Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1982-08-01.158150.senn421.vita.miller.clugston.flac2496
1982-08-01Zoo Amphitheater
158150flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell MX-90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
gd82-08-01.sbd.willy.10226.sbeok.shnf
1982-08-01Zoo Amphitheater
10226SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy
gd1982-08-01.124646.akg-ce1.flac24
1982-08-01Zoo Amphitheater
124646flac24; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper
gd1982-08-01.124647.akg-ce1.flac16
1982-08-01Zoo Amphitheater
124647flac16; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper
gd1982-08-01.138680.nak300.holbrook.flac2448
1982-08-01Zoo Amphitheater
138680flac24 48khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-08-01.138679.nak300.holbrook.flac1644
1982-08-01Zoo Amphitheater
138679flac16 44.1khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-08-01.141594.sbd.healy.streeter.dalton.miller.clugston.flac1644
1982-08-01Zoo Amphitheater
141594flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-08-01.155757.ohr-sony-ecm23f-tcd5m.flac1644
1982-08-01Zoo Amphitheater
155757flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell MX 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR800 > CD Ohr : CD > EAC > WAV > FLAC
gd1982-08-03.158506.senn421.vita.miller.clugston.flac1648
1982-08-03Starlight Theater
gd1982-08-03.158507.senn421.vita.miller.clugston.flac2496
1982-08-03Starlight Theater
gd1982-08-03.sbd.unknown.tetzeli.fix-19228.33614.reflac.flac16
1982-08-03Starlight Theatre
33614flac16; Patch fix of shnid 19228 by Bill Tetzeli; Main source: SBD> MC> PCM> DAT> CDR> EAC> SHN; Patch source: MAC> DAT> CD> EAC> SHN; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1982-08-03.121407.set2-akg.flac16
1982-08-03Starlight Theater
121407flac16; Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience); Transfer: unknown cassette > ? > CD; CD > FLAC
gd1982-08-03.aud.uherarchives.partial.121973.flac24
1982-08-03Starlight Theater
121973flac24; Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only.
gd1982-08-03.138618.nak300.holbrook.flac1644
1982-08-03Starlight Theater
138618flac16 44.1khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-08-03.138619.nak300.holbrook.flac2448
1982-08-03Starlight Theater
138619flac24 48khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd82-08-03.sbd.unk.19228.sbeok.shnf
1982-08-03Starlight Theater
19228Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation
gd82-08-03.senn-hogan.fink.5984.sbeok.shnf
1982-08-03Starlight Theater
5984Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference
gd1982-08-03.136587.sen441.schley.flac1644
1982-08-03Starlight Theater
136587flac16; AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection; Transfer: TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.
gd82-08-03.matrix.chappell.30705.sbeok.flacf
1982-08-03Starlight Theater
30705flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell.
gd1982-08-03.sbd.miller.77196.sbeok.flac16
1982-08-03Starlight Theater
77196flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
gd1982-08-03.140037.beyer-m160.streeter.miller.sirmick.flac24
1982-08-03Starlight Theater
140037flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
gd1982-08-03.145217.fob.beyer.m160.streeter.miller.sirmick.flac1644
1982-08-03Starlight Theater
145217flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1
gd82-08-04.sbd.willy.7388.sbeok.shnf
1982-08-04Kiel Auditorium
7388SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy
gd1982-08-04.153018.beyer.tompkins.flac2448
1982-08-04Kiel Auditorium
153018flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021
gd1982-08-04.141652.sbd.pcm.streeter.dalton.miller.clugston.flac1644
1982-08-04Kiel Auditorium
141652flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-08-04.138620.beyerm201.holbrook.flac1644
1982-08-04Kiel Auditorium
138620flac16 44.1khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-08-04.138621.beyerm201.holbrook.flac2448
1982-08-04Kiel Auditorium
138621flac24 48khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
gd1982-08-06.mtx.seamons.101618.sbeok.flac16
1982-08-06St. Paul Civic Center
101618flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
gd1982-08-06.144702.beyer.tompkins.flac2448
1982-08-06St. Paul Civic Center
144702flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019
gd82-08-06.sonyecm.norman.7288.sbeok.shnf
1982-08-06St. Paul Civic Center
7288Recording by Ohr Weinberg from behind the stage: Sony ECM 23-F's >Aud Master; A>D transfer by Jim Wise; via Todd Norman; Note- May circ with Goin Down the Road mislabeled as Good Lovin
gd82-08-06.sbd-patched.hinko.16043.sbeok.shnf
1982-08-06St. Paul Civic Center
16043S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Identical to previous sbd seed, except for d1t's 6&7; Aud patch in El Paso and silence removed from Bird Song by Darryl Hinko; See info file for details;
gd82-08-06.sbd.fink.15028.sbeok.shnf
1982-08-06St. Paul Civic Center
15028S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation
gd1982-08-06.mtx.seamons.ht58.125889.flac16
1982-08-06St. Paul Civic Center
125889flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging and embedded cover art)
gd1982-08-06.sbd.miller.118462.flac16
1982-08-06St. Paul Civic Center
118462flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony TC-D5M/Dolby B/TDK MA-C90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-08-07.156561.s1.beyer.tompkins.flac2448
1982-08-07Alpine Valley Music Theatre
156561flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
gd1982-08-07.fob.unknown.suraci.83513.sbeok.flac16
1982-08-07Alpine Valley Music Theatre
83513flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci
gd1982-08-07.aud.ohr.92183.flac16
1982-08-07Alpine Valley Music Theatre
92183flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
gd1982-08-07.138622.beyerm201.holbrook.flac1644
1982-08-07Alpine Valley Music Theatre
138622flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
gd1982-08-07.138623.beyerm201.holbrook.flac2448
1982-08-07Alpine Valley Music Theatre
138623flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
gd82-08-07.sbd-streeter-wise.unknown.7689.sbeok.shnf
1982-08-07Alpine Valley Music Theatre
7689SBD : MC > MR > DAT > CDR Transfer done by Jim Wise
gd82-08-07.sbd.popi.6148.sbeok.shnf
1982-08-07Alpine Valley Music Theatre
6148sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
gd82-08-07.sbd.serafin.7720.sbeok.shnf
1982-08-07Alpine Valley Music Theatre
7720SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
gd1982-08-07.141795.sbd.pcm.streeter.dalton.miller.clugston.flac1644
1982-08-07Alpine Valley Music Theatre
141795flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-08-07.137625.sbd.miller.flac16
1982-08-07Alpine Valley Music Theatre
137625flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
gd1982-08-08.140500.beyer-m160.streeter.miller.sirmick.flac1644
1982-08-08Alpine Valley Music Theatre
140500flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
gd1982-08-08.144730.sbd.healy.streeter.smith.miller.clugston.flac1648
1982-08-08Alpine Valley Music Theatre
144730flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-08-08.144731.sbd.healy.streeter.smith.miller.clugston.flac2496
1982-08-08Alpine Valley Music Theatre
144731flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd1982-08-08.unk.barrick.333.sbefail.shnf
1982-08-08Alpine Valley Music Theatre
333no source info; via D. Barrick; no d3 .md5 available originally- one shown here supplied by J. Primozic from his copy
gd1982-08-08.138624.nak300.holbrook.flac1644
1982-08-08Alpine Valley Music Theatre
138624flac16 44.1khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
gd1982-08-08.138625.nak300.holbrook.flac2448
1982-08-08Alpine Valley Music Theatre
138625flac24 48khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
gd82-08-08.sbd-wise.unknown.7690.sbeok.shnf
1982-08-08Alpine Valley Music Theatre
7690SBD : MC > MR > DAT > CDR Transfer done by Jim Wise
gd82-08-08.sbd.skankweed.15580.sbeok.shnf
1982-08-08Alpine Valley Music Theatre
15580Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version of Merry Pranksters tree which is NOT listed here at db.etree.org
gd1982-08-08.140124.beyer-m160.streeter.miller.sirmick.flac2496
1982-08-08Alpine Valley Music Theatre
140124flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
gd1982-08-08.141498.sbd.pcm.healy.streeter.lubar.dalton.miller.clugston.flac1644
1982-08-08Alpine Valley Music Theatre
141498flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-08-10.sbd.kempa.334.shnf
1982-08-10Iowa Fieldhouse - University of Iowa
334SBD > Master Cassette > DAT > Digidesign/Audio Media > DAT; Transfer: DAT > WAV (via TB Fiji S/PDIF) > SHN; via A. Gustin, J. Kempka; 4/19/82 filler; upgrade in circulation
gd1982-08-10.sbd.miller.102577.flac16
1982-08-10University of Iowa
102577flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-08-10.140988.sbd.streeter.smith.miller.clugston.flac1644
1982-08-10University of Iowa
140988flac16; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
gd1982-08-10.140989.sbd.streeter.smith.miller.clugston.flac2496
1982-08-10University of Iowa
140989flac24; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
gd1982-08-10.152133.mouth.akg-ce1.mac.uherarchive.rogers.wise.flac2444
1982-08-10University Of Iowa Fieldhouse
152133flac24/44 AKG CE-1 (4th row, Dead Center) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Craig Rogers Transferred, tracked, and patched by Jim Wise patch s2t13 from 1:44 to 2:50 unknown source EAC to FLAC by cbass 2/25/07 Mastered by Craig Rogers 11/30/18 This is a mastered version of the raw transfer, shnid: 82875 It required quite significant EQ and became a much bigger file so it is now 24 bit. This recording has been erroneously credited to one or the other of the Mance brothers. Endless thanks to Jerry Garcia for his permission and providing the tickets. This is an Uher Archive production. uherarchive@live.com
gd1982-08-10.mtx.seamons.fix.92073.sbeok.flac16
1982-08-10University Of Iowa Fieldhouse
92073flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585
gd1982-08-10.137540.akg-ce1.mance.wise.sirmick.sbeok.flac16
1982-08-10University of Iowa
137540flac16; Source: Audience Recording > AKG CE-1 mics > Uher Cr-240 > master cassette; Taped by Jim Mance; Transfer: master cassette > Nakamichi Dragon > Sony R700 DAT > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited by SIRMick
gd1982-08-10.139779.FOB-BeyerM160.streeter.miller.sirmick.flac2496
1982-08-10University of Iowa
139779flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
gd82-08-10.sbd.miller.12453.sbeok.shnf
1982-08-10University of Iowa
12453SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller
gd1982-08-10.mtx.seamons.102902.flac16
1982-08-10University of Iowa
102902flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
gd1982-08-10.155680.ohr-sony-ecm23f-tcd5m.flac16
1982-08-10University Of Iowa Fieldhouse
155680flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
gd1982-08-10.akg-ce1.mance.cbass.82875.sbeok.flac16
1982-08-10University Of Iowa Fieldhouse
82875flac16; AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance. EAC to FLAC by cbass 2/25/07
gd1982-08-10.mtx.seamons.86585.sbeok.shnf
1982-08-10University Of Iowa Fieldhouse
86585MATRIX MIX: 50% AUD/50% SBD using AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance (shn id 82875) and SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN (shn id 12453) Note: a SBE fixed version was also circulated.
gd1982-08-10.145223.fob.beyer.m160.streeter.miller.sirmick.flac1644
1982-08-10University Of Iowa Fieldhouse
145223flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @44.1
gd1982-08-28.sbd.lai.tetzeli.fix-2333.34933.reflac.flac16
1982-08-28Oregon Country Fairgrounds
34933flac16; sbd>>cassette master>>cassette>>cdr>>WAV>>shn>>wav>>flac - fix of shn id 2333. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1982-08-28.nak700.wagner.miller.112955.flac16
1982-08-28Oregon Country Fair
112955flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
gd82-08-28.sbd.lai.2333.sbefail.shnf
1982-08-28Oregon County Fair
2333sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully
gd1982-08-28.sbd.walker-scotton.miller.106166.flac16
1982-08-28Oregon Country Fair
106166flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-08-28.set2.fob.nak300.fleishner.feinberg.79350.sbeok.flac16
1982-08-28Oregon Country Fairgrounds
79350flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006.
gd1982-08-28.141624.fob.senn.421.dalton.miller.clugston.flac1644
1982-08-28Oregon Country Fair
141624flac16; Source Info: Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (dolby B)(taper unknown) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-08-29.140735.set1.pset2.sbd.lamarre.berger.flac2496
1982-08-29Seattle Center Coliseum
140735flac24; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1982-08-29.140984.sbd.set1.lamarre.berger.flac1644
1982-08-29Seattle Center Coliseum
140984flac16; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
gd1982-08-29.148747.fob.nak700.severson.miller.clugston.flac1648
1982-08-29Seattle Center Coliseum
148747flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-08-29.148748.fob.nak700.severson.miller.clugston.flac2496
1982-08-29Seattle Center Coliseum
148748flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
gd1982-08-29.156588.mtx.tobin.flac16
1982-08-29Seattle Center Coliseum
156588flac16; Matrix 2 Source Mix - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - matrix mixing by Kevin Tobin
gd1982-08-29.156589.dts.tobin.flac16
1982-08-29Seattle Center Coliseum
156589DTS-Audio-CD 5.1 Mix; - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - dts mixing by Kevin Tobin
gd1982-08-29.156590.5-1.tobin.flac1648
1982-08-29Seattle Center Coliseum
156590flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - surround mixing by Kevin Tobin
gd82-08-29.fob-nak300.miller.17957.sbeok.shnf
1982-08-29Seattle Center Coliseum
17957(FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller
gd1982-08-29.142688.sbd.healy.streeter.dalton.miller.clugston.flac1644
1982-08-29Seattle Center Coliseum
142688flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-09-05.149978.senn421.lukosky.gsarchivist.flac2496
1982-09-05US Festival, Glen Helen Regional Park
149978flac24; Ben Lukosky's Master Audience Cassettes; FOB Sennheiser 421 mics > Sony D5 (Maxell MX-90) Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by gsarchivist; Speed Correction by Jason Chastain
gd1982-09-05.sbd.miller.113726.flac16
1982-09-05Glen Helen Regional Park
113726flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1982-09-05.sbd.miller.113746.flac16
1982-09-05Glen Helen Regional Park
113746flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd82-09-05.sbd-patched.warner.5490.sbeok.shnf
1982-09-05Glen Helen Regional Park
5490SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6
gd1982-09-05.nak300.sirmick.87210.sbeok.flac16
1982-09-05Glen Helen Regional Park
87210flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.)
gd1982-09-05.142714.sbd.healy.streeter.dalton.miller.clugston.flac1648
1982-09-05Glen Helen Regional Park
142714flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac16
gd1982-09-09.123191.beyerm160.streeter-miller.flac16
1982-09-09Saenger Performing Arts Center
123191flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
gd82-09-09.sbd.willy.11735.sbeok.shnf
1982-09-09Saenger Performing Arts Center
11735SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
gd1982-09-09.134287.sbd.deemph.flac16
1982-09-09Saenger Performing Arts Center
134287flac16; SBD>MC>PCM>DAT>CD; source ID 11735 with pre-emphasis removed, FLAC, tags using xAct 2.36
gd1982-09-09.142762.sbd.healy.streeter.dalton.miller.clugston.fixed.flac1648
1982-09-09Saenger Performing Arts Center
142762flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648; the original version had a duplicate "Space" ("Drums > Space" were 1 track, followed by "Space" again)
gd1982-09-09.140051.beyer-m160.streeter.miller.sirmick.flac24
1982-09-09Saenger Performing Arts Center
140051flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
gd1982-09-09.145246.fob.beyer-m160.streeter.miller.sirmick.flac1644
1982-09-09Saenger Performing Arts Center
145246flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; This file set is 16 bit @ 44.1
gd1982-09-09.149747.beyer.tompkins.flac2448
1982-09-09Saenger Performing Arts Center
149747flac24; Source: Set One & Encore, Unknown AUD > MAC > 1st Gen copy (see note) and; Set Two, Beyers-Dynamic M160's > Sony TC-D5 > MAC. Recording by Rip Tompkins & with thanks to Richie Stankiewicz! Transfer: TDK MA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 04/2020
gd1982-09-11.146916.mtx.seamons.ht116.flac16
1982-09-11West Palm Beach Civic Center
146916flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2192 and 122155
gd1982-09-11.beyerM160.streeter.miller.122154.flac24
1982-09-11West Palm Beach Auditorium
122154flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
gd1982-09-11.122988.mtx.rdenirojb87.flac16
1982-09-11West Palm Beach Auditorium
122988flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155)
gd82-09-11.sbd.clugston.2192.sbeok.shnf
1982-09-11West Palm Beach Auditorium
2192Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree
gd1982-09-11.beyerM160.streeter.miller.122155.flac16
1982-09-11West Palm Beach Auditorium
122155flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
gd1982-09-11.155686.sbd.miller.flac1644
1982-09-11West Palm Beach Civic Center
155686flac16/44 Recording Info: SBD > Cassette Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC
gd1982-09-11.aud.unknown.85854.sbeok.flac16
1982-09-11West Palm Beach Auditorium
85854flac16; Source: Two AUD cassette sources of unknown lineage. Transfer: Cassettes > Sony TC-D5M > Audiophile 2496 Analog RCA Input > Soundforge > CD-Wave > TLH > FLAC, June 2007.
gd1982-09-11.137379.nak300.flac1644
1982-09-11West Palm Beach Auditorium
137379flac16; 10th Row Center; Nakamichi CM-300 > Sony TC-D5 > MC > DAT; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
gd1982-09-12.152842.beyer.tompkins.flac2448
1982-09-12Lakeland Civic Center
152842flac2448; Source: Beyers mics > Sony TC-D5M > Maxell XLII-S 90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
gd1982-09-12.144362.sbd.healy.streeter.smith.miller.clugston.flac2496
1982-09-12Lakeland Civic Center
144362flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
gd82-09-12.sbd.ladner.7826.sbeok.shnf
1982-09-12Lakeland Civic Center
7826SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation
gd1982-09-12.135161.set2.nak300.schley.flac2448
1982-09-12Lakeland Civic Center
135161flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2016
gd1982-09-12.135162.set2.nak300.schley.flac1644
1982-09-12Lakeland Civic Center
135162flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016
gd1982-09-12.122168.senn.streeter.miller.flac16
1982-09-12Lakeland Civic Center
122168flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller
gd1982-09-12.122169.senn.streeter.miller.flac24
1982-09-12Lakeland Civic Center
122169flac24; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller
gd1982-09-12.sbd.miller.114138.flac16
1982-09-12Lakeland Civic Center
114138flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v1.5 -> FLAC; This is a re-master of Source ID 7826; All Transfers and Mastering By Charlie Miller
gd1982-09-12.144361.sbd.healy.streeter.smith.miller.clugston.flac1648
1982-09-12Lakeland Civic Center
144361flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-09-14.121944.akg414.streeter.miller.flac16
1982-09-14University of Virginia
121944flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
gd82-09-14.beyer-sbd.miller.20906.sbeok.shnf
1982-09-14University of Virginia
20906Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller
gd82-09-14.sbd.set2.clugston.7547.sbeok.shnf
1982-09-14University of Virginia
7547Master Soundboard Cassette > Reel to Reel > DAT > CDR, CD Re-Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 1/3/02, posted to abgd via Charlie Connor
gd1982-09-14.121943.akg414.streeter.miller.flac24
1982-09-14University of Virginia
121943flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
gd1982-09-14.146663.beyer.tompkins.flac2448
1982-09-14University Hall, University Of Virginia
146663flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS-90 (1st Set, He's Gone, and JBGoode) and TDK MA-90 (2nd Set). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019
gd1982-09-15.134869.nak300.schley.flac2448
1982-09-15Capital Centre
134869flac24; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2015
gd1982-09-15.134870.nak300.schley.flac1644
1982-09-15Capital Centre
134870flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015
gd1982-09-15.152347.beyer.m160.eaton.miller.clugston.flac1648
1982-09-15Capital Centre
152347flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1982-09-15.152348.beyer.m160.eaton.miller.clugston.flac2496
1982-09-15Capital Centre
152348flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
gd1982-09-15.sbd-aud.cribbs.8550.sbefail.shnf
1982-09-15Capital Centre
8550combination SBD (Jim Wise) and FOB Nak shotguns (Tiger Rose, David Howard) - see notes in info file; Patching, tracking and Shn encoding by Sean Cribbs; Upgrade in circulation
gd82-09-15.sbd-patched.clugston.11881.sbeok.shnf
1982-09-15Capital Centre
11881Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor
gd1982-09-15.akg414.streeter.miller.118449.flac16
1982-09-15Capital Centre
118449flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
gd1982-09-15.akg414.streeter.miller.118451.flac24
1982-09-15Capital Centre
118451flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
gd1982-09-15.sbd.miller.124586.flac16
1982-09-15Capital Centre
124586flac16; Recording Info: SBD -> Master Cassette -> Reel -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 8550
gd1982-09-15.fob.tigerrose.howard.andrewf.81690.sbeok.flac16
1982-09-15Capital Centre
81690flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
gd1982-09-17.135445.nak300.schley.flac2448
1982-09-17Cumberland County Civic Center
135445flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016
gd1982-09-17.152910.mtx.seamons.ht132.flac16
1982-09-17Cumberland County Civic Center
152910flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80770 & 91483, plus 135446 for two songs.
gd1982-09-17.mtx.haugh.82208.sbefail.flac16
1982-09-17Cumberland County Civic Center
82208flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD
gd1982-09-17.nak300.friend.andrewf.99678.flac24
1982-09-17Cumberland County Civic Center
99678flac24; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F.
gd1982-09-17.nak300.friend.andrewf.99679.flac16
1982-09-17Cumberland County Civic Center
99679flac16; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496. Transfer by Andrew F. 06/2009
gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644
1982-09-17Cumberland County Civic Center
139319flac16 44.1khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook.
gd1982-09-17.144658.aud.lamarre.berger.flac24
1982-09-17Cumberland County Civic Center
144657flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd82-09-17.aud.lai.2577.sbefail.shnf
1982-09-17Cumberland County Civic Center
2577complete; marked sbd (see user comments concerning audience or matrix) ; via Mike Lai from Bruce Fried seed; d1 md5s identical to previous shn set; tracked for 2x80
gd82-09-17.cohen.minches.18985.sbeok.shnf
1982-09-17Cumberland County Civic Center
18985 Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches
gd82-09-17.nak300.clugston.335.sbeok.shnf
1982-09-17Cumberland County Civic Center
335Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell
gd82-09-17.pset2-sbd.fishman.18105.sbeok.shnf
1982-09-17Cumberland County Civic Center
18105partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman; upgrade in circulation
gd1982-09-17.nak300.chasingwilma.119075.flac16
1982-09-17Cumberland County Civic Center
119075flac16; lineage: nakamichi 300 fob> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448
1982-09-17Cumberland County Civic Center
139320flac24 48khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook.
gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648
1982-09-17Cumberland County Civic Center
142823flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496
1982-09-17Cumberland County Civic Center
142824flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
gd1982-09-17.135446.nak300.schley.flac1644
1982-09-17Cumberland County Civic Center
135446flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016
gd1982-09-17.mtx.dts.82184.sbefail.flac16
1982-09-17Cumberland County Civic Center
82184DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD
gd1982-09-17.sbd.harrison.80770.sbeok.flac16
1982-09-17Cumberland County Civic Center
80770flac16; Recording/Transfer Info: Set 1 - Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2 - Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison
gd1982-09-17.aud.morris.111030.sbeok.flac24
1982-09-17Cumberland County Civic Center
111030flac24; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris
gd1982-09-17.144657.aud.lamarre.berger.flac16
1982-09-17Cumberland County Civic Center
144658flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-09-17.fob.nak300.morris.99888.flac16
1982-09-17Cumberland County Civic Center
99888flac16; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
gd1982-09-17.aud.wise.91483.sbeok.flac16
1982-09-17Cumberland County Civic Center
91483flac16; AUD: FOB, Sennheiser MD-421's > Sony TC-D5. Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC
gd1982-09-18.123051.sbd.miller.flac16
1982-09-18Boston Garden
123051flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd82-09-18.sbd.weise.3153.sbeok.shnf
1982-09-18Boston Garden
3153SBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating shn set
gd1982-09-18.sbd.chasingwilma.119221.flac16
1982-09-18Boston Garden
119221flac16; Updated Source Info: This source is derived from source ID 3153 (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1982-09-18.nak300.friend.andrewf.97590.flac16
1982-09-18Boston Garden
97590flac16; AUD: 2x Nakamichi CM300's with CP4 shotguns (L+R), plus 1x Nakamichi CM300 with CP1 cardioid (blend mic) > Nakamichi 550 > Maxell XLII-S 90's. Mics on stand, set up in center right section riser, just off the floor. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Andrew F. 02/2009.
gd1982-09-18.sbd.fishman.fix-3153.107429.flac16
1982-09-18Boston Garden
107429flac16; SBD->Cassette Master(Dolby)>Cassette>CD>EAC>SHN>WAV>CE Processing>FLAC
gd1982-09-18.144662.aud.lamarre.berger.flac24
1982-09-18Boston Garden
144662flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-09-18.144663.aud.lamarre.berger.flac16
1982-09-18Boston Garden
144663flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-09-18.150788.mtx.seamons.ht124.flac16
1982-09-18Boston Garden
150788flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123051 & 98059.
gd1982-09-20.122088.senn421.streeter.miller.flac24
1982-09-20Madison Square Garden
122088flac24; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recoded by Frank Streeter
gd1982-09-20.157809.sbd.1gen.remaster.miller.flac1644
1982-09-20Madison Square Garden
157809flac1644; Recording Info: SBD > Cassette Master > Cassette (Dolby B) > CD; Transfer Info: CD > Samplitude Professional v9.12 > Cool Edit Pro v.20 > FLAC; Remastering Info: FLAC > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/16.
gd82-09-20.cohen.minches.19145.sbeok.shnf
1982-09-20Madison Square Garden
19145Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches
gd82-09-20.senn-wise.sacks.3151.sbeok.shnf
1982-09-20Madison Square Garden
3151Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; transferred by Jim Wise; upload by Darrin Sacks
gd82-09-20.set1-sbd.miller-sturtevant.15806.sbeok.shnf
1982-09-20Madison Square Garden
158061st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation
gd82-09-20.set2-sbd.miller.18113.sbeok.shnf
1982-09-20Madison Square Garden
18113Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation
gd1982-09-20.122089.senn421.streeter.miller.flac16
1982-09-20Madison Square Garden
122089flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
gd1982-09-20.mtx.seamons.97897.sbeok.flac16
1982-09-20Madison Square Garden
97897flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1982-09-20.nak300.morrone.andrewf.118799.flac1644
1982-09-20Madison Square Garden
118799flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. February 2012
gd1982-09-20.sbd.miller.77482.sbeok.flac16
1982-09-20Madison Square Garden
77482flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation
gd1982-09-20.sbd.miller.88857.sbeok.flac16
1982-09-20Madison Square Garden
88857flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.)
gd1982-09-20.119120.nak300.chasingwilma.flac16
1982-09-20Madison Square Garden
119120flac16; Updated Source Info: Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Had been marked: lineage: nakamichi 300 (fob)> d-5> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1982-09-21.sbd.perkins.tetzeli.fix-13306.34723.flac16
1982-09-21Madison Square Garden
34723flac16; Seamless fix of shn id 13306 - msc>dat>cd>wav>shn>wav>flac by Bill Tetzeli
gd1982-09-21.152737.set1.aud.miller.flac2496
1982-09-21Madison Square Garden
152737flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
gd1982-09-21.sbd.miller.tetzeli.fix-33684.34754.reflac.flac16
1982-09-21Madison Square Garden
34754flac16; Pitch corrected version of shn id 33684: SBD -> Cassette Master -> Dat by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1982-09-21.142918.sbd.healy.streeter.dalton.miller.clugston.flac1648
1982-09-21Madison Square Garden
142918flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648
gd82-09-21.sbd.perkins.13306.sbeok.shnf
1982-09-21Madison Square Garden
13306csbd>dat>cd (unconfirmed); Seeded to etree by C. Perkins ; upgrade in circulation
gd82-09-21.senn421-wise.sacks.3152.sbeok.shnf
1982-09-21Madison Square Garden
3152Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; taped and transferred by Jim Wise; upload by Darin Sacks
gd1982-09-21.nak300.dyche.105339.flac16
1982-09-21Madison Square Garden
105339flac16; Nak 300 shotguns > Sony TCD-5M> Digitized 24-48 Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche
gd1982-09-21.119147.nak300.chasingwilma.flac16
1982-09-21Madison Square Garden
119147flac16; Updated Source Info: Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Hade been Marked: lineage: nak 300 (fob)> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1982-09-21.mtx.seamons.97705.sbeok.flac16
1982-09-21Madison Square Garden
97705flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
gd1982-09-21.sbd.miller.109209.flac16
1982-09-21Madison Square Garden
109209flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC All Transfers and Mastering By Charlie Miller
gd1982-09-21.sbd.miller.33684.sbeok.flac16
1982-09-21Madison Square Garden
33684flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller
gd1982-09-21.149659.beyer.thompson.flac2448
1982-09-21Madison Square Garden
149659flac24; Source: FOB Beyers M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020
gd1982-09-21.154391.fob.s1.unknown.miller.t.flac16
1982-09-21Madison Square Garden
154391flac1644; Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152737 2448 > 1644
gd1982-09-23.153117.beyer.tompkins.flac2448
1982-09-23New Haven Veterans Memorial Coliseum
153117flac2448; Source: FOB Beyers mics > Sony TC-D5M > Maxell MX-90 for 1st Set & Encore, and TDK MA-90 for 2nd Set. Concert recording by Rip Tompkins, and with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021
gd82-09-23.sen421.miller.12520.sbeok.shnf
1982-09-23Veterans' Memorial Coliseum
12520(FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller
gd1982-09-23.nak300.morrone.117590.flac1644
1982-09-23Veterans' Memorial Coliseum
117590flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011
gd1982-09-23.senn421.morris.100254.sbefail.flac16
1982-09-23New Haven Coliseum
100254flac16; Source: Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except Disc Two: UDXLII-S); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded on floor behind soundboard by Bob Morris with thanks to Sam
gd1982-09-23.aud.morris.111031.sbeok.flac24
1982-09-23Veterans' Memorial Coliseum
111031flac24; Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except s2t01-t05: UDXLII-S); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edit/patch); Recorded on the floor behind the soundboard by Bob Morris
gd1982-09-23.144676.aud.lamarre.berger.flac24
1982-09-23New Haven Veterans Memorial Coliseum
144676flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-09-23.144677.aud.lamarre.berger.flac16
1982-09-23New Haven Veterans Memorial Coliseum
144677flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
gd1982-09-24.145955.nak300.barfield.lane.flac16
1982-09-24Carrier Dome, Syracuse Univeristy
145955flac16; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield. This file set is 16 bit @ 44.1
gd1982-09-24.145961.beyer.tompkins.flac16
1982-09-24Carrier Dome, Syracuse Univeristy
145961flac16; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019. This file set is 16 bit @ 44.1
gd1982-09-24.134685.mtx.dusborne.flac16
1982-09-24Carrier Dome, Syracuse U
134685flac16; 3 Source Matrix by Dusborne;Soundboard (shnid:04994)SBD>Master Cassette>1Reel>DAT>DAT>WAV> Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f;Audience (shnid:18987)AUD>MC>DAT>CDR;Audience (shnid:103388)Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII,MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)>Soundforge 8.0->Flac
gd1982-09-24.139439.beyerm201.holbrook.flac1644
1982-09-24Carrier Dome
139439flac16 44.1khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS. Source 2: Sennheiser 421's. Location: 60 feet from stage DFC. Lineage: Sennheiser 421's >> Sony TCD5M. Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson. Transferred by: Kyle Holbrook
gd1982-09-24.139440.beyerm201.holbrook.flac2448
1982-09-24Carrier Dome
139440flac24 48khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS Source 2: Sennheiser 421's Location: 60 feet from stage DFC Lineage: Sennheiser 421's >> Sony TCD5M Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson Transferred by: Kyle Holbrook
gd82-09-24.beyer.vernon.18987.sbeok.shnf
1982-09-24Carrier Dome, Syracuse U
18987AUD (Beyer 88?s) > MC > DAT > CDR via Raoul Duke encoded by Matt Vernon
gd82-09-24.sbd.lutch-dankseed.4994.sbeok.shnf
1982-09-24Carrier Dome, Syracuse U
4994SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc
gd1982-09-24.103388
1982-09-24Carrier Dome, Syracuse U
103388flac16; Source: Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)->Soundforge 8.0->Flac Taped by: D. Barfield and /or D. Lane; Transferred and Seeded By M. Watson
gd1982-09-24.140705.nak300.barfield.lane.flac2496
1982-09-24Carrier Dome, Syracuse U
140705flac24; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield
gd1982-09-24.144884.beyer.tompkins.flac2448
1982-09-24Carrier Dome, Syracuse Univeristy
144884flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019
gd82-10-09.sbd-patched.wiley.15800.sbeok.shnf
1982-10-09Frost Amphitheatre
15800Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation
gd1982-10-09.147105.beyer.tomkins.flac2448
1982-10-09Frost Amphitheatre
147105flac24; Source: FOB Beyers M160's > Sony TC-D5M > Maxell MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019
gd1982-10-09.nak700.anon-poris.LMPP.95656.flac16
1982-10-09Frost Amphitheatre - Stanford University
95656flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)
gd1982-10-09.sonyecm220T.keshavan.miller.93682.sbeok.flac16
1982-10-09Frost Amphitheatre - Stanford University
93682flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1982-10-09.111040.nak300.hoey.flac16
1982-10-09Frost Amphitheatre
111040flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact
gd1982-10-09.sonyecm220T.keshavan.miller.93683.sbeok.flac24
1982-10-09Frost Amphitheatre - Stanford University
93683flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd82-10-09.sbd.samaritano.23730.sbeok.shnf
1982-10-09Frost Amphitheatre
23730Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
gd82-10-09.sonyecm.clugston.5183.sbeok.shnf
1982-10-09Frost Amphitheatre
5183Rango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd
gd1982-10-09.sbd.miller.110621.flac16
1982-10-09Frost Amphitheatre
110621flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-10-09.mtx.seamons.93811.sbeok.flac16
1982-10-09Frost Amphitheatre - Stanford University
93811flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008
gd1982-10-09.sonyecm220T.fixed.keshavan.miller.93825.flac24
1982-10-09Frost Amphitheatre - Stanford University
93825flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.)
gd1982-10-09.sonyecm220T.fixed.keshavan.miller.93827.sbeok.flac16
1982-10-09Frost Amphitheatre - Stanford University
93827flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.)
gd1982-10-10.143391.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496
1982-10-10Frost Amphitheatre
143391flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
gd82-10-10.sbd.sacks.338.sbefail.shnf
1982-10-10Frost Amphitheatre
338SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation
gd1982-10-10.aud.keshavan.bertha.77325.sbeok.flac16
1982-10-10Frost Amphitheatre - Stanford University
77325flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315
gd1982-10-10.mtx.seamons.fix.92058.sbeok.flac16
1982-10-10Frost Amphitheatre - Stanford University
92058flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.)
gd1982-10-10.nak700.anon-poris.LMPP.95682.flac16
1982-10-10Frost Amphitheatre - Stanford University
95682flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)
gd1982-10-10.nak700.wagner.miller.109823.flac24
1982-10-10Frost Amphitheatre
109823flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
gd1982-10-10.141523.sbd.pcm.dalton.miller.clugston.flac1644
1982-10-10Frost Amphitheatre
141523flac16; Source Info: Master Soundboard Cassettes (TDK MA-R90/Dolby B > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
gd1982-10-10.nak700.wagner.miller.109822.flac16
1982-10-10Frost Amphitheatre
109822flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
gd1982-10-10.sbd.miller.110628.flac24
1982-10-10Frost Amphitheatre
110628flac24; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1982-10-10.mtx.seamons.110744.flac24
1982-10-10Frost Amphitheatre
110744flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT)
gd1982-10-10.sbd.fixed.miller.110783.flac24
1982-10-10Frost Amphitheatre
110783flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed
gd1982-10-10.sbd.fixed.miller.110784.flac16
1982-10-10Frost Amphitheatre
110784flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed
gd1982-10-10.111039.nak300.hoey.flac16
1982-10-10Frost Amphitheatre
111039flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact
gd1982-10-10.mtx.seamons.ht02.110970.flac16
1982-10-10Frost Amphitheatre
110970flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT)
gd1982-10-10.123623.senn421.gans.miller.flac24
1982-10-10Frost Amphitheatre
123623flac24; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded by David Gans; All Transfers and Mastering By Charlie Miller
gd1982-10-10.sonyecm220T.keshavan.miller.93732.sbeok.flac16
1982-10-10Frost Amphitheatre - Stanford University
93732flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1982-10-10.sonyecm220T.keshavan.miller.93733.sbeok.flac24
1982-10-10Frost Amphitheatre - Stanford University
93733flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
gd1982-10-10.beyers.stankiewicz.128808.flac16
1982-10-10Frost Amphitheatre
128808flac16; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.
gd1982-10-10.123624.senn421.gans.miller.flac16
1982-10-10Frost Amphitheatre
123624flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by David Gans; All Transfers and Mastering By Charlie Miller
gd1982-10-10.mtx.seamons.86784.sbeok.shnf
1982-10-10Frost Amphitheatre
86784Matrix mix: SBD/AUD (About 60%/40%) AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan and SBD: MC>DAT>ZA2>CD>EAC>SHN
gd1982-10-10.sbd.tetzeli.ayers.79903.sbeok.flac16
1982-10-10Frost Amphitheatre
79903flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315)
gd1982-10-10.sony-ecm220.keshavan.tzuriel.29315.sbeok.flac16
1982-10-10Frost Amphitheatre
29315flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005
gd1982-10-10.145248.fob.sony.ecm150.keeler.miller.noel.t-flac1644
1982-10-10Frost Amphitheatre
145248flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1
gd1982-10-10.beyers.stankiewicz.128807.flac2496
1982-10-10Frost Amphitheatre
128807flac24; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.
gd1982-10-17.150542.aud.miller.flac1644
1982-10-17Santa Fe Downs
150542flac16; Recording Info: (FOB) AUD > Cassette Master > Cassette > DAT > CD; Transfer Info: CD (Tascam SS-CDR200) > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X5 Suite > FLAC/16; Transferred and Mastered by Charlie Miller;this is a fixed version
gd1982-10-17.150574.eBay.miller.flac2496
1982-10-17Santa Fe Downs
150574flac24; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k)
gd1982-10-17.157640.s1.beyers.tompkins.flac2448
1982-10-17Santa Fe Downs
157640flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022
gd82-10-17.fob-aud.miller.18108.sbeok.shnf
1982-10-17Santa Fe Downs
18108(FOB) Neumann KM84 > Sony TC-D5M Dolby B Cassette Master > Reel > My Dat (Supplied by Neil Sturtevant); Transfer Info: Dat>CD>EAC>SHN (Tascam DA20>Tascam CDRW700); All transfers done by Charlie Miller
gd1982-11-25.134118.nak300.schley.flac2448
1982-11-25Bob Marley Performing Arts Center
134118flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
gd1982-11-25.134119.nak300.schley.flac1644
1982-11-25Bob Marley Performing Arts Center
134119flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
gd1982-11-25.sbd.fried-lai.speed-corrected-fixed.jterrapin.126243.flac16
1982-11-25Bob Marley Performing Arts Center
126243flac16; SDB>>MR>>PCM>>DAT>>CDR>>SHN>>TLH>>FLAC8; tech notes: shorten files recoded to flac8 w/traders little helper v2.7.0 the source(B. Fried's) ran about 4 cents too fast. speed, pitch & tempo corrected -4.200% with Audacity(dc offsets, normalized, high qual shaped dithering) & exported as flac 8. tagged with foobar v1.2.9 & the tradersfriend/etree live show tagger
gd1982-11-25.sbd.miller.112816.flac16
1982-11-25Bob Marley Performing Arts Center
112816flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-11-25.sbd.miller.112817.flac24
1982-11-25Bob Marley Performing Arts Center
112817flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller
gd1982-11-26.sbd.clugston.5647.sbefail.shnf
1982-11-26Bob Marley Performing Arts Center
5647poss Master Soundboard Cassette > Reel to Reel > DAT> CDR; fix of previous version, by Scott Clugston: tick removed, channel patching, speed correction (see info file); upgrade in circulation
gd82-11-26.sbd.streeter.21065.sbeok.shnf
1982-11-26Bob Marley Performing Arts Center
21065lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard
gd1982-11-26.sbd.fried-lai.1419.sbefail.shnf
1982-11-26Bob Marley Performing Arts Center
1419possible updated lineage: SBD MCass> Reel> PCM> DAT @44.1K> CDR (had been marked SBD> MR> PCM> DAT> CDR, with possible cass gen somewhere)- see pub comment; via Mike Lai, from Bruce Fried DAT seed; note had date typo at first as 11/25/82, now corrected; upgrade in circulation
gd1982-11-26.sbd.jakec.34204.sbeok.shnf
1982-11-26World Music Festival
34204Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C
gd1982-12-26.set2.sbd.miller.95953.sbeok.flac16
1982-12-26Oakland Auditorium
95953flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd82-12-26.sbd.clugston.6665.sbeok.shnf
1982-12-26Oakland Auditorium Arena
6665Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation
gd1982-12-26.sbd.miller.81602.sbeok.flac16
1982-12-26Oakland Auditorium
81602flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
gd1982-12-27.senn441.koucky.ladner.77463.sbeok.flac16
1982-12-27Oakland Auditorium
77463flac16; Recording by Bill Koucky: FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM). Transfer: Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC. Recording, transfer, and original encoding by Bill K. Remastering: FLAC > WAV > Wavelab 5 (smoothed pauses/flips with crossfades > Waves L3 Multimaximizer (-2 dB threshold/-0.1 dB ceiling/type I dither/ultra shaping) > WAV > CDWAV1.9 (tracking and level 5 FLAC encoding) > FLAC by Chris L.
gd1982-12-27.147919.senn421.hecht.miller.clugston.flac1648
1982-12-27Oakland Auditorium
147919flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-12-27.147920.senn421.hecht.miller.clugston.flac2496
1982-12-27Oakland Auditorium
147920flac24; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1982-12-27.set2.sbd.miller.95954.sbeok.flac16
1982-12-27Oakland Auditorium
95954flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1982-12-27.mtx.sb18a.34705.sbeok.flac16
1982-12-27Oakland Auditorium Arena
34705flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell
gd1982-12-27.sbd.ladner.32134.sbeok.flac16
1982-12-27Oakland Auditorium Arena
32134flac16; Source: SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried, 4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5). Original digital transfer and FLAC seeded by billk@neci.edu, January 2006 via planetflac. Remastering and retracking by C.Ladner.
gd1982-12-27.set-2.sbd.miller.81515.sbeok.flac16
1982-12-27Oakland Auditorium
81515flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
gd1982-12-28.mtx.chappell.sb18b.34715.sbeok.flac16
1982-12-28Oakland Auditorium
34715flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell.
gd1982-12-28.134177.nak300.schley.flac2448
1982-12-28Oakland Auditorium Arena
134177flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2) Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
gd1982-12-28.134178.nak300.schley.flac1644
1982-12-28Oakland Auditorium Arena
134178flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
gd1982-12-28.150890.fob.nak700.wagner.miller.clugston.flac1648
1982-12-28Oakland Auditorium
150890flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1982-12-28.150891.fob.nak700.wagner.miller.clugston.flac2496
1982-12-28Oakland Auditorium
150891flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
gd1982-12-28.126612.nak300.Oakland.fulton.flac16
1982-12-28Oakland Auditorium Arena
126612flac16; Recording Info: Nak300 (hand-held) -> Sony D-5; Transfer Info: Sony D-5 -> Turtle Beach -> Goldwave -> WAV -> CD -> EAC -> FLAC; Recorded, transferred and edited by Mark Fulton
gd82-12-28.sbd-pcm.miller.31967.sbeok.flacf
1982-12-28Oakland Auditorium Arena
31967flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller
gd1982-12-28.147921.senn421.hecht.miller.clugston.flac1648
1982-12-28Oakland Auditorium
147921flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-12-28.147922.senn421.hecht.miller.clugston.flac2496
1982-12-28Oakland Auditorium
147922flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd82-12-28.sbd.hinko.18980.sbeok.shnf
1982-12-28Oakland Auditorium Arena
18980SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation
gd1982-12-30.134321.aud.fulton.flac2448
1982-12-30Oakland Auditorium Arena
134321flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
gd1982-12-30.150778.nak700.wagner.miller.flac2496
1982-12-30Oakland Auditorium
150778flac24; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner
gd1982-12-30.147923.senn421.hecht.miller.clugston.flac1648
1982-12-30Oakland Auditorium
147923flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
gd1982-12-30.147924.senn421.hecht.miller.clugston.flac2496
1982-12-30Oakland Auditorium
147924flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
gd1982-12-30.set2.sbd.miller.95955.sbeok.flac16
1982-12-30Oakland Auditorium
95955flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
gd82-12-30.sbd.gardner.8764.sbeok.shnf
1982-12-30Oakland Auditorium Arena
8764SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation
gd1982-12-30.sbd.walker-scotton.miller.105819.flac16
1982-12-30Oakland Auditorium Arena
105819flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-12-30.sbd.miller.77300.sbeok.flac16
1982-12-30Oakland Auditorium
77300flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
gd1982-12-30.151469.fob.Nak700.cm.wagner.miller.t.flac16
1982-12-30Oakland Auditorium
151469flac16/44khz ; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner 150778 24 -> 16 @ 44.1
gd82-12-31.sbd.bode.5958.sbeok.shnf
1982-12-31Oakland Auditorium Arena
5958SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation
gd1982-12-31.134485.aud.fulton.flac2448
1982-12-31Oakland Auditorium Arena
134485flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
gd1982-12-31.134486.aud.fulton.flac1644
1982-12-31Oakland Auditorium Arena
134486flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
gd1982-12-31.134487.s3.nak300.schley.flac2448
1982-12-31Oakland Auditorium Arena
134487flac24; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
gd1982-12-31.134488.s3.nak300.schley.flac1644
1982-12-31Oakland Auditorium Arena
134488flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
gd1982-12-31.118487.set3.sbd.chasingwilma.flac16
1982-12-31Oakland Auditorium Arena
118487flac16; Set 3 Only, source: sbd> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: sbd> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
gd1982-12-31.FM.azjones.113090.flac16
1982-12-31Oakland Auditorium Arena
113090flac16; FM Radio Broadcast > Cassete > Wave > Flac
gd1982-12-31.148498.PandP-aud.tobin.flac16
1982-12-31Oakland Auditorium
148498flac16; Patched & Pitch Corrected Audience AUD (original shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 - pitch correction and patches by Kevin Tobin
gd1982-12-31.148505.mat.tobin.flac16
1982-12-31Oakland Auditorium
148505flac16; Matrix 2 Source Mix SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - matrix mixing by Kevin Tobin
gd1982-12-31.148506.dts.tobin.flac16
1982-12-31Oakland Auditorium
148506DTS-Audio-CD 5.1 Mix; SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - dts mixing by Kevin Tobin
gd1982-12-31.148507.5-1.tobin.flac1648
1982-12-31Oakland Auditorium
148507flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - surround mixing by Kevin Tobin
gd1982-12-31.sbd.walker-scotton.miller.105820.flac16
1982-12-31Oakland Auditorium Arena
105820flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
gd1982-12-31.sbd.miller.77301.sbeok.flac16
1982-12-31Oakland Auditorium
77301flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation