Identifiers for Grateful Dead
1965 1966 1967 1968 1969 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990 1991 1992 1993 1994 1995
Archive Identifier | |
---|---|
Date | Venue |
Source | |
gd1982-08-01.158150.senn421.vita.miller.clugston.flac2496 | |
1982-08-01 | Zoo Amphitheater |
158150 | flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell MX-90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 |
gd82-08-01.sbd.willy.10226.sbeok.shnf | |
1982-08-01 | Zoo Amphitheater |
10226 | SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy |
gd1982-08-01.124646.akg-ce1.flac24 | |
1982-08-01 | Zoo Amphitheater |
124646 | flac24; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper |
gd1982-08-01.124647.akg-ce1.flac16 | |
1982-08-01 | Zoo Amphitheater |
124647 | flac16; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper |
gd1982-08-01.138680.nak300.holbrook.flac2448 | |
1982-08-01 | Zoo Amphitheater |
138680 | flac24 48khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook |
gd1982-08-01.138679.nak300.holbrook.flac1644 | |
1982-08-01 | Zoo Amphitheater |
138679 | flac16 44.1khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook |
gd1982-08-01.141594.sbd.healy.streeter.dalton.miller.clugston.flac1644 | |
1982-08-01 | Zoo Amphitheater |
141594 | flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-08-01.155757.ohr-sony-ecm23f-tcd5m.flac1644 | |
1982-08-01 | Zoo Amphitheater |
155757 | flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell MX 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR800 > CD Ohr : CD > EAC > WAV > FLAC |
gd1982-08-03.158506.senn421.vita.miller.clugston.flac1648 | |
1982-08-03 | Starlight Theater |
gd1982-08-03.158507.senn421.vita.miller.clugston.flac2496 | |
1982-08-03 | Starlight Theater |
gd1982-08-03.sbd.unknown.tetzeli.fix-19228.33614.reflac.flac16 | |
1982-08-03 | Starlight Theatre |
33614 | flac16; Patch fix of shnid 19228 by Bill Tetzeli; Main source: SBD> MC> PCM> DAT> CDR> EAC> SHN; Patch source: MAC> DAT> CD> EAC> SHN; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1982-08-03.121407.set2-akg.flac16 | |
1982-08-03 | Starlight Theater |
121407 | flac16; Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience); Transfer: unknown cassette > ? > CD; CD > FLAC |
gd1982-08-03.aud.uherarchives.partial.121973.flac24 | |
1982-08-03 | Starlight Theater |
121973 | flac24; Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only. |
gd1982-08-03.138618.nak300.holbrook.flac1644 | |
1982-08-03 | Starlight Theater |
138618 | flac16 44.1khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook |
gd1982-08-03.138619.nak300.holbrook.flac2448 | |
1982-08-03 | Starlight Theater |
138619 | flac24 48khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook |
gd82-08-03.sbd.unk.19228.sbeok.shnf | |
1982-08-03 | Starlight Theater |
19228 | Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation |
gd82-08-03.senn-hogan.fink.5984.sbeok.shnf | |
1982-08-03 | Starlight Theater |
5984 | Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference |
gd1982-08-03.136587.sen441.schley.flac1644 | |
1982-08-03 | Starlight Theater |
136587 | flac16; AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection; Transfer: TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. |
gd82-08-03.matrix.chappell.30705.sbeok.flacf | |
1982-08-03 | Starlight Theater |
30705 | flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell. |
gd1982-08-03.sbd.miller.77196.sbeok.flac16 | |
1982-08-03 | Starlight Theater |
77196 | flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1982-08-03.140037.beyer-m160.streeter.miller.sirmick.flac24 | |
1982-08-03 | Starlight Theater |
140037 | flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 |
gd1982-08-03.145217.fob.beyer.m160.streeter.miller.sirmick.flac1644 | |
1982-08-03 | Starlight Theater |
145217 | flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1 |
gd82-08-04.sbd.willy.7388.sbeok.shnf | |
1982-08-04 | Kiel Auditorium |
7388 | SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy |
gd1982-08-04.153018.beyer.tompkins.flac2448 | |
1982-08-04 | Kiel Auditorium |
153018 | flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021 |
gd1982-08-04.141652.sbd.pcm.streeter.dalton.miller.clugston.flac1644 | |
1982-08-04 | Kiel Auditorium |
141652 | flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-08-04.138620.beyerm201.holbrook.flac1644 | |
1982-08-04 | Kiel Auditorium |
138620 | flac16 44.1khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook |
gd1982-08-04.138621.beyerm201.holbrook.flac2448 | |
1982-08-04 | Kiel Auditorium |
138621 | flac24 48khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook |
gd1982-08-06.mtx.seamons.101618.sbeok.flac16 | |
1982-08-06 | St. Paul Civic Center |
101618 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) |
gd1982-08-06.144702.beyer.tompkins.flac2448 | |
1982-08-06 | St. Paul Civic Center |
144702 | flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019 |
gd82-08-06.sonyecm.norman.7288.sbeok.shnf | |
1982-08-06 | St. Paul Civic Center |
7288 | Recording by Ohr Weinberg from behind the stage: Sony ECM 23-F's >Aud Master; A>D transfer by Jim Wise; via Todd Norman; Note- May circ with Goin Down the Road mislabeled as Good Lovin |
gd82-08-06.sbd-patched.hinko.16043.sbeok.shnf | |
1982-08-06 | St. Paul Civic Center |
16043 | S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Identical to previous sbd seed, except for d1t's 6&7; Aud patch in El Paso and silence removed from Bird Song by Darryl Hinko; See info file for details; |
gd82-08-06.sbd.fink.15028.sbeok.shnf | |
1982-08-06 | St. Paul Civic Center |
15028 | S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation |
gd1982-08-06.mtx.seamons.ht58.125889.flac16 | |
1982-08-06 | St. Paul Civic Center |
125889 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging and embedded cover art) |
gd1982-08-06.sbd.miller.118462.flac16 | |
1982-08-06 | St. Paul Civic Center |
118462 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony TC-D5M/Dolby B/TDK MA-C90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1982-08-07.156561.s1.beyer.tompkins.flac2448 | |
1982-08-07 | Alpine Valley Music Theatre |
156561 | flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 |
gd1982-08-07.fob.unknown.suraci.83513.sbeok.flac16 | |
1982-08-07 | Alpine Valley Music Theatre |
83513 | flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci |
gd1982-08-07.aud.ohr.92183.flac16 | |
1982-08-07 | Alpine Valley Music Theatre |
92183 | flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC |
gd1982-08-07.138622.beyerm201.holbrook.flac1644 | |
1982-08-07 | Alpine Valley Music Theatre |
138622 | flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook |
gd1982-08-07.138623.beyerm201.holbrook.flac2448 | |
1982-08-07 | Alpine Valley Music Theatre |
138623 | flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook |
gd82-08-07.sbd-streeter-wise.unknown.7689.sbeok.shnf | |
1982-08-07 | Alpine Valley Music Theatre |
7689 | SBD : MC > MR > DAT > CDR Transfer done by Jim Wise |
gd82-08-07.sbd.popi.6148.sbeok.shnf | |
1982-08-07 | Alpine Valley Music Theatre |
6148 | sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT |
gd82-08-07.sbd.serafin.7720.sbeok.shnf | |
1982-08-07 | Alpine Valley Music Theatre |
7720 | SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes |
gd1982-08-07.141795.sbd.pcm.streeter.dalton.miller.clugston.flac1644 | |
1982-08-07 | Alpine Valley Music Theatre |
141795 | flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-08-07.137625.sbd.miller.flac16 | |
1982-08-07 | Alpine Valley Music Theatre |
137625 | flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller |
gd1982-08-08.140500.beyer-m160.streeter.miller.sirmick.flac1644 | |
1982-08-08 | Alpine Valley Music Theatre |
140500 | flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 |
gd1982-08-08.144730.sbd.healy.streeter.smith.miller.clugston.flac1648 | |
1982-08-08 | Alpine Valley Music Theatre |
144730 | flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1982-08-08.144731.sbd.healy.streeter.smith.miller.clugston.flac2496 | |
1982-08-08 | Alpine Valley Music Theatre |
144731 | flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd1982-08-08.unk.barrick.333.sbefail.shnf | |
1982-08-08 | Alpine Valley Music Theatre |
333 | no source info; via D. Barrick; no d3 .md5 available originally- one shown here supplied by J. Primozic from his copy |
gd1982-08-08.138624.nak300.holbrook.flac1644 | |
1982-08-08 | Alpine Valley Music Theatre |
138624 | flac16 44.1khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook |
gd1982-08-08.138625.nak300.holbrook.flac2448 | |
1982-08-08 | Alpine Valley Music Theatre |
138625 | flac24 48khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook |
gd82-08-08.sbd-wise.unknown.7690.sbeok.shnf | |
1982-08-08 | Alpine Valley Music Theatre |
7690 | SBD : MC > MR > DAT > CDR Transfer done by Jim Wise |
gd82-08-08.sbd.skankweed.15580.sbeok.shnf | |
1982-08-08 | Alpine Valley Music Theatre |
15580 | Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version of Merry Pranksters tree which is NOT listed here at db.etree.org |
gd1982-08-08.140124.beyer-m160.streeter.miller.sirmick.flac2496 | |
1982-08-08 | Alpine Valley Music Theatre |
140124 | flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 |
gd1982-08-08.141498.sbd.pcm.healy.streeter.lubar.dalton.miller.clugston.flac1644 | |
1982-08-08 | Alpine Valley Music Theatre |
141498 | flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-08-10.sbd.kempa.334.shnf | |
1982-08-10 | Iowa Fieldhouse - University of Iowa |
334 | SBD > Master Cassette > DAT > Digidesign/Audio Media > DAT; Transfer: DAT > WAV (via TB Fiji S/PDIF) > SHN; via A. Gustin, J. Kempka; 4/19/82 filler; upgrade in circulation |
gd1982-08-10.sbd.miller.102577.flac16 | |
1982-08-10 | University of Iowa |
102577 | flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1982-08-10.140988.sbd.streeter.smith.miller.clugston.flac1644 | |
1982-08-10 | University of Iowa |
140988 | flac16; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp |
gd1982-08-10.140989.sbd.streeter.smith.miller.clugston.flac2496 | |
1982-08-10 | University of Iowa |
140989 | flac24; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 |
gd1982-08-10.152133.mouth.akg-ce1.mac.uherarchive.rogers.wise.flac2444 | |
1982-08-10 | University Of Iowa Fieldhouse |
152133 | flac24/44 AKG CE-1 (4th row, Dead Center) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Craig Rogers Transferred, tracked, and patched by Jim Wise patch s2t13 from 1:44 to 2:50 unknown source EAC to FLAC by cbass 2/25/07 Mastered by Craig Rogers 11/30/18 This is a mastered version of the raw transfer, shnid: 82875 It required quite significant EQ and became a much bigger file so it is now 24 bit. This recording has been erroneously credited to one or the other of the Mance brothers. Endless thanks to Jerry Garcia for his permission and providing the tickets. This is an Uher Archive production. uherarchive@live.com |
gd1982-08-10.mtx.seamons.fix.92073.sbeok.flac16 | |
1982-08-10 | University Of Iowa Fieldhouse |
92073 | flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585 |
gd1982-08-10.137540.akg-ce1.mance.wise.sirmick.sbeok.flac16 | |
1982-08-10 | University of Iowa |
137540 | flac16; Source: Audience Recording > AKG CE-1 mics > Uher Cr-240 > master cassette; Taped by Jim Mance; Transfer: master cassette > Nakamichi Dragon > Sony R700 DAT > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited by SIRMick |
gd1982-08-10.139779.FOB-BeyerM160.streeter.miller.sirmick.flac2496 | |
1982-08-10 | University of Iowa |
139779 | flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 |
gd82-08-10.sbd.miller.12453.sbeok.shnf | |
1982-08-10 | University of Iowa |
12453 | SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller |
gd1982-08-10.mtx.seamons.102902.flac16 | |
1982-08-10 | University of Iowa |
102902 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) |
gd1982-08-10.155680.ohr-sony-ecm23f-tcd5m.flac16 | |
1982-08-10 | University Of Iowa Fieldhouse |
155680 | flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC |
gd1982-08-10.akg-ce1.mance.cbass.82875.sbeok.flac16 | |
1982-08-10 | University Of Iowa Fieldhouse |
82875 | flac16; AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance. EAC to FLAC by cbass 2/25/07 |
gd1982-08-10.mtx.seamons.86585.sbeok.shnf | |
1982-08-10 | University Of Iowa Fieldhouse |
86585 | MATRIX MIX: 50% AUD/50% SBD using AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance (shn id 82875) and SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN (shn id 12453) Note: a SBE fixed version was also circulated. |
gd1982-08-10.145223.fob.beyer.m160.streeter.miller.sirmick.flac1644 | |
1982-08-10 | University Of Iowa Fieldhouse |
145223 | flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @44.1 |
gd1982-08-28.sbd.lai.tetzeli.fix-2333.34933.reflac.flac16 | |
1982-08-28 | Oregon Country Fairgrounds |
34933 | flac16; sbd>>cassette master>>cassette>>cdr>>WAV>>shn>>wav>>flac - fix of shn id 2333. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1982-08-28.nak700.wagner.miller.112955.flac16 | |
1982-08-28 | Oregon Country Fair |
112955 | flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller |
gd82-08-28.sbd.lai.2333.sbefail.shnf | |
1982-08-28 | Oregon County Fair |
2333 | sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully |
gd1982-08-28.sbd.walker-scotton.miller.106166.flac16 | |
1982-08-28 | Oregon Country Fair |
106166 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1982-08-28.set2.fob.nak300.fleishner.feinberg.79350.sbeok.flac16 | |
1982-08-28 | Oregon Country Fairgrounds |
79350 | flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006. |
gd1982-08-28.141624.fob.senn.421.dalton.miller.clugston.flac1644 | |
1982-08-28 | Oregon Country Fair |
141624 | flac16; Source Info: Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (dolby B)(taper unknown) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-08-29.140735.set1.pset2.sbd.lamarre.berger.flac2496 | |
1982-08-29 | Seattle Center Coliseum |
140735 | flac24; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger |
gd1982-08-29.140984.sbd.set1.lamarre.berger.flac1644 | |
1982-08-29 | Seattle Center Coliseum |
140984 | flac16; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger |
gd1982-08-29.148747.fob.nak700.severson.miller.clugston.flac1648 | |
1982-08-29 | Seattle Center Coliseum |
148747 | flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1982-08-29.148748.fob.nak700.severson.miller.clugston.flac2496 | |
1982-08-29 | Seattle Center Coliseum |
148748 | flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 |
gd1982-08-29.156588.mtx.tobin.flac16 | |
1982-08-29 | Seattle Center Coliseum |
156588 | flac16; Matrix 2 Source Mix - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - matrix mixing by Kevin Tobin |
gd1982-08-29.156589.dts.tobin.flac16 | |
1982-08-29 | Seattle Center Coliseum |
156589 | DTS-Audio-CD 5.1 Mix; - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - dts mixing by Kevin Tobin |
gd1982-08-29.156590.5-1.tobin.flac1648 | |
1982-08-29 | Seattle Center Coliseum |
156590 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - surround mixing by Kevin Tobin |
gd82-08-29.fob-nak300.miller.17957.sbeok.shnf | |
1982-08-29 | Seattle Center Coliseum |
17957 | (FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller |
gd1982-08-29.142688.sbd.healy.streeter.dalton.miller.clugston.flac1644 | |
1982-08-29 | Seattle Center Coliseum |
142688 | flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-09-05.149978.senn421.lukosky.gsarchivist.flac2496 | |
1982-09-05 | US Festival, Glen Helen Regional Park |
149978 | flac24; Ben Lukosky's Master Audience Cassettes; FOB Sennheiser 421 mics > Sony D5 (Maxell MX-90) Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by gsarchivist; Speed Correction by Jason Chastain |
gd1982-09-05.sbd.miller.113726.flac16 | |
1982-09-05 | Glen Helen Regional Park |
113726 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
gd1982-09-05.sbd.miller.113746.flac16 | |
1982-09-05 | Glen Helen Regional Park |
113746 | flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd82-09-05.sbd-patched.warner.5490.sbeok.shnf | |
1982-09-05 | Glen Helen Regional Park |
5490 | SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6 |
gd1982-09-05.nak300.sirmick.87210.sbeok.flac16 | |
1982-09-05 | Glen Helen Regional Park |
87210 | flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.) |
gd1982-09-05.142714.sbd.healy.streeter.dalton.miller.clugston.flac1648 | |
1982-09-05 | Glen Helen Regional Park |
142714 | flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-09-09.123191.beyerm160.streeter-miller.flac16 | |
1982-09-09 | Saenger Performing Arts Center |
123191 | flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller |
gd82-09-09.sbd.willy.11735.sbeok.shnf | |
1982-09-09 | Saenger Performing Arts Center |
11735 | SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) |
gd1982-09-09.134287.sbd.deemph.flac16 | |
1982-09-09 | Saenger Performing Arts Center |
134287 | flac16; SBD>MC>PCM>DAT>CD; source ID 11735 with pre-emphasis removed, FLAC, tags using xAct 2.36 |
gd1982-09-09.142762.sbd.healy.streeter.dalton.miller.clugston.fixed.flac1648 | |
1982-09-09 | Saenger Performing Arts Center |
142762 | flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648; the original version had a duplicate "Space" ("Drums > Space" were 1 track, followed by "Space" again) |
gd1982-09-09.140051.beyer-m160.streeter.miller.sirmick.flac24 | |
1982-09-09 | Saenger Performing Arts Center |
140051 | flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick |
gd1982-09-09.145246.fob.beyer-m160.streeter.miller.sirmick.flac1644 | |
1982-09-09 | Saenger Performing Arts Center |
145246 | flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; This file set is 16 bit @ 44.1 |
gd1982-09-09.149747.beyer.tompkins.flac2448 | |
1982-09-09 | Saenger Performing Arts Center |
149747 | flac24; Source: Set One & Encore, Unknown AUD > MAC > 1st Gen copy (see note) and; Set Two, Beyers-Dynamic M160's > Sony TC-D5 > MAC. Recording by Rip Tompkins & with thanks to Richie Stankiewicz! Transfer: TDK MA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 04/2020 |
gd1982-09-11.146916.mtx.seamons.ht116.flac16 | |
1982-09-11 | West Palm Beach Civic Center |
146916 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2192 and 122155 |
gd1982-09-11.beyerM160.streeter.miller.122154.flac24 | |
1982-09-11 | West Palm Beach Auditorium |
122154 | flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter |
gd1982-09-11.122988.mtx.rdenirojb87.flac16 | |
1982-09-11 | West Palm Beach Auditorium |
122988 | flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155) |
gd82-09-11.sbd.clugston.2192.sbeok.shnf | |
1982-09-11 | West Palm Beach Auditorium |
2192 | Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree |
gd1982-09-11.beyerM160.streeter.miller.122155.flac16 | |
1982-09-11 | West Palm Beach Auditorium |
122155 | flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter |
gd1982-09-11.155686.sbd.miller.flac1644 | |
1982-09-11 | West Palm Beach Civic Center |
155686 | flac16/44 Recording Info:
SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC |
gd1982-09-11.aud.unknown.85854.sbeok.flac16 | |
1982-09-11 | West Palm Beach Auditorium |
85854 | flac16; Source: Two AUD cassette sources of unknown lineage. Transfer: Cassettes > Sony TC-D5M > Audiophile 2496 Analog RCA Input > Soundforge > CD-Wave > TLH > FLAC, June 2007. |
gd1982-09-11.137379.nak300.flac1644 | |
1982-09-11 | West Palm Beach Auditorium |
137379 | flac16; 10th Row Center; Nakamichi CM-300 > Sony TC-D5 > MC > DAT; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell |
gd1982-09-12.152842.beyer.tompkins.flac2448 | |
1982-09-12 | Lakeland Civic Center |
152842 | flac2448; Source: Beyers mics > Sony TC-D5M > Maxell XLII-S 90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 |
gd1982-09-12.144362.sbd.healy.streeter.smith.miller.clugston.flac2496 | |
1982-09-12 | Lakeland Civic Center |
144362 | flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 |
gd82-09-12.sbd.ladner.7826.sbeok.shnf | |
1982-09-12 | Lakeland Civic Center |
7826 | SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation |
gd1982-09-12.135161.set2.nak300.schley.flac2448 | |
1982-09-12 | Lakeland Civic Center |
135161 | flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2016 |
gd1982-09-12.135162.set2.nak300.schley.flac1644 | |
1982-09-12 | Lakeland Civic Center |
135162 | flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 |
gd1982-09-12.122168.senn.streeter.miller.flac16 | |
1982-09-12 | Lakeland Civic Center |
122168 | flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller |
gd1982-09-12.122169.senn.streeter.miller.flac24 | |
1982-09-12 | Lakeland Civic Center |
122169 | flac24; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller |
gd1982-09-12.sbd.miller.114138.flac16 | |
1982-09-12 | Lakeland Civic Center |
114138 | flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v1.5 -> FLAC; This is a re-master of Source ID 7826; All Transfers and Mastering By Charlie Miller |
gd1982-09-12.144361.sbd.healy.streeter.smith.miller.clugston.flac1648 | |
1982-09-12 | Lakeland Civic Center |
144361 | flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1982-09-14.121944.akg414.streeter.miller.flac16 | |
1982-09-14 | University of Virginia |
121944 | flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter |
gd82-09-14.beyer-sbd.miller.20906.sbeok.shnf | |
1982-09-14 | University of Virginia |
20906 | Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller |
gd82-09-14.sbd.set2.clugston.7547.sbeok.shnf | |
1982-09-14 | University of Virginia |
7547 | Master Soundboard Cassette > Reel to Reel > DAT > CDR, CD Re-Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 1/3/02, posted to abgd via Charlie Connor |
gd1982-09-14.121943.akg414.streeter.miller.flac24 | |
1982-09-14 | University of Virginia |
121943 | flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter |
gd1982-09-14.146663.beyer.tompkins.flac2448 | |
1982-09-14 | University Hall, University Of Virginia |
146663 | flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS-90 (1st Set, He's Gone, and JBGoode) and TDK MA-90 (2nd Set). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019 |
gd1982-09-15.134869.nak300.schley.flac2448 | |
1982-09-15 | Capital Centre |
134869 | flac24; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2015 |
gd1982-09-15.134870.nak300.schley.flac1644 | |
1982-09-15 | Capital Centre |
134870 | flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015 |
gd1982-09-15.152347.beyer.m160.eaton.miller.clugston.flac1648 | |
1982-09-15 | Capital Centre |
152347 | flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 |
gd1982-09-15.152348.beyer.m160.eaton.miller.clugston.flac2496 | |
1982-09-15 | Capital Centre |
152348 | flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 |
gd1982-09-15.sbd-aud.cribbs.8550.sbefail.shnf | |
1982-09-15 | Capital Centre |
8550 | combination SBD (Jim Wise) and FOB Nak shotguns (Tiger Rose, David Howard) - see notes in info file; Patching, tracking and Shn encoding by Sean Cribbs; Upgrade in circulation |
gd82-09-15.sbd-patched.clugston.11881.sbeok.shnf | |
1982-09-15 | Capital Centre |
11881 | Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor |
gd1982-09-15.akg414.streeter.miller.118449.flac16 | |
1982-09-15 | Capital Centre |
118449 | flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller |
gd1982-09-15.akg414.streeter.miller.118451.flac24 | |
1982-09-15 | Capital Centre |
118451 | flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller |
gd1982-09-15.sbd.miller.124586.flac16 | |
1982-09-15 | Capital Centre |
124586 | flac16; Recording Info: SBD -> Master Cassette -> Reel -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 8550 |
gd1982-09-15.fob.tigerrose.howard.andrewf.81690.sbeok.flac16 | |
1982-09-15 | Capital Centre |
81690 | flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC |
gd1982-09-17.135445.nak300.schley.flac2448 | |
1982-09-17 | Cumberland County Civic Center |
135445 | flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 |
gd1982-09-17.152910.mtx.seamons.ht132.flac16 | |
1982-09-17 | Cumberland County Civic Center |
152910 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80770 & 91483, plus 135446 for two songs. |
gd1982-09-17.mtx.haugh.82208.sbefail.flac16 | |
1982-09-17 | Cumberland County Civic Center |
82208 | flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD |
gd1982-09-17.nak300.friend.andrewf.99678.flac24 | |
1982-09-17 | Cumberland County Civic Center |
99678 | flac24; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. |
gd1982-09-17.nak300.friend.andrewf.99679.flac16 | |
1982-09-17 | Cumberland County Civic Center |
99679 | flac16; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496. Transfer by Andrew F. 06/2009 |
gd1982-09-17.139319.JVC-HM200E.holbrook.flac1644 | |
1982-09-17 | Cumberland County Civic Center |
139319 | flac16 44.1khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook. |
gd1982-09-17.144658.aud.lamarre.berger.flac24 | |
1982-09-17 | Cumberland County Civic Center |
144657 | flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd82-09-17.aud.lai.2577.sbefail.shnf | |
1982-09-17 | Cumberland County Civic Center |
2577 | complete; marked sbd (see user comments concerning audience or matrix) ; via Mike Lai from Bruce Fried seed; d1 md5s identical to previous shn set; tracked for 2x80 |
gd82-09-17.cohen.minches.18985.sbeok.shnf | |
1982-09-17 | Cumberland County Civic Center |
18985 | Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches |
gd82-09-17.nak300.clugston.335.sbeok.shnf | |
1982-09-17 | Cumberland County Civic Center |
335 | Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell |
gd82-09-17.pset2-sbd.fishman.18105.sbeok.shnf | |
1982-09-17 | Cumberland County Civic Center |
18105 | partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman; upgrade in circulation |
gd1982-09-17.nak300.chasingwilma.119075.flac16 | |
1982-09-17 | Cumberland County Civic Center |
119075 | flac16; lineage: nakamichi 300 fob> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1982-09-17.139320.JVC-HM200E.holbrook.flac2448 | |
1982-09-17 | Cumberland County Civic Center |
139320 | flac24 48khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook. |
gd1982-09-17.142823.fob.senn421.wise.miller.clugston.flac1648 | |
1982-09-17 | Cumberland County Civic Center |
142823 | flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1982-09-17.142824.fob.senn421.wise.miller.clugston.flac2496 | |
1982-09-17 | Cumberland County Civic Center |
142824 | flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 |
gd1982-09-17.135446.nak300.schley.flac1644 | |
1982-09-17 | Cumberland County Civic Center |
135446 | flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 |
gd1982-09-17.mtx.dts.82184.sbefail.flac16 | |
1982-09-17 | Cumberland County Civic Center |
82184 | DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD |
gd1982-09-17.sbd.harrison.80770.sbeok.flac16 | |
1982-09-17 | Cumberland County Civic Center |
80770 | flac16; Recording/Transfer Info: Set 1 - Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2 - Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison |
gd1982-09-17.aud.morris.111030.sbeok.flac24 | |
1982-09-17 | Cumberland County Civic Center |
111030 | flac24; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris |
gd1982-09-17.144657.aud.lamarre.berger.flac16 | |
1982-09-17 | Cumberland County Civic Center |
144658 | flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1982-09-17.fob.nak300.morris.99888.flac16 | |
1982-09-17 | Cumberland County Civic Center |
99888 | flac16; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 |
gd1982-09-17.aud.wise.91483.sbeok.flac16 | |
1982-09-17 | Cumberland County Civic Center |
91483 | flac16; AUD: FOB, Sennheiser MD-421's > Sony TC-D5. Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC |
gd1982-09-18.123051.sbd.miller.flac16 | |
1982-09-18 | Boston Garden |
123051 | flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd82-09-18.sbd.weise.3153.sbeok.shnf | |
1982-09-18 | Boston Garden |
3153 | SBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating shn set |
gd1982-09-18.sbd.chasingwilma.119221.flac16 | |
1982-09-18 | Boston Garden |
119221 | flac16; Updated Source Info: This source is derived from source ID 3153 (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1982-09-18.nak300.friend.andrewf.97590.flac16 | |
1982-09-18 | Boston Garden |
97590 | flac16; AUD: 2x Nakamichi CM300's with CP4 shotguns (L+R), plus 1x Nakamichi CM300 with CP1 cardioid (blend mic) > Nakamichi 550 > Maxell XLII-S 90's. Mics on stand, set up in center right section riser, just off the floor. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Andrew F. 02/2009. |
gd1982-09-18.sbd.fishman.fix-3153.107429.flac16 | |
1982-09-18 | Boston Garden |
107429 | flac16; SBD->Cassette Master(Dolby)>Cassette>CD>EAC>SHN>WAV>CE Processing>FLAC |
gd1982-09-18.144662.aud.lamarre.berger.flac24 | |
1982-09-18 | Boston Garden |
144662 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1982-09-18.144663.aud.lamarre.berger.flac16 | |
1982-09-18 | Boston Garden |
144663 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1982-09-18.150788.mtx.seamons.ht124.flac16 | |
1982-09-18 | Boston Garden |
150788 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123051 & 98059. |
gd1982-09-20.122088.senn421.streeter.miller.flac24 | |
1982-09-20 | Madison Square Garden |
122088 | flac24; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recoded by Frank Streeter |
gd1982-09-20.157809.sbd.1gen.remaster.miller.flac1644 | |
1982-09-20 | Madison Square Garden |
157809 | flac1644; Recording Info: SBD > Cassette Master > Cassette (Dolby B) > CD; Transfer Info: CD > Samplitude Professional v9.12 > Cool Edit Pro v.20 > FLAC; Remastering Info: FLAC > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/16. |
gd82-09-20.cohen.minches.19145.sbeok.shnf | |
1982-09-20 | Madison Square Garden |
19145 | Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches |
gd82-09-20.senn-wise.sacks.3151.sbeok.shnf | |
1982-09-20 | Madison Square Garden |
3151 | Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; transferred by Jim Wise; upload by Darrin Sacks |
gd82-09-20.set1-sbd.miller-sturtevant.15806.sbeok.shnf | |
1982-09-20 | Madison Square Garden |
15806 | 1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation |
gd82-09-20.set2-sbd.miller.18113.sbeok.shnf | |
1982-09-20 | Madison Square Garden |
18113 | Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation |
gd1982-09-20.122089.senn421.streeter.miller.flac16 | |
1982-09-20 | Madison Square Garden |
122089 | flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter |
gd1982-09-20.mtx.seamons.97897.sbeok.flac16 | |
1982-09-20 | Madison Square Garden |
97897 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
gd1982-09-20.nak300.morrone.andrewf.118799.flac1644 | |
1982-09-20 | Madison Square Garden |
118799 | flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. February 2012 |
gd1982-09-20.sbd.miller.77482.sbeok.flac16 | |
1982-09-20 | Madison Square Garden |
77482 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation |
gd1982-09-20.sbd.miller.88857.sbeok.flac16 | |
1982-09-20 | Madison Square Garden |
88857 | flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.) |
gd1982-09-20.119120.nak300.chasingwilma.flac16 | |
1982-09-20 | Madison Square Garden |
119120 | flac16; Updated Source Info: Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Had been marked: lineage: nakamichi 300 (fob)> d-5> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1982-09-21.sbd.perkins.tetzeli.fix-13306.34723.flac16 | |
1982-09-21 | Madison Square Garden |
34723 | flac16; Seamless fix of shn id 13306 - msc>dat>cd>wav>shn>wav>flac by Bill Tetzeli |
gd1982-09-21.152737.set1.aud.miller.flac2496 | |
1982-09-21 | Madison Square Garden |
152737 | flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 |
gd1982-09-21.sbd.miller.tetzeli.fix-33684.34754.reflac.flac16 | |
1982-09-21 | Madison Square Garden |
34754 | flac16; Pitch corrected version of shn id 33684: SBD -> Cassette Master -> Dat by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details |
gd1982-09-21.142918.sbd.healy.streeter.dalton.miller.clugston.flac1648 | |
1982-09-21 | Madison Square Garden |
142918 | flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648 |
gd82-09-21.sbd.perkins.13306.sbeok.shnf | |
1982-09-21 | Madison Square Garden |
13306 | csbd>dat>cd (unconfirmed); Seeded to etree by C. Perkins ; upgrade in circulation |
gd82-09-21.senn421-wise.sacks.3152.sbeok.shnf | |
1982-09-21 | Madison Square Garden |
3152 | Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; taped and transferred by Jim Wise; upload by Darin Sacks |
gd1982-09-21.nak300.dyche.105339.flac16 | |
1982-09-21 | Madison Square Garden |
105339 | flac16; Nak 300 shotguns > Sony TCD-5M> Digitized 24-48 Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche |
gd1982-09-21.119147.nak300.chasingwilma.flac16 | |
1982-09-21 | Madison Square Garden |
119147 | flac16; Updated Source Info: Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Hade been Marked: lineage: nak 300 (fob)> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1982-09-21.mtx.seamons.97705.sbeok.flac16 | |
1982-09-21 | Madison Square Garden |
97705 | flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) |
gd1982-09-21.sbd.miller.109209.flac16 | |
1982-09-21 | Madison Square Garden |
109209 | flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC All Transfers and Mastering By Charlie Miller |
gd1982-09-21.sbd.miller.33684.sbeok.flac16 | |
1982-09-21 | Madison Square Garden |
33684 | flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller |
gd1982-09-21.149659.beyer.thompson.flac2448 | |
1982-09-21 | Madison Square Garden |
149659 | flac24; Source: FOB Beyers M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020 |
gd1982-09-21.154391.fob.s1.unknown.miller.t.flac16 | |
1982-09-21 | Madison Square Garden |
154391 | flac1644; Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152737 2448 > 1644 |
gd1982-09-23.153117.beyer.tompkins.flac2448 | |
1982-09-23 | New Haven Veterans Memorial Coliseum |
153117 | flac2448; Source: FOB Beyers mics > Sony TC-D5M > Maxell MX-90 for 1st Set & Encore, and TDK MA-90 for 2nd Set. Concert recording by Rip Tompkins, and with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021 |
gd82-09-23.sen421.miller.12520.sbeok.shnf | |
1982-09-23 | Veterans' Memorial Coliseum |
12520 | (FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller |
gd1982-09-23.nak300.morrone.117590.flac1644 | |
1982-09-23 | Veterans' Memorial Coliseum |
117590 | flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011 |
gd1982-09-23.senn421.morris.100254.sbefail.flac16 | |
1982-09-23 | New Haven Coliseum |
100254 | flac16; Source: Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except Disc Two: UDXLII-S); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded on floor behind soundboard by Bob Morris with thanks to Sam |
gd1982-09-23.aud.morris.111031.sbeok.flac24 | |
1982-09-23 | Veterans' Memorial Coliseum |
111031 | flac24; Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except s2t01-t05: UDXLII-S); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edit/patch); Recorded on the floor behind the soundboard by Bob Morris |
gd1982-09-23.144676.aud.lamarre.berger.flac24 | |
1982-09-23 | New Haven Veterans Memorial Coliseum |
144676 | flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1982-09-23.144677.aud.lamarre.berger.flac16 | |
1982-09-23 | New Haven Veterans Memorial Coliseum |
144677 | flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger |
gd1982-09-24.145955.nak300.barfield.lane.flac16 | |
1982-09-24 | Carrier Dome, Syracuse Univeristy |
145955 | flac16; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield. This file set is 16 bit @ 44.1 |
gd1982-09-24.145961.beyer.tompkins.flac16 | |
1982-09-24 | Carrier Dome, Syracuse Univeristy |
145961 | flac16; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019. This file set is 16 bit @ 44.1 |
gd1982-09-24.134685.mtx.dusborne.flac16 | |
1982-09-24 | Carrier Dome, Syracuse U |
134685 | flac16; 3 Source Matrix by Dusborne;Soundboard (shnid:04994)SBD>Master Cassette>1Reel>DAT>DAT>WAV> Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f;Audience (shnid:18987)AUD>MC>DAT>CDR;Audience (shnid:103388)Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII,MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)>Soundforge 8.0->Flac |
gd1982-09-24.139439.beyerm201.holbrook.flac1644 | |
1982-09-24 | Carrier Dome |
139439 | flac16 44.1khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS. Source 2: Sennheiser 421's. Location: 60 feet from stage DFC. Lineage: Sennheiser 421's >> Sony TCD5M. Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson. Transferred by: Kyle Holbrook |
gd1982-09-24.139440.beyerm201.holbrook.flac2448 | |
1982-09-24 | Carrier Dome |
139440 | flac24 48khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS Source 2: Sennheiser 421's Location: 60 feet from stage DFC Lineage: Sennheiser 421's >> Sony TCD5M Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson Transferred by: Kyle Holbrook |
gd82-09-24.beyer.vernon.18987.sbeok.shnf | |
1982-09-24 | Carrier Dome, Syracuse U |
18987 | AUD (Beyer 88?s) > MC > DAT > CDR via Raoul Duke encoded by Matt Vernon |
gd82-09-24.sbd.lutch-dankseed.4994.sbeok.shnf | |
1982-09-24 | Carrier Dome, Syracuse U |
4994 | SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc |
gd1982-09-24.103388 | |
1982-09-24 | Carrier Dome, Syracuse U |
103388 | flac16; Source: Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)->Soundforge 8.0->Flac Taped by: D. Barfield and /or D. Lane; Transferred and Seeded By M. Watson |
gd1982-09-24.140705.nak300.barfield.lane.flac2496 | |
1982-09-24 | Carrier Dome, Syracuse U |
140705 | flac24; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield |
gd1982-09-24.144884.beyer.tompkins.flac2448 | |
1982-09-24 | Carrier Dome, Syracuse Univeristy |
144884 | flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 |
gd82-10-09.sbd-patched.wiley.15800.sbeok.shnf | |
1982-10-09 | Frost Amphitheatre |
15800 | Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation |
gd1982-10-09.147105.beyer.tomkins.flac2448 | |
1982-10-09 | Frost Amphitheatre |
147105 | flac24; Source: FOB Beyers M160's > Sony TC-D5M > Maxell MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 |
gd1982-10-09.nak700.anon-poris.LMPP.95656.flac16 | |
1982-10-09 | Frost Amphitheatre - Stanford University |
95656 | flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) |
gd1982-10-09.sonyecm220T.keshavan.miller.93682.sbeok.flac16 | |
1982-10-09 | Frost Amphitheatre - Stanford University |
93682 | flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller |
gd1982-10-09.111040.nak300.hoey.flac16 | |
1982-10-09 | Frost Amphitheatre |
111040 | flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact |
gd1982-10-09.sonyecm220T.keshavan.miller.93683.sbeok.flac24 | |
1982-10-09 | Frost Amphitheatre - Stanford University |
93683 | flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller |
gd82-10-09.sbd.samaritano.23730.sbeok.shnf | |
1982-10-09 | Frost Amphitheatre |
23730 | Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano |
gd82-10-09.sonyecm.clugston.5183.sbeok.shnf | |
1982-10-09 | Frost Amphitheatre |
5183 | Rango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd |
gd1982-10-09.sbd.miller.110621.flac16 | |
1982-10-09 | Frost Amphitheatre |
110621 | flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1982-10-09.mtx.seamons.93811.sbeok.flac16 | |
1982-10-09 | Frost Amphitheatre - Stanford University |
93811 | flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008 |
gd1982-10-09.sonyecm220T.fixed.keshavan.miller.93825.flac24 | |
1982-10-09 | Frost Amphitheatre - Stanford University |
93825 | flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) |
gd1982-10-09.sonyecm220T.fixed.keshavan.miller.93827.sbeok.flac16 | |
1982-10-09 | Frost Amphitheatre - Stanford University |
93827 | flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) |
gd1982-10-10.143391.FOB.ECM-150.Keeler.Miller.Noel.t-flac2496 | |
1982-10-10 | Frost Amphitheatre |
143391 | flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) |
gd82-10-10.sbd.sacks.338.sbefail.shnf | |
1982-10-10 | Frost Amphitheatre |
338 | SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation |
gd1982-10-10.aud.keshavan.bertha.77325.sbeok.flac16 | |
1982-10-10 | Frost Amphitheatre - Stanford University |
77325 | flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315 |
gd1982-10-10.mtx.seamons.fix.92058.sbeok.flac16 | |
1982-10-10 | Frost Amphitheatre - Stanford University |
92058 | flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.) |
gd1982-10-10.nak700.anon-poris.LMPP.95682.flac16 | |
1982-10-10 | Frost Amphitheatre - Stanford University |
95682 | flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) |
gd1982-10-10.nak700.wagner.miller.109823.flac24 | |
1982-10-10 | Frost Amphitheatre |
109823 | flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller |
gd1982-10-10.141523.sbd.pcm.dalton.miller.clugston.flac1644 | |
1982-10-10 | Frost Amphitheatre |
141523 | flac16; Source Info: Master Soundboard Cassettes (TDK MA-R90/Dolby B > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 |
gd1982-10-10.nak700.wagner.miller.109822.flac16 | |
1982-10-10 | Frost Amphitheatre |
109822 | flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller |
gd1982-10-10.sbd.miller.110628.flac24 | |
1982-10-10 | Frost Amphitheatre |
110628 | flac24; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
gd1982-10-10.mtx.seamons.110744.flac24 | |
1982-10-10 | Frost Amphitheatre |
110744 | flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT) |
gd1982-10-10.sbd.fixed.miller.110783.flac24 | |
1982-10-10 | Frost Amphitheatre |
110783 | flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed |
gd1982-10-10.sbd.fixed.miller.110784.flac16 | |
1982-10-10 | Frost Amphitheatre |
110784 | flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed |
gd1982-10-10.111039.nak300.hoey.flac16 | |
1982-10-10 | Frost Amphitheatre |
111039 | flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact |
gd1982-10-10.mtx.seamons.ht02.110970.flac16 | |
1982-10-10 | Frost Amphitheatre |
110970 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT) |
gd1982-10-10.123623.senn421.gans.miller.flac24 | |
1982-10-10 | Frost Amphitheatre |
123623 | flac24; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded by David Gans; All Transfers and Mastering By Charlie Miller |
gd1982-10-10.sonyecm220T.keshavan.miller.93732.sbeok.flac16 | |
1982-10-10 | Frost Amphitheatre - Stanford University |
93732 | flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller |
gd1982-10-10.sonyecm220T.keshavan.miller.93733.sbeok.flac24 | |
1982-10-10 | Frost Amphitheatre - Stanford University |
93733 | flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller |
gd1982-10-10.beyers.stankiewicz.128808.flac16 | |
1982-10-10 | Frost Amphitheatre |
128808 | flac16; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. |
gd1982-10-10.123624.senn421.gans.miller.flac16 | |
1982-10-10 | Frost Amphitheatre |
123624 | flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by David Gans; All Transfers and Mastering By Charlie Miller |
gd1982-10-10.mtx.seamons.86784.sbeok.shnf | |
1982-10-10 | Frost Amphitheatre |
86784 | Matrix mix: SBD/AUD (About 60%/40%) AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan and SBD: MC>DAT>ZA2>CD>EAC>SHN |
gd1982-10-10.sbd.tetzeli.ayers.79903.sbeok.flac16 | |
1982-10-10 | Frost Amphitheatre |
79903 | flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315) |
gd1982-10-10.sony-ecm220.keshavan.tzuriel.29315.sbeok.flac16 | |
1982-10-10 | Frost Amphitheatre |
29315 | flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005 |
gd1982-10-10.145248.fob.sony.ecm150.keeler.miller.noel.t-flac1644 | |
1982-10-10 | Frost Amphitheatre |
145248 | flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 |
gd1982-10-10.beyers.stankiewicz.128807.flac2496 | |
1982-10-10 | Frost Amphitheatre |
128807 | flac24; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. |
gd1982-10-17.150542.aud.miller.flac1644 | |
1982-10-17 | Santa Fe Downs |
150542 | flac16; Recording Info: (FOB) AUD > Cassette Master > Cassette > DAT > CD; Transfer Info: CD (Tascam SS-CDR200) > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X5 Suite > FLAC/16; Transferred and Mastered by Charlie Miller;this is a fixed version |
gd1982-10-17.150574.eBay.miller.flac2496 | |
1982-10-17 | Santa Fe Downs |
150574 | flac24; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k) |
gd1982-10-17.157640.s1.beyers.tompkins.flac2448 | |
1982-10-17 | Santa Fe Downs |
157640 | flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2022 |
gd82-10-17.fob-aud.miller.18108.sbeok.shnf | |
1982-10-17 | Santa Fe Downs |
18108 | (FOB) Neumann KM84 > Sony TC-D5M Dolby B Cassette Master > Reel > My Dat (Supplied by Neil Sturtevant); Transfer Info: Dat>CD>EAC>SHN (Tascam DA20>Tascam CDRW700); All transfers done by Charlie Miller |
gd1982-11-25.134118.nak300.schley.flac2448 | |
1982-11-25 | Bob Marley Performing Arts Center |
134118 | flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 |
gd1982-11-25.134119.nak300.schley.flac1644 | |
1982-11-25 | Bob Marley Performing Arts Center |
134119 | flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 |
gd1982-11-25.sbd.fried-lai.speed-corrected-fixed.jterrapin.126243.flac16 | |
1982-11-25 | Bob Marley Performing Arts Center |
126243 | flac16; SDB>>MR>>PCM>>DAT>>CDR>>SHN>>TLH>>FLAC8; tech notes: shorten files recoded to flac8 w/traders little helper v2.7.0 the source(B. Fried's) ran about 4 cents too fast. speed, pitch & tempo corrected -4.200% with Audacity(dc offsets, normalized, high qual shaped dithering) & exported as flac 8. tagged with foobar v1.2.9 & the tradersfriend/etree live show tagger |
gd1982-11-25.sbd.miller.112816.flac16 | |
1982-11-25 | Bob Marley Performing Arts Center |
112816 | flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1982-11-25.sbd.miller.112817.flac24 | |
1982-11-25 | Bob Marley Performing Arts Center |
112817 | flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller |
gd1982-11-26.sbd.clugston.5647.sbefail.shnf | |
1982-11-26 | Bob Marley Performing Arts Center |
5647 | poss Master Soundboard Cassette > Reel to Reel > DAT> CDR; fix of previous version, by Scott Clugston: tick removed, channel patching, speed correction (see info file); upgrade in circulation |
gd82-11-26.sbd.streeter.21065.sbeok.shnf | |
1982-11-26 | Bob Marley Performing Arts Center |
21065 | lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard |
gd1982-11-26.sbd.fried-lai.1419.sbefail.shnf | |
1982-11-26 | Bob Marley Performing Arts Center |
1419 | possible updated lineage: SBD MCass> Reel> PCM> DAT @44.1K> CDR (had been marked SBD> MR> PCM> DAT> CDR, with possible cass gen somewhere)- see pub comment; via Mike Lai, from Bruce Fried DAT seed; note had date typo at first as 11/25/82, now corrected; upgrade in circulation |
gd1982-11-26.sbd.jakec.34204.sbeok.shnf | |
1982-11-26 | World Music Festival |
34204 | Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C |
gd1982-12-26.set2.sbd.miller.95953.sbeok.flac16 | |
1982-12-26 | Oakland Auditorium |
95953 | flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd82-12-26.sbd.clugston.6665.sbeok.shnf | |
1982-12-26 | Oakland Auditorium Arena |
6665 | Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation |
gd1982-12-26.sbd.miller.81602.sbeok.flac16 | |
1982-12-26 | Oakland Auditorium |
81602 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller |
gd1982-12-27.senn441.koucky.ladner.77463.sbeok.flac16 | |
1982-12-27 | Oakland Auditorium |
77463 | flac16; Recording by Bill Koucky: FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM). Transfer: Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC. Recording, transfer, and original encoding by Bill K. Remastering: FLAC > WAV > Wavelab 5 (smoothed pauses/flips with crossfades > Waves L3 Multimaximizer (-2 dB threshold/-0.1 dB ceiling/type I dither/ultra shaping) > WAV > CDWAV1.9 (tracking and level 5 FLAC encoding) > FLAC by Chris L. |
gd1982-12-27.147919.senn421.hecht.miller.clugston.flac1648 | |
1982-12-27 | Oakland Auditorium |
147919 | flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1982-12-27.147920.senn421.hecht.miller.clugston.flac2496 | |
1982-12-27 | Oakland Auditorium |
147920 | flac24; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1982-12-27.set2.sbd.miller.95954.sbeok.flac16 | |
1982-12-27 | Oakland Auditorium |
95954 | flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd1982-12-27.mtx.sb18a.34705.sbeok.flac16 | |
1982-12-27 | Oakland Auditorium Arena |
34705 | flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell |
gd1982-12-27.sbd.ladner.32134.sbeok.flac16 | |
1982-12-27 | Oakland Auditorium Arena |
32134 | flac16; Source: SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried, 4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5). Original digital transfer and FLAC seeded by billk@neci.edu, January 2006 via planetflac. Remastering and retracking by C.Ladner. |
gd1982-12-27.set-2.sbd.miller.81515.sbeok.flac16 | |
1982-12-27 | Oakland Auditorium |
81515 | flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 |
gd1982-12-28.mtx.chappell.sb18b.34715.sbeok.flac16 | |
1982-12-28 | Oakland Auditorium |
34715 | flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell. |
gd1982-12-28.134177.nak300.schley.flac2448 | |
1982-12-28 | Oakland Auditorium Arena |
134177 | flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2) Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 |
gd1982-12-28.134178.nak300.schley.flac1644 | |
1982-12-28 | Oakland Auditorium Arena |
134178 | flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 |
gd1982-12-28.150890.fob.nak700.wagner.miller.clugston.flac1648 | |
1982-12-28 | Oakland Auditorium |
150890 | flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1982-12-28.150891.fob.nak700.wagner.miller.clugston.flac2496 | |
1982-12-28 | Oakland Auditorium |
150891 | flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 |
gd1982-12-28.126612.nak300.Oakland.fulton.flac16 | |
1982-12-28 | Oakland Auditorium Arena |
126612 | flac16; Recording Info: Nak300 (hand-held) -> Sony D-5; Transfer Info: Sony D-5 -> Turtle Beach -> Goldwave -> WAV -> CD -> EAC -> FLAC; Recorded, transferred and edited by Mark Fulton |
gd82-12-28.sbd-pcm.miller.31967.sbeok.flacf | |
1982-12-28 | Oakland Auditorium Arena |
31967 | flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller |
gd1982-12-28.147921.senn421.hecht.miller.clugston.flac1648 | |
1982-12-28 | Oakland Auditorium |
147921 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1982-12-28.147922.senn421.hecht.miller.clugston.flac2496 | |
1982-12-28 | Oakland Auditorium |
147922 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd82-12-28.sbd.hinko.18980.sbeok.shnf | |
1982-12-28 | Oakland Auditorium Arena |
18980 | SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation |
gd1982-12-30.134321.aud.fulton.flac2448 | |
1982-12-30 | Oakland Auditorium Arena |
134321 | flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 |
gd1982-12-30.150778.nak700.wagner.miller.flac2496 | |
1982-12-30 | Oakland Auditorium |
150778 | flac24; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner |
gd1982-12-30.147923.senn421.hecht.miller.clugston.flac1648 | |
1982-12-30 | Oakland Auditorium |
147923 | flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp |
gd1982-12-30.147924.senn421.hecht.miller.clugston.flac2496 | |
1982-12-30 | Oakland Auditorium |
147924 | flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 |
gd1982-12-30.set2.sbd.miller.95955.sbeok.flac16 | |
1982-12-30 | Oakland Auditorium |
95955 | flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller |
gd82-12-30.sbd.gardner.8764.sbeok.shnf | |
1982-12-30 | Oakland Auditorium Arena |
8764 | SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation |
gd1982-12-30.sbd.walker-scotton.miller.105819.flac16 | |
1982-12-30 | Oakland Auditorium Arena |
105819 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1982-12-30.sbd.miller.77300.sbeok.flac16 | |
1982-12-30 | Oakland Auditorium |
77300 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |
gd1982-12-30.151469.fob.Nak700.cm.wagner.miller.t.flac16 | |
1982-12-30 | Oakland Auditorium |
151469 | flac16/44khz ; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner 150778 24 -> 16 @ 44.1 |
gd82-12-31.sbd.bode.5958.sbeok.shnf | |
1982-12-31 | Oakland Auditorium Arena |
5958 | SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation |
gd1982-12-31.134485.aud.fulton.flac2448 | |
1982-12-31 | Oakland Auditorium Arena |
134485 | flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 |
gd1982-12-31.134486.aud.fulton.flac1644 | |
1982-12-31 | Oakland Auditorium Arena |
134486 | flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 |
gd1982-12-31.134487.s3.nak300.schley.flac2448 | |
1982-12-31 | Oakland Auditorium Arena |
134487 | flac24; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 |
gd1982-12-31.134488.s3.nak300.schley.flac1644 | |
1982-12-31 | Oakland Auditorium Arena |
134488 | flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 |
gd1982-12-31.118487.set3.sbd.chasingwilma.flac16 | |
1982-12-31 | Oakland Auditorium Arena |
118487 | flac16; Set 3 Only, source: sbd> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: sbd> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate |
gd1982-12-31.FM.azjones.113090.flac16 | |
1982-12-31 | Oakland Auditorium Arena |
113090 | flac16; FM Radio Broadcast > Cassete > Wave > Flac |
gd1982-12-31.148498.PandP-aud.tobin.flac16 | |
1982-12-31 | Oakland Auditorium |
148498 | flac16; Patched & Pitch Corrected Audience AUD (original shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 - pitch correction and patches by Kevin Tobin |
gd1982-12-31.148505.mat.tobin.flac16 | |
1982-12-31 | Oakland Auditorium |
148505 | flac16; Matrix 2 Source Mix SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - matrix mixing by Kevin Tobin |
gd1982-12-31.148506.dts.tobin.flac16 | |
1982-12-31 | Oakland Auditorium |
148506 | DTS-Audio-CD 5.1 Mix; SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - dts mixing by Kevin Tobin |
gd1982-12-31.148507.5-1.tobin.flac1648 | |
1982-12-31 | Oakland Auditorium |
148507 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - surround mixing by Kevin Tobin |
gd1982-12-31.sbd.walker-scotton.miller.105820.flac16 | |
1982-12-31 | Oakland Auditorium Arena |
105820 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller |
gd1982-12-31.sbd.miller.77301.sbeok.flac16 | |
1982-12-31 | Oakland Auditorium |
77301 | flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation |