.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 90111 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1992-06-12.nak300.baker-keo.sirmick.111079.flac24 | |
| 1992-06-12 | Knickerbocker Arena |
| 111079 | flac24; Source: Master Audience > Nakamichi CM300 with CP4 caps > Sony D6 > (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo |
| gd1992-06-12.154491.sbd.cm.miller.t.flac16 | |
| 1992-06-12 | Knickerbocker Arena |
| 154491 | flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152725 2448 > 1644 |
| gd1992-06-12.145128.AUD.PCM.Composite.Dalton.Miller.Noel.t-flac1644 | |
| 1992-06-12 | Knickerbocker Arena |
| 145128 | flac16; Recording info: Set I: AKG 451eb/ck3 (FOB) > DAT (Sony D10 Pro) > PCM; Set II: Neumann KMi86 (OTS) > DAT (Panasonic SV255) > PCM; Transfer info: Beta PCM (video track) digital output: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k); Digital Recordings made by unknown |
| gd1992-06-14.sbd.miller.89071.sbeok.flac16 | |
| 1992-06-14 | Giants Stadium |
| 89071 | flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
| gd1992-06-14.nak300.pasternak.andrewf.105592.flac16 | |
| 1992-06-14 | Giants Stadium |
| 105592 | flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 |
| gd1992-06-14.153971.sbd.miller.flac2496 | |
| 1992-06-14 | Giants Stadium |
| 153971 | flac24/96 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 |
| gd92-06-14.kowalski.1035.sbeok.shnf | |
| 1992-06-14 | Giants Stadium |
| 1035 | "analog sbd", no further info available; 2-3 spots of diginoise; via Aaron Kowalski to BUDD offer; circ as 3-disc shn set with 7/10/89; txt/md5s here courtesy DES, 6/23/01; upgrade in circulation |
| gd1992-06-14.154495.sbd.cm.miller.t.flac16 | |
| 1992-06-14 | Giants Stadium |
| 154495 | flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 - This is 153971 2448 > 1644 |
| gd1992-06-14.138565.BK4011.FOB.unknown.Ammons.Noel.t-flac16 | |
| 1992-06-14 | Giants Stadium |
| 138565 | flac16/48kHz; Unknown Taper: B&K 4011 (ORTF) > Neumann PS > Sony D10Pro; FOB w/stand; Stand specified at 6' 5" for 2nd set; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT |
| gd1992-06-15.nak300.pasternak.andrewf.105593.flac16 | |
| 1992-06-15 | Giants Stadium |
| 105593 | flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 |
| gd1992-06-15.mtx.sirmick.122576.sbeok.flac16 | |
| 1992-06-15 | Giants Stadium |
| 122576 | flac16; Matrix - sbd 65%/aud 35%: 1) SBD -> Dat -> CD and 2) FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 |
| gd92-06-15.schoeps.eD.9972.sbeok.shnf | |
| 1992-06-15 | Giants Stadium |
| 9972 | FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250; via John Valter; Seeded to etree by eD(efojr) |
| gd1992-06-17.134986.Nak300CP4.Fitzy.Keo.Flac1644 | |
| 1992-06-17 | Charlotte Coliseum |
| 134986 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-17.134987.Nak300CP4.Fitzy.Keo.Flac2496 | |
| 1992-06-17 | Charlotte Coliseum |
| 134987 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1992-06-17.nak300.baker-keo.sirmick.110947.sbeok.flac24 | |
| 1992-06-17 | Charlotte Coliseum |
| 110947 | flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo |
| gd1992-06-17.nak300.baker-keo.sirmick.110948.sbeok.flac16 | |
| 1992-06-17 | Charlotte Coliseum |
| 110948 | flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo |
| gd92-06-17.schoeps.wier.4673.sbeok.shnf | |
| 1992-06-17 | Charlotte Coliseum |
| 4673 | AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs |
| gd1992-06-18.139446.nakcm300-cp4.flac2448 | |
| 1992-06-18 | Charlotte Coliseum |
| 139446 | flac24; Nakamichi CM-300, CP-4 Shotguns > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh |
| gd1992-06-18.144379.nak300-cp4.MarkLynn.flac1648 | |
| 1992-06-18 | Charlotte Coliseum |
| 144379 | flac16/48khz Recorded by: Mark Lynn Source: NAK 300s + CP4 shotguns > Casio DA7 with emphasis > DAT @48 kHz (on floor) Transferred by Mark Lynn & morst: Mark Lynn: DAT master > Sound Devices 722 morst: FLAC > Audacity 2.1.0 > WAVs > xACT 2.47 > FLACs @ 48kHz |
| gd1992-06-18.134975.Nak300CP4.Fitzy.Keo.Flac1644 | |
| 1992-06-18 | Charlotte Coliseum |
| 134975 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-18.sennME80.wklitz.96087.flac16 | |
| 1992-06-18 | Charlotte Coliseum |
| 96087 | flac16; Sennheiser ME-80's>Technics SV-MD1 Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger |
| gd92-06-18.schoeps.wier.4674.sbeok.shnf | |
| 1992-06-18 | Charlotte Coliseum |
| 4674 | AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone |
| gd1992-06-18.134976.Nak300CP4.Fitzy.Keo.Flac2496 | |
| 1992-06-18 | Charlotte Coliseum |
| 134976 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1992-06-20.dsbd.unknown.546.shnf | |
| 1992-06-20 | RFK Stadium |
| 546 | SBD> DATs> CDRs> EAC> SHN; via Darrin Sacks; level change during Corinna- a few min in the level suddenly goes up a bit and may actually clip then immediately goes down by about 6db and stays that way for the rest of the set; upgrade in circulation |
| gd1992-06-20.94214.wklitz.sennheiserME80.flac16 | |
| 1992-06-20 | Robert F. Kennedy Stadium |
| 94214 | flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger |
| gd92-06-20.dsbd.gardner.2207.sbefail.shnf | |
| 1992-06-20 | Robert F. Kennedy Stadium |
| 2207 | DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation |
| gd1992-06-22.135071.Nak300CP4.Fitzy.Keo.Flac1644 | |
| 1992-06-22 | Star Lake Amphitheatre |
| 135071 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-22.135072.Nak300CP4.Fitzy.Keo.Flac2496 | |
| 1992-06-22 | Star Lake Amphitheatre |
| 135072 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd92-06-22.daud.harlan.5218.sbeok.shnf | |
| 1992-06-22 | Star Lake Ampitheater |
| 5218 | DAUD (master) > CDR > EAC > CDWAV > SHN >wav > shn w/seeking, plus encore: SBD > DAT > Cassette > DAT > Delta Dio 2496 > CDR > EAC> .shn; via brothercrow, harlan from D. Loebig, Rob Harrison seeds |
| gd92-06-22.set2sbd.herman.14043.sbefail.shnf | |
| 1992-06-22 | Star Lake Ampitheater |
| 14043 | Second Set Only SBD ?>DAT>WAV>CE>CDWAV>CDR & SHN [probable cassette generation]; upgrade in circulation |
| gd1992-06-22.121415.set2.beyer.d5scott.flac16 | |
| 1992-06-22 | Star Lake Amphitheatre |
| 121415 | flac16; Set 2 Source: 2 Beyer M160 microphones - 9th row/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd1992-06-23.135073.Nak300CP4.Fitzy.Keo.Flac1644 | |
| 1992-06-23 | Star Lake Amphitheatre |
| 135073 | flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-23.135074.Nak300CP4.Fitzy.Keo.Flac2496 | |
| 1992-06-23 | Star Lake Amphitheatre |
| 135074 | flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd92-06-23.aud.harlan.9985.sbeok.shnf | |
| 1992-06-23 | Star Lake Ampitheater |
| 9985 | DAUD (master) > CDR; via D. Loebig; Seeded to etree by Harlan |
| gd92-06-23.sbd.barbella.6024.sbeok.shnf | |
| 1992-06-23 | Star Lake Ampitheater |
| 6024 | SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation |
| gd1992-06-25.sbd.shiffman.548.shnf | |
| 1992-06-25 | Soldier Field |
| 548 | SBD->CASS0->DAT @ 44.1 Khz (encore 48 Khz, resampled via CoolEdit Pro @ 999 qs); Transfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original WAVs, A. Shiffman; see info file for flaw notes; upgrade in circulation |
| gd1992-06-25.138876.set2.FOB.BK4011.Ammons.Noel.t-flac16 | |
| 1992-06-25 | Soldier Field |
| 138876 | flac16/48kHz; Set 2, unknown taper: B&K 4011 at 110 degrees ORTF > Neumann PS > Sony D10Pro - FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
| gd1992-06-25.sbd.fix-8959.tetzeli.34801.flac16 | |
| 1992-06-25 | Soldier Field |
| 34801 | flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB |
| gd1992-06-25.sbd.zei.2258.shnf | |
| 1992-06-25 | Soldier Field |
| 2258 | SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Missing encore; upgrade in circulation |
| gd92-06-25.sbd.serrafin.8959.sbefail.shnf | |
| 1992-06-25 | Soldier Field |
| 8959 | SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin |
| gd1992-06-25.139264.set1.nakcm300.cohen-lee.flac1644 | |
| 1992-06-25 | Soldier Field |
| 139264 | flac16 44.1khz Set 1 only. Recorded by David Cohen & Justin Lee. OTS 8 foot stand. 2 Nakamichi CM300 Omnis spaced 2 meters >Sony D10Pro II DAT 48K Master sample rate converted to 44.1 in Wavelab |
| gd1992-06-25.139368.cmc32.ebel.flac1644 | |
| 1992-06-25 | Soldier Field |
| 139368 | flac16 44.1khz Source Info: FOB Schoeps CMC3 MK2-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel |
| gd1992-06-25.139369.bk4011.ebel.flac1644 | |
| 1992-06-25 | Soldier Field |
| 139369 | flac16 44.1khz Source Info: FOB B&K 4011-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel |
| gd92-06-26.aud.harlan.9118.sbeok.shnf | |
| 1992-06-26 | Soldier Field |
| 9118 | DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan |
| gd1992-06-28.aud.andrewf.90152.sbeok.flac16 | |
| 1992-06-28 | Deer Creek Music Center |
| 90152 | flac16; AUD: Schoeps CMC3/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > Sony DDS-Dat tape. Mics on seven foot stand, set up dead center, front edge of grass, just behind last seating row. Transfer: MAD > Sony TCD-D10P > Audiophile 2496 SPDIF-In > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-06-28.mtx.hansokolow.97810.flac16 | |
| 1992-06-28 | Deer Creek Music Center |
| 97810 | flac16; matrix of DSBD: shnid=32550 and DAUD: shnid=90152 by hansokolow using ProTools |
| gd1992-06-28.149397.fob.BK4011.ebel.flac1648 | |
| 1992-06-28 | Deer Creek Music Center |
| 149397 | flac16/48kHz; Source Info:;FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) |
| gd1992-06-28.149398.set1.beyer101.ebel.flac1648 | |
| 1992-06-28 | Deer Creek Music Center |
| 149398 | flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) |
| gd1992-06-28.140280.sbd.cm.miller.flac1644 | |
| 1992-06-28 | Deer Creek Music Center |
| 140280 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-06-28.fob-bk4011.nawrocki.550.sbeok.shnf | |
| 1992-06-28 | Deer Creek Music Center |
| 550 | FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki |
| gd92-06-28.sbd.braverman.8601.sbeok.shnf | |
| 1992-06-28 | Deer Creek Music Center |
| 8601 | SBD; Lineage; Master Cassette> DAT> CD; 1st set via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation |
| gd1992-06-28.schoeps.andrewf.90149.flac1648 | |
| 1992-06-28 | Deer Creek Music Center |
| 90149 | flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > Sony DDS-Dat tape. Mics on seven foot stand, set up dead center, front edge of grass, just behind last seating row. Transfer: MAD > Sony TCD-D10P > Audiophile 2496 SPDIF-In > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. |
| gd1992-06-28.132788.at835b.cdipietro.flac16 | |
| 1992-06-28 | Deer Creek Music Center |
| 132788 | flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro |
| gd1992-06-28.140204.sbd.miller.flac2496 | |
| 1992-06-28 | Deer Creek Music Center |
| 140204 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-06-29.149399.fob.BK4011.ebel.flac1648 | |
| 1992-06-29 | Deer Creek Music Center |
| 149399 | flac16/48kHz; Source Info: FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) |
| gd1992-06-29.135350.Nak300CP4.Baker.Keo.Flac2496 | |
| 1992-06-29 | Deer Creek Music Center |
| 135350 | flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename |
| gd1992-06-29.135351.Nak300CP4.Baker.Keo.Flac1644 | |
| 1992-06-29 | Deer Creek Music Center |
| 135351 | flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-06-29.140285.sbd.cm.miller.flac1644 | |
| 1992-06-29 | Deer Creek Music Center |
| 140285 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-06-29.nak300.ladner.2281.sbeok.shnf | |
| 1992-06-29 | Deer Creek Music Center |
| 2281 | Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes |
| gd92-06-29.sbd.gardner.9399.sbeok.shnf | |
| 1992-06-29 | Deer Creek Music Center |
| 9399 | SBD>DAT>C>DAT>CDR; Seeded to etree by Tony G |
| gd1992-06-29.132789.at835b.cdipietro.flac16 | |
| 1992-06-29 | Deer Creek Music Center |
| 132789 | flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro |
| gd1992-06-29.140222.sbd.miller.flac2496 | |
| 1992-06-29 | Deer Creek Music Center |
| 140222 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-07-01.nak300.baker-keo.sirmick.110852.sbeok.flac16 | |
| 1992-07-01 | Buckeye Lake Music Center |
| 110852 | flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped by Baker and transferred by Keo |
| gd1992-07-01.nak300.baker-keo.sirmick.110853.sbeok.flac24 | |
| 1992-07-01 | Buckeye Lake Music Center |
| 110853 | flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo |
| gd1992-07-01.140128.sbd.miller.flac2496 | |
| 1992-07-01 | Buckeye Lake Music Center |
| 140128 | flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-07-01.147571.beyerCM101.ebel.flac1648 | |
| 1992-07-01 | Buckeye Lake Music Center |
| 147571 | flac16/48kHz; Source Info: Beyer CM 101-> Casio DA-7-> DAT (Taped by Pete Ebel); Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
| gd92-07-01.prefm.ladner.5701.sbeok.shnf | |
| 1992-07-01 | Buckeye Lake Music Center |
| 5701 | preFM SBD > CM > DAT > CDR > WAV > SHNv3; d1 tracked for 80 min; some clipping; via Chris L. |
| gd1992-07-01.140226.sbd.cm.miller.flac1644 | |
| 1992-07-01 | Buckeye Lake Music Center |
| 140226 | flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-02.132562.aud.dat.johnl.flac16 | |
| 1992-12-02 | McNichols Sports Arena |
| 132562 | flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac; minor level adjustments during T2/FLAS |
| gd1992-12-02.AKG460.Walker.Darby.119982.Flac1644 | |
| 1992-12-02 | McNichols Sports Arena |
| 119982 | flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename |
| gd1992-12-02.140248.sbd.cm.miller.flac1644 | |
| 1992-12-02 | McNichols Sports Arena |
| 140248 | flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-12-02.aud.ststephen.12228.sbefail.shnf | |
| 1992-12-02 | McNichols Sports Arena |
| 12228 | (Unknown Audience) Digital Master> DAT> DMXFire> CDWav> mkw> shn; shn info submitted by user ststephen |
| gd92-12-02.set2-Neumann.vernon.9991.sbeok.shnf | |
| 1992-12-02 | McNichols Sports Arena |
| 9991 | 2nd Set; AUD(Neumann KM 140's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
| gd1992-12-02.140148.sbd.miller.flac2496 | |
| 1992-12-02 | McNichols Sports Arena |
| 140148 | flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-02.141410.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
| 1992-12-02 | McNichols Sports Arena |
| 141410 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
| gd92-12-03.bk-young.miller.30071.flac16 | |
| 1992-12-03 | McNichols Sports Arena |
| 30071 | flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC |
| gd1992-12-03.132563.aud.dat.johnl.flac16 | |
| 1992-12-03 | McNichols Sports Arena |
| 132563 | flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3 in the taper section) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac |
| gd1992-12-03.140249.set1.sbd.cm.miller.flac1644 | |
| 1992-12-03 | McNichols Sports Arena |
| 140249 | flac16; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-03.140149.s1.sbd.miller.flac2496 | |
| 1992-12-03 | McNichols Sports Arena |
| 140149 | flac24; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-12-03.neumann.vernon.9474.sbeok.shnf | |
| 1992-12-03 | McNichols Sports Arena |
| 9474 | Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
| gd1992-12-03.AKG460.Walker.Darby.120033.Flac2448 | |
| 1992-12-03 | McNichols Sports Arena |
| 120033 | flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo |
| gd1992-12-03.141411.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648 | |
| 1992-12-03 | McNichols Sports Arena |
| 141411 | flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 |
| gd1992-12-05.140250.set2.sbd.cm.miller.flac1644 | |
| 1992-12-05 | Compton Terrace Amphitheatre |
| 140250 | flac16; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd92-12-05.akg460.wiley.8757.sbeok.shnf | |
| 1992-12-05 | Compton Terrace Amphitheatre |
| 8757 | AUD(AKG-460's)>DAT>CDR; Seeded to etree by Tim W |
| gd1992-12-05.140150.s2.sbd.miller.flac2496 | |
| 1992-12-05 | Compton Terrace Amphitheatre |
| 140150 | flac24; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-06.mtx.hansokolow.97819.flac16 | |
| 1992-12-06 | Compton Terrace Amphitheatre |
| 97819 | flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools |
| gd1992-12-06.125410.schoeps441.flac16 | |
| 1992-12-06 | Compton Terrace Amphitheatre |
| 125410 | flac16; Shoeps 441>DAT>CM>WAV>FLAC; TRANSFER NAKCR1>TEAC CRW250>WAV>FLAC |
| gd1992-12-06.141065.fob.akg460.ebel.flac1644 | |
| 1992-12-06 | Compton Terrace Amphitheatre |
| 141065 | flac16/44.1khz Source Info: FOB AKG 460-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel |
| gd1992-12-06.sbd.miller.94107.sbeok.flac16 | |
| 1992-12-06 | Compton Terrace Amphitheatre |
| 94107 | flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
| gd92-12-06.aud.vernon.10381.sbeok.shnf | |
| 1992-12-06 | Compton Terrace Amphitheatre |
| 10381 | Unknown aud > ? > CDR; via Raoul Duke and Ziggy; Seeded to etree by Matt Vernon |
| gd92-12-06.sbd.wiley.8706.sbeok.shnf | |
| 1992-12-06 | Compton Terrace Amphitheatre |
| 8706 | SBD>D> Delta Dio 2496 > Cool Edit >CDR; Seeded to etree by Tim Wiley |
| gd1992-12-06.117301.aud.homes.krw_co.flac16 | |
| 1992-12-06 | Compton Terrace Amphitheatre |
| 117301 | flac16; dave homes dat master; lineage: audience dat master to cdr krw_co transfer to eac to tlh flac level 8 |
| gd1992-12-11.150535.FOB.Schoeps.Buick.Darroch.Noel.t.flac1648 | |
| 1992-12-11 | Oakland-Alameda County Coliseum |
| 150535 | flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF)> MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz); Location, FOB, DFC; Mics handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel |
| gd1992-12-11.139686.FOB.AKG.Wise.Noel.t-flac16 | |
| 1992-12-11 | Oakland-Alameda County Coliseum |
| 139686 | flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
| gd1992-12-11.sbd.stonebear.5548.shnf | |
| 1992-12-11 | Oakland Coliseum Arena |
| 5548 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa\'s nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; missing Deal; upgrade in circulation |
| gd92-12-11.akg.vernon.9773.sbeok.shnf | |
| 1992-12-11 | Oakland-Alameda County Coliseum |
| 9773 | AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
| gd92-12-11.sbd-2track.scott.9534.sbeok.shnf | |
| 1992-12-11 | Oakland-Alameda County Coliseum |
| 9534 | SBD DAT master > DAT/1 > CDR > iMac > SHN; note shntool-fixed version of previous shn set, via Nathan Scott; seekable |
| gd1992-12-11.140846.sbd.cm.miller.flac1644 | |
| 1992-12-11 | Oakland-Alameda County Coliseum |
| 140846 | flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-11.140828.sbd.miller.flac2496 | |
| 1992-12-11 | Oakland-Alameda County Coliseum |
| 140828 | flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-11.141731.FOB.Schoeps.AMS250.Silberman.Ammons.Noel-flac1648 | |
| 1992-12-11 | Oakland-Alameda County Coliseum |
| 141731 | flac16/48kHz; Recording info: Set I: Schoeps CMC34 (110° ORTF) > MIT Cable > TAO Research P.S. > Panasonic SV225 > DAT Recorded by John Ammons, hand held @ 5'9" FOB, center; Set II: AMS ST-250 (ambisonic mode)> 4 track Nagra D open reel 24 bit digital deck> 2 channel stereo DAT (Blumlein pattern)> DAT; Recorded by Jeff Silberman, just left of center, FOB; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Transfer by John Ammons of his s1 Master DAT & s2 clone of Silberman Master DAT |
| gd1992-12-12.150536.FOB.Schoeps.Buick.Darroch.Noel.t.flac1648 | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 150536 | flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB) > MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit 48kHz); Location, FOB, DFC. Mic handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel |
| gd1992-12-12.mtx.hansokolow.97937.flac16 | |
| 1992-12-12 | Oakland Coliseum Arena |
| 97937 | flac16; matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools |
| gd92-12-12.akg.vernon.9510.sbeok.shnf | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 9510 | AUD (AKG-460's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
| gd92-12-12.fob-boardman.evans.23220.sbeok.flac | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 23220 | Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans |
| gd92-12-12.sbd-2track.stonebear.5549.sbeok.shnf | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 5549 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min |
| gd92-12-12.set2.fob-amsst250-silverman.miller.28878.sbeok.shnf | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 28878 | Set 2 only; Recording Info: (FOB) Soundfield AMS ST250 (Blumlein) -> Nagra D Digital Reel To Reel (20 bit) -> Dat -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Jeff Silberman Dat Supplied By JC Mahoney Transferred By Charlie Miller |
| gd1992-12-12.140850.sbd.cm.miller.flac1644 | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 140850 | flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-12.139687.FOB.AKG.Wise.Noel.t-flac16 | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 139687 | flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
| gd1992-12-12.140829.sbd.miller.flac2496 | |
| 1992-12-12 | Oakland-Alameda County Coliseum |
| 140829 | flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-13.sbd.stonebear.5550.shnf | |
| 1992-12-13 | Oakland Coliseum Arena |
| 5550 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min; upgrade in circulation |
| gd92-12-13.sbd-2track.barbella.10928.sbeok.shnf | |
| 1992-12-13 | Oakland-Alameda County Coliseum |
| 10928 | Steve Barbella retrack of of original Healy Master seed; Dan Healy 2 track pa sbd dat master > Healy cassette; via Tommy Banjo & MerryPranksterTree; Seeded to etree by StoneBear |
| gd1992-12-13.139688.FOB.AKG.Wise.Noel.t-flac16 | |
| 1992-12-13 | Oakland-Alameda County Coliseum |
| 139688 | flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT |
| gd1992-12-13.140381.fob.Schoeps-MK41.miller.sirmick.flac1648 | |
| 1992-12-13 | Oakland-Alameda County Coliseum |
| 140381 | flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 |
| gd1992-12-13.140830.sbd.miller.flac2496 | |
| 1992-12-13 | Oakland-Alameda County Coliseum |
| 140830 | flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-13.140851.sbd.cm.miller.flac1644 | |
| 1992-12-13 | Oakland-Alameda County Coliseum |
| 140851 | flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-13.149335.fob.neumann.ebel.flac1648 | |
| 1992-12-13 | Oakland-Alameda County Coliseum |
| 149335 | flac16/48kHz; Source Info: FOB Neumann Mics-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel |
| gd92-12-16.aud.vernon.9631.sbeok.shnf | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 9631 | AUD>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon |
| gd1992-12-16.138710.aud.gastwirt.miller.sirmick.sbeok.flac16 | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 138710 | flac16/48kHz; Source: unknown aud (possibly AKGs) > dat (48k) provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick |
| gd1992-12-16.140423.s2.fob.Schoeps-MK41.miller.sirmick.flac1648 | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 140423 | flac16/48kHz; Set 2 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 |
| gd1992-12-16.140956.FOB.Schoeps.Ammons.Noel.t-flac.1648 | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 140956 | flac16/48kHz; Recording info: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > MIT Cable > Tao Research Power Supply > Panasonic SV255; Location info: FOB, one person right of center, directly under center court Warriors scoreboard. Set 1 handheld at 5'9" & Set 2 w/ 5'11" stand; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Master DAT Recording & transfer by John Ammons |
| gd1992-12-16.138068.set2.akg414.wise.sirmick.sbeok.flac1648 | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 138068 | flac16/48kHz; Set 2 Fob recording > AKG 414 > Oade preamp > Sony D-10 Pro > DAT; recorded by Jim Wise; Transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Taped and transferred by Jim Wise; Lineage: wav 16/48 > Adobe Audition 3.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick |
| gd92-12-16.fob-schoeps.fishman.15395.sbeok.shnf | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 15395 | FOB Schoeps MK4V> Sony D3> D> CD> EAC> WAV> SHN encoded by JR Fishman |
| gd92-12-16.sbd-2track.stonebear.5551.sbeok.shnf | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 5551 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear |
| gd92-12-16.set2.matrix.27580.sbeok.flacf | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 27580 | flac16; Matrix mix of Set 2 SBD (shnid=5551) plus FOB (shnid=25812) by MattMan; SHN/FLAC> WAV> Adobe Audition> CDWAV> shntool> FLAC Frontend |
| gd1992-12-16.140831.sbd.miller.flac2496 | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 140831 | flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-16.140853.sbd.cm.miller.flac1644 | |
| 1992-12-16 | Oakland-Alameda County Coliseum |
| 140853 | flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-17.119222.sonicsolution.d5scott.flac16 | |
| 1992-12-17 | Oakland-Alameda County Coliseum |
| 119222 | flac16; Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files |
| gd92-12-17.sbd-2track.stonebear.5552.sbeok.shnf | |
| 1992-12-17 | Oakland-Alameda County Coliseum |
| 5552 | Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear |
| gd1992-12-17.dts.tobin.88013.flac | |
| 1992-12-17 | Oakland Coliseum Arena |
| 88013 | DTS Audio 5.1; 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - dts mixing by Kevin Tobin |
| gd1992-12-17.140832.sbd.miller.flac2496 | |
| 1992-12-17 | Oakland-Alameda County Coliseum |
| 140832 | flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |
| gd1992-12-17.140854.sbd.cm.miller.flac1644 | |
| 1992-12-17 | Oakland-Alameda County Coliseum |
| 140854 | flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller |