Identifiers for Grateful Dead

Archive Identifier
DateVenue
Source
gd1995-02-19.141066.fob.mk4v.ebel.flac1644
1995-02-19Delta Center
141066flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-02-19.145490.akg460b.lerond.t-flac1648
1995-02-19Delta Center
145490flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64
gd95-02-19.schoeps.10544.sbeok.shnf
1995-02-19Delta Center
10544AUD(Schoeps MK4s)>DAT>CDR; via P.B.; Seeded to etree by Chris L.
gd1995-02-19.schoeps.wklitz.95443.flac16
1995-02-19Delta Center
95443flac16; Schoeps CMC441's>koch power supply >Panasonic sv-255>Sony TCD-D10PROII Recorded by Keith Litzenberger via digital patch from Ed Boardman front Row of Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC
gd1995-02-20.138045.set2.sbd.shnf
1995-02-20Delta Center
138045Set 2 Source: SBD > ? >SHN
gd1995-02-20.145491.akg460b.lerond.t-flac1648
1995-02-20Delta Center
145491flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64
gd1995-02-20.144300.sbd.miller.clugston.flac1644
1995-02-20Delta Center
144300flac16; Master Soundboard Dat > Analog Master Cassettes > Dat > HDD (.wav 16-bit/44.1kHz)
gd95-02-20.sbd.1297.sbeok.shnf
1995-02-20Delta Center
1297SBD > D > CD-R > EAC >SHN (note no cass gen); "buzzing" in the audio was a problem with the venue's/band's sound equipment; via Brian Walker; mastered by Jay Serafin; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds
gd1995-02-21.140348.aud.miller.sirmick.flac1648
1995-02-21Delta Center
140348flac16/48kHz; Source: unknown aud > dat (48k); Transfer: dat > Sony R500 > Tascam DA-3000 > wav 16/48; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
gd1995-02-21.sbd.serafin.walkerb.1524.shnf
1995-02-21Delta Center
1524SBD> D> CD-R> EAC> SHN; via Jay Serafin, Brian Walker; see info file and pub comments for notes; possibly "click track" audible on a couple tracks
gd1995-02-21.sbd.miller.114144.flac16
1995-02-21Delta Center
114144flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1995-02-21.145492.akg460b.lerond.t-flac1648
1995-02-21Delta Center
145492flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64
gd1995-02-24.141024.cmc4-mk41.ebel.flac1644
1995-02-24Oakland-Alameda County Coliseum
141024flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-02-24.at4071.seff.4776.shnf
1995-02-24Oakland Coliseum Arena
4776AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate
gd95-02-24.AT.5493.sbeok.shnf
1995-02-24Oakland-Alameda County Coliseum
5493shntool-fixed version (by Jeff Kempka?) of previous shn set: AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
gd1995-02-24.139126.FOB.Schoeps.Ammons.Zimmer.Noel.t-flac.16
1995-02-24Oakland-Alameda County Coliseum
139126flac16/48kHz; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
gd1995-02-25.141030.cmc4-mk41.ebel.flac1644
1995-02-25Oakland-Alameda County Coliseum
141030flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-02-25.aud.seff.4777.shnf
1995-02-25Oakland Coliseum Arena
4777Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate
gd95-02-25.aud.5494.sbeok.shnf
1995-02-25Oakland-Alameda County Coliseum
5494shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
gd1995-02-25.143162.pset2.sbd.miller.flac1644
1995-02-25Oakland-Alameda County Coliseum
143162flac16; End of Set 2 Recording Info: SBD > Dat (cloned from vault master); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1995-02-26.141063.cmc4-mk41.ebel.flac1644
1995-02-26Oakland-Alameda County Coliseum
141063 flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-02-26.144290.sbd.miller.clugston.flac1644
1995-02-26Oakland-Alameda County Coliseum
144290flac16; Master Soundboard Dat > Analog Master Cassettes > Dat > HDD (.wav 16-bit/44.1kHz)
gd1995-02-26.aud.seff.4778.shnf
1995-02-26Oakland Coliseum Arena
4778Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file; note fixed-boundary version may also circulate
gd95-02-26.aud.5495.sbeok.shnf
1995-02-26Oakland-Alameda
5495shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file
gd1995-02-26.sbd.monitor.mix.miller.109244.flac16
1995-02-26Oakland-Alameda
109244flac16; Recording Info: Monitor Mix -> Dat -> Cassette Master -> Cassette Transfer Info: Cassette -> Dat -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC All Transfers and Mastering By Charlie Miller
gd1995-02-26.143163.sbd.miller.flac1644
1995-02-26Oakland-Alameda County Coliseum
143163flac16; Recording Info: Monitor Mix > Dat > Cassette Master > Cassette > Dat (Sony PCM-R500); Transfer Info: Dat (Sony PCM-R500) > Adobe Audition v3.0 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1995-03-17.150765.dsbd.dolphinsmile.flac1648
1995-03-17The Spectrum
150765flac16; DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
gd1995-03-17.nak300.holtz.jaz.92087.flac16
1995-03-17The Spectrum
92087flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz
gd1995-03-17.aud.bleich.91840.flac16
1995-03-17The Spectrum
91840flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
gd1995-03-17.sndchk.fm.toland.1366.shnf
1995-03-17The Spectrum
1366Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
gd95-03-17.sbd.16057.sbeok.shnf
1995-03-17The Spectrum
16057Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
gd95-03-17.schoeps.13400.sbeok.shnf
1995-03-17The Spectrum
13400AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman
gd95-03-17.soundcheck.sbd.17951.sbeok.shnf
1995-03-17The Spectrum
17951Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
gd1995-03-17.141179.FOB-BK4011.ebel.flac1644
1995-03-17The Spectrum
141179flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-03-17.141505.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1995-03-17The Spectrum
141505flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1995-03-17.142982.Boedicker.flac1644
1995-03-17The Spectrum
142982flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
gd1995-03-17.sbd.miller.97658.flac16
1995-03-17The Spectrum
97658flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1995-03-18.142354.s2.sbd.miller.flac1644
1995-03-18The Spectrum
142354 flac16; Set 2 Recording Info: SBD > Vault Master Dat > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
gd1995-03-18.nak300.bleich.92018.flac16
1995-03-18The Spectrum
92018flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracking) > L3 > 16/44.1 wave > Flac 16 (TLH lvl 8 ) Taped by John Bleich
gd95-03-18.sbd.1362.sbeok.shnf
1995-03-18The Spectrum
1362"liberated" bootleg sbd cd > EAC > wav > shn; via Chris Ladner; known errors: d1t5 digipop @ 5:25, d1t10: soft digipops
gd1995-03-18.141182.FOB-cmc5-mk4.ebel.flac1644
1995-03-18The Spectrum
141182flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel
gd1995-03-18.141506.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1995-03-18The Spectrum
141506flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1995-03-18.142981.Boedicker.flac1644
1995-03-18The Spectrum
142981flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
gd1995-03-18.sbd.miller.97659.flac16
1995-03-18The Spectrum
97659flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1995-03-19.136858.sbd.miller.flac1648
1995-03-19The Spectrum
136858flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1995-03-19.nak300.bleich.92062.flac16
1995-03-19The Spectrum
92062flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Adobe Audition > Izotope Ozone 3 > MaxxBass > Ozone 3 (Dithering) > wav 16/44 > CDWave > Flac16. Taped by John Bleich.
gd95-03-19.schoeps.wiley.7479.shnf
1995-03-19The Spectrum
7479SchoepsMK4> ReutelheuberBox> DenonDTR80p> SonyD7 Taping Section; DAT> CDr; via Dan Sisler; Seeded to etree by Tim Wiley
gd1995-03-19.143032.Boedicker.flac1644
1995-03-19The Spectrum
143032flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape, 1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
gd95-03-19.schoeps.15097.sbeok.shnf
1995-03-19The Spectrum
15097FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN
gd1995-03-19.141180.FOB-cmc5-mk4.ebel.flac1648
1995-03-19The Spectrum
141180flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel
gd1995-03-19.141181.FOB-mk4v.ebel.flac1644
1995-03-19The Spectrum
141181flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-03-19.141507.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1995-03-19The Spectrum
141507flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1995-03-22.Nak300CP4.Baker.Keo.112627.Flac1644
1995-03-22Charlotte Coliseum
112627flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1995-03-22.Nak300CP4.Baker.Keo.112628.Flac2496
1995-03-22Charlotte Coliseum
112628flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz
gd95-03-22.akg.12179.sbeok.shnf
1995-03-22Charlotte Coliseum
12179AKG C460B bodies with CK-8X short shotgun/hypercardiod capsules / Denon DTR-80P / Taper's Section 7.5' hig adjacent to SB on Phil's side DTR-80P -> (analog) Panasonic SV-250 -> (analog) Panasonic SV-3700 -> Sony DTC-690
gd95-03-22.schoeps.11623.sbeok.shnf
1995-03-22Charlotte Coliseum
11623AUD(Schoeps MK4s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo
gd95-03-23.sbd.miller.25273.sbeok.flacf
1995-03-23Charlotte Coliseum
25273Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC)
gd1995-03-23.142397.dsbd.miller.flac1644
1995-03-23Charlotte Coliseum
142397flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Master by Charlie Miller
gd95-03-23.sbd.1369.sbeok.shnf
1995-03-23Charlotte Coliseum
1369SBD> D> cass> D> CD-R> EAC> SHN; mastering by Jay Serafin; to etree via Brian Walker; see info file for listening notes; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds
gd1995-03-23.141183.I-FOB-cmc5-mk4-IIFOB-mk4.ebel.flac1644
1995-03-23Charlotte Coliseum
141183flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT (Battery Failed During Days Between) Set #2: FOB Schoeps MK 4 Reutelhuber P/S-> Teac-> DAT (Carrion Crow Solo) Set #1: Sec CTR, Row R, Seat 10 Set #2: Sec CTR, Row Q, Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel
gd95-03-24.akg.5668.sbeok.shnf
1995-03-24Charlotte Coliseum
5668AKG 460s > Technics 260 > DAT > CD > EAC > SHN; via jtjames
gd1995-03-24.141194.FOB-cmc5-mk4.ebel.flac1644
1995-03-24Charlotte Coliseum
141194flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT Sec CTR, Row R, Seat 7 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel
gd1995-03-24.aud.laporte.98107.flac24
1995-03-24Charlotte Coliseum
98107flac24; Unknown mics > Unknown deck > Marantz PMD 430 Tapers Section (117, row g, seat 9) Recorded 1st set on Maxell MX-90, 2nd set on Maxell MX-110. Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte
gd1995-03-26.152479.aud-unknown-onemoreshot.shnf
1995-03-26The Omni
152479Audience downloaded from a.b.m.s 07/03;
gd95-03-26.sbd.3909.sbeok.shnf
1995-03-26The Omni
3909SBD > MC > DAT > CDR; seed via cm., DAE (EAC + SHNv3) by c. ladner
gd1995-03-26.141195.FOB-mk4.ebel.flac1644
1995-03-26The Omni
141195flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-03-26.124612.akg461.cage.flac16
1995-03-26The Omni
124612flac16; akg461>b18>d7 ots mics @ 10ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage
gd1995-03-27.152190.sbd.psykies.flac16
1995-03-27The Omni
152190flac16/44 SBD > DAT > Cassette > CDR > EAC > SHN > Audition > FLAC Seeded by Jon Zilles Remastered by PsyKies
gd1995-03-27.152472.audience.shnf
1995-03-27The Omni
152472Audience originally downloaded from a.b.m.s 07/03
gd1995-03-27.155199.sbd.rem.spacebandit.flac16
1995-03-27The Omni
155199flac16/44 Source: SBD>DAT>CDR>EAC>SHN>FLAC Seeded by: Jon Zilles(zillejc@auburn.edu) Remastered by Spacebandit 2021/08/18 Removed a few clicks/peaks, glitches. Volume balanced. A lot of Dead Air removed between sets.
gd95-03-27.sbd.3194.sbeok.shnf
1995-03-27The Omni
3194SBD> DAT> CDR> EAC> SHN; Seeded by: Jon Zilles, DAT conversion by fellow etreer; d2 tracked for 80 min; track timings courtesy Charles Weir
gd1995-03-27.141196.FOB-mk4.ebel.flac1644
1995-03-27The Omni
141196flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-03-27.124616.akg461.cage.flac16
1995-03-27The Omni
124616flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>cdwave splits>tlh flac 8; t&s by c. cage
gd1995-03-29.akg451.jensen.8835.shnf
1995-03-29The Omni
8835Complete; Taper's source unknown other than A:D and AKG 451's; Seeded to etree by Tyler Jensen
gd1995-03-29.136874.sbd.miller.flac1648
1995-03-29The Omni
136874flac16/48; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd1995-03-29.136874.sbd.miller.flac1648
1995-03-29The Omni
136874flac16/48; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
gd95-03-29.akg.16088.sbeok.shnf
1995-03-29The Omni
16088Speed-corrected version of previousAKG 451's source; See info file for details; Seeded to etree by CWier
gd95-03-29p.sbd.18096.sbeok.shnf
1995-03-29The Omni
180962nd set partial - from Phil's ear monitor via Marc Pujol
gd95-03-29.naks.georges.30516.sbeok.shnf
1995-03-29The Omni
30516set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; seekable SBE-fixed version of SHNid=3917
gd1995-03-29.141197.FOB-mk4v.ebel.flac1644
1995-03-29The Omni
141197flac16/44.1khz Source Info: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-03-29.nak300-set2.unknown.3917.shnf
1995-03-29The Omni
3917set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; note nearly same info file as previous shn set, now all collected here, but md5s differ and discs are named as d2,d3; originally noted at Mike Lai's stellablue- poss reDAE or reworking of Nick Georges' seed? Note: shn-md5 for fixed sbe's
gd1995-03-29.124627.akg461.cage.flac16
1995-03-29The Omni
124627flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb 830 cds in 2003; eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage
gd95-03-30.sbd.4161.sbeok.shnf
1995-03-30The Omni
4161dsbd (pre-fm)> ?> cdr> eac> shn; via Tony Gardner, with thanks to Chris Larson
gd1995-03-30.fob.schoeps.wklitz.95823.flac16
1995-03-30The Omni
95823flac16; Schoeps MK4's>Reutelhuber Preamp>Teac DA-P20 Recorded FOB By Ace Cubby Clone1>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,De-emphasis, Sample Rate Conversion)>CDWAV>FLAC Transferred By Keith Litzenberger on 11/14/08
gd1995-04-01.141254.FOB-mk4.ebel.flac1644
1995-04-01Pyramid Arena
141254flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
gd1995-04-01.shureBG4.0.richart.118440.flac16
1995-04-01Pyramid Arena
118440flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 120; row A, seat 11; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foster
gd95-04-01.sbd.5287.sbeok.shnf
1995-04-01Pyramid Arena
5287Monitor Mix SBD -> DAT -> CDR-> EAC -> SHN; via Rus K.
gd1995-04-01.110613.aud.4mic.mix.NakCM300.KM-184.holtz.flac16
1995-04-01Pyramid Arena
110613flac16; Taped by: Greg Holtz Field Equipment: 4-mic mix - Nakamichi CM-300 mics with CP-4 shotgun capsules and Neumann KM-184s > Niles audio mixer > Sony D-3 DAT master tapes; Transfer (By Jaz): DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8; Tracking: Luke Olsen
gd1995-04-01.143053.Boedicker.flac1644
1995-04-01Pyramid Arena
143053flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section
gd1995-04-02.sbd-monitor.unknown.93209.shnf
1995-04-02The Pyramid
93209SBD (possible monitor mix) > ? > shn
gd1995-04-02.149956.set2.KM-56s.weber.small.oade.flac1648
1995-04-02Pyramid Arena
149956flac16/kHz; Set 2 only Neumann KM56s FOB>Grace Custom P/S>SonyD7; recorded by Sean Weber-Small and Jim Oade; DAT>Tascam DA-3000 transfer by Dave Cohen
gd1995-04-02.143095.nak300-cp4.Boedicker.flac1644
1995-04-02Pyramid Arena
143095flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony WM-D6C Cassette Deck> Master Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section
gd1995-04-02.156418.s2.sbd.mrachek.flac1648
1995-04-02Pyramid Arena
156418flac1648 Source: SBD : ? > DAT @ 16bit/48kHz; Transfer: TascamDA-20mkII > S/PDIF > MarantzPMD-661pro @ 16bit/48kHz; Mastering: SDHC > WavelabPro9.5 > CDWav > TLH (FLAC level8); FOH Engineer: John Cutler; Recorded by: unknown; Transfer & Mastering by: Chris Mrachek
gd1995-04-02.141253.FOB.s1-cmc6mk4-s2-mk4v.ebel.flac1644
1995-04-02Pyramid Arena
141253flac16/44.1 Source Info: Set #1: FOB Schoeps CMC6 MK4-> Apogee A/D500-> Casio-> DAT (Todd Evens & Adam Gross) Set #2: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
gd1995-04-02.shureBG4.0.richart.118439.flac16
1995-04-02Pyramid Arena
118439flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 5; row Q, seat 8; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foster
gd95-04-02.sbd.11622.sbeok.shnf
1995-04-02Pyramid Arena
11622SBD>DAT>CD; Seeded to etree by Chris Larson
gd1995-04-02.sbd.unknown.5226.shnf
1995-04-02Pyramid Arena
5226DSBD?> liberated Bootleg CD> EAC> SHN; via Justin Snyder
gd1995-04-02.141431.s2.FOB.Neumann.Vasseur.Ammons.Noel.t-flac1648
1995-04-02Pyramid Arena
141431flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48
gd1995-04-04.aud.matera.123593.sbeok.flac16
1995-04-04Jefferson Civic Center Coliseum
123593flac16; Source: AUD(Schoeps MK4s)>DAT>CDR>WAV>SHNv3>Wav>Cool Edit 2000>Wav>Flac
gd1995-04-04.141273.FOB-mk4.ebel.flac1644
1995-04-04Jefferson Civic Center Coliseum
141273flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
gd1995-04-04.143099.nak300-cp4.Boedicker.flac1644
1995-04-04Jefferson Civic Center Coliseum
143099flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Master Deck)>Sony WM-D6C Cassette Deck> 1st Generation Cassette Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T; Transfer By Dave Boedicker; Taped In Official Taper Section
gd95-04-04.schoeps.10545.sbeok.shnf
1995-04-04Jefferson Civic Center Coliseum
10545AUD(Schoeps MK4s)>DAT>CDR; via Paul B; Seeded to etree by Chris L
gd1995-04-05.sbd.hinko.tetzeli.fix-18097.35258.reflac.flac16
1995-04-05Birmingham-Jefferson Civic Center Coliseum
35258flac16; Fix of shn id 18097 - pitch-corrected and repatched (SBD > ? > Cassette > CDr with AUD patches). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1995-04-05.143121.nak300-cp4.andy-Boedicker.flac1644
1995-04-05Jefferson Civic Center Coliseum
143121flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And TDK MA-X 100 Minute Tapes) >Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T.; Transfer By Dave Boedicker; Taped In Official Taper Section
gd95-04-05.sbd.18097.sbeok.shnf
1995-04-05Jefferson Civic Center Coliseum
18097SBD > ? > Cassette > CDr with AUD patches via Darryl Hinko
gd95-04-05.schoeps.10385.sbeok.shnf
1995-04-05Jefferson Civic Center Coliseum
10385AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L
gd1995-04-05.141432.s2.FOB.Neumann.Vasseur.Ammons.Noel.t-flac1648
1995-04-05Jefferson Civic Center Coliseum
141432flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48
gd1995-04-07.132724.AKG460CK8.roberts.flac16
1995-04-07Tampa Stadium
132724flac16/48kHz; Source: AKG 460/CK8's > Stewart BP1 Phantom power supplies> Pansaonic SV250; Conversion: Tascam DAP1 > Marantz PMD-661 > CDWaVE > TLH >foobar2000(tagging); Recorded by Stan Roberts
gd1995-04-07.fob.schoeps.clete.92108.flac16
1995-04-07Tampa Stadium
92108flac16; source: (fob) Scheops cmc6/mk4v (unknown pre-amp/recorder) transfer: dat (clone) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Clete (?). transfer: Chris Davis (6/4/08)
gd1995-04-07.sbd.larson.tetzeli.fix-35148.35364.reflac.flac16
1995-04-07Tampa Stadium
35364flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd1995-04-07.137445.nak300.trate.flac16
1995-04-07Tampa Stadium
137445flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck>Master Cassette Tape (Maxell XL-II S 90 Minute Tape,1st Set,100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy Trate
gd95-04-07.sbd.7688.sbeok.shnf
1995-04-07Tampa Stadium
7688Source unknown - suspect SBD> ?> CDR> EAC> SHN; ? Likely mCass; via JT James
gd1995-04-07.141350.FOB-mk4v.ebel.flac1644
1995-04-07Tampa Stadium
141350flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-05-19.153189.sony.bregman.miller.vernon.f1648
1995-05-19Sam Boyd Silver Bowl, U.N.L.V.
153189flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
gd95-05-19.schoeps.18704.sbeok.shnf
1995-05-19Sam Boyd Silver Bowl, U.N.L.V.
18704Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's.
gd1995-05-19.141345.FOB-mk4.ebel.flac1644
1995-05-19Sam Boyd Silver Bowl, U.N.L.V.
141345flac16 44.1khz Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-05-20.153190.sony.bregman.miller.vernon.f1648
1995-05-20Sam Boyd Silver Bowl, U.N.L.V.
153190flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
gd95-05-20.akg.18798.sbeok.shnf
1995-05-20Sam Boyd Silver Bowl, U.N.L.V.
18798Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc.
gd95-05-20.nak.12101.wankleswurth.sbeok.shnf
1995-05-20Sam Boyd Silver Bowl, U.N.L.V.
12101AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry W; Seeded to etree by neo_levo
gd1995-05-20.141346.FOB-mk4v.ebel.flac1644
1995-05-20Sam Boyd Silver Bowl, U.N.L.V.
141346flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-05-21.153191.sony.bregman.miller.vernon.f1648
1995-05-21Sam Boyd Silver Bowl, U.N.L.V.
153191flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
gd1995-05-21.141526.FOB-unknown.ebel.flac1648
1995-05-21Sam Boyd Silver Bowl, U.N.L.V.
141526flac16/48 Source Info: FOB (Unknown Mic Source)-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
gd95-05-21.nak.12102.wankleswurth.sbeok.shnf
1995-05-21Sam Boyd Silver Bowl, U.N.L.V.
12102AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo
gd95-05-21.sbd.ladner.19419.sbeok.shnf
1995-05-21Sam Boyd Silver Bowl, U.N.L.V.
19419Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (/shninfo_detail.php?shnid=15077). Secondary source: SBD>DAT>DAT>CDR>WAV>SHN from partial second set recording. NOTE: Primary source was slightly fast, suspected on listening initially and confirmed easily by comparing to a DSBD partial source. The pitch issue as well as a few other technical shortcomings are taken care of as well as the upgrade for most of the second set (see info file).
gd95-05-21.schoeps.18799.sbeok.shnf
1995-05-21Sam Boyd Silver Bowl, U.N.L.V.
18799Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson.
gd1995-05-21.sbd.miller.114329.flac16
1995-05-21Sam Boyd Silver Bowl, U.N.L.V.
114329flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1995-05-21.141347.FOB-mk4v.ebel.flac1644
1995-05-21Sam Boyd Silver Bowl, U.N.L.V.
141347flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-05-24.pzm.russjcan.97610.sbeok.flac16
1995-05-24Memorial Stadium
97610flac16; Hat mounted Realistic pzm's > Sony WMD6-C, 60ft, dfc MAC>NakCR-3A>HD>Audacity>CDWave>TLH Recorded and transferred by Russ Cansler
gd1995-05-24.141527.FOB.set1-cmc4mk41-set2-mk4v.ebel.flac1644
1995-05-24Memorial Stadium
141527flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Set #2: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-05-24.neumann.vernon.8377.shnf
1995-05-24Memorial Stadium
8377Neumann KM 140 > ? CDR; Seeded to etree by Matt Vernon
gd95-05-24.neumann.18800.sbeok.shnf
1995-05-24Memorial Stadium
18800Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Tapes provided by Ross M. Transfer by Chris Larson .
gd1995-05-25.nak300.brockway.kennedy-williams.7600.shnf
1995-05-25Memorial Stadium
7600Recorded and Mastered by Kevin Brockway; Nakamichi 300 mics (CP-4 capsule) > Sony D-7 DAT; see info file for transfer notes; wav > shn conversion mkwACT.97beta by Steve Kennedy-Williams
gd1995-05-25.135613.mk41.miller.flac16
1995-05-25Memorial Stadium
135613flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
gd1995-05-25.141528.FOB-cmc4-mk41.ebel.flac1644
1995-05-25Memorial Stadium
141528flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-05-25.neumann.vernon.8481.shnf
1995-05-25Memorial Stadium
8481Neumann KM 140 > ? > CDR; Seeded to etree by Matt Vernon
gd95-05-25.neumann.18801.sbeok.shnf
1995-05-25Memorial Stadium
18801Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Transfer by Chris Larson.
gd1995-05-25.pzm.russjcan.97640.sbeok.flac16
1995-05-25Seattle Stadium, Seattle Center
97640flac16; Hat mounted realistic pzm's w/D6,50ft dfc.MAC>NakCR-3A>HD>Audacity>CDwave>TLH,recorded and transferred by Russ Cansler
gd1995-05-26.141529.FOB-cmc4-mk41.ebel.flac1644
1995-05-26Memorial Stadium
141529flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd95-05-26.sbd.2663.sbeok.shnf
1995-05-26Memorial Stadium
2663SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton
gd1995-05-26.pzm.russjcan.97643.flac16
1995-05-26Memorial Stadium
97643flac16; Hat mounted realistic PZM's w/Sony D6-c,50ft dfc,MAC>NakCR 3A>HD>Audacity>CDwave>TLH recorded and transferred by Russ Cansler
gd1995-05-28.aud.russjcan.92041.flac16
1995-05-28Portland Meadows
92041flac16; Hat mounted Realistic PZM's with Sony WMD6-C Sony Metal SR 100 No nr 1st set Maxell MX 100 No nr 2nd set 50 feet away Dead Center Recorded and Transfered by Russjcan Master>D6>HD>Audacity>CDWave>TLH
gd95-05-28.schoeps.9992.sbeok.shnf
1995-05-28Portland Meadows
9992FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by Chris L
gd1995-05-28.sbd.mrod.28467.sbeok.shnf
1995-05-28Portland Meadows
28467Source: Sbd > C (x?) > CD > EAC > SHN
gd1995-05-29.140930.fob.schoeps.cmc3.mk41.miller.clugston.flac1648
1995-05-29Portland Meadows
140930flac16/48kHz; Source Info: Master (FOB) Audience Dat (16/48); Schoeps CMC3/MK41 > Panasonic SV255 (16/48); Transfer Info: Dat (16/48) (Sony PCM-R500) > Sound Devices 744T (16/48) > Adobe Audition 3.0 > TLH flac1648
gd1995-05-29.pzm.russjcan.92059.sbeok.flac16
1995-05-29Portland Meadows
92059flac16; Hat Mounted Realistic PZM,s with Sony WMD6-C1st set Sony Metal-SR 100 No nr 2nd set Maxell MX 110 No nr 40 feet away,Dead Center Master>D6>HD>Audacity>CDWave>TLH>Torrent Recorded and Transfered by Russjcan
gd95-05-29.schoeps.10070.sbeok.shnf
1995-05-29Portland Meadows
10070FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
gd1995-06-02.153192.sony.bregman.miller.vernon.f1648
1995-06-02Shoreline Amphitheatre
153192flac16/48 Set 1 only Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
gd1995-06-02.sbd.damico.92520.flac16
1995-06-02Shoreline Amphitheatre
92520flac16; 1st Gen Soundboard > Tascam Dap1 > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend
gd1995-06-02.sbd.miller.114337.flac16
1995-06-02Shoreline Amphitheatre
114337flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd95-06-02.sbd.583.sbeok.shnf
1995-06-02Shoreline Amphitheatre
583SBD > DAT > CD > extracted on a Mac using Toast Audio Extractor (overlap)> SHN (note corrected info); liberated bootleg; via Jon Seff
gd1995-06-02.nak300.bowen.116927.flac16
1995-06-02Shoreline Amphitheatre
116927flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D7; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
gd1995-06-02.141532.cmc4-mk41.ebel.flac1644
1995-06-02Shoreline Amphitheatre
141532flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-06-03.153193.sony.bregman.miller.vernon.f1648
1995-06-03Shoreline Amphitheatre
153193flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
gd1995-06-03.nak301.bowen.127398.flac16
1995-06-03Shoreline Amphitheatre
127398flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7 DAT Master; Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16 bit/48 kHz) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I; Recorded/Transferred By: Jeff Bowen
gd1995-06-03.138847.fob.km140.evan.flac1644
1995-06-03Shoreline Amphitheatre
138847flac16 44.1khz Neumann KM-140 (ORTF) > EAA PSP-2 > Sony D-8 DAT (16/44.1) (FOBH). Section 102, 10th row, approx. 25' left of center. Taper: Evan
gd95-06-03.naks.10153.sbeok.shnf
1995-06-03Shoreline Amphitheatre
10153AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo
gd1995-06-03.141533.FOB-cmc4-mk41.ebel.flac1644
1995-06-03Shoreline Amphitheatre
141533flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-06-04.153194.sony.bregman.miller.vernon.f1648
1995-06-04Shoreline Amphitheatre
153194flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
gd1995-06-04.127483.nak300.bowen.flac16
1995-06-04Shoreline Amphitheatre
127483flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7; DAT Master Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16/48) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I, Seat #7; Recorded/Transferred By: Jeff Bowen
gd95-06-04.akg.2538.sbeok.shnf
1995-06-04Shoreline Amphitheatre
2538AKG522 > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; may have different source spliced in from NFA on
gd95-06-04.sbd.13929.sbeok.shnf
1995-06-04Shoreline Amphitheatre
13929Source: Sbd>C(x?)>CD via Chris Larson
gd1995-06-04.141554.cmc4-mk41.ebel.flac1644
1995-06-04Shoreline Amphitheatre
141554flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
gd1995-06-15.135288.aud.fob.lamarre-berger.flac1648
1995-06-15Franklin County Airport
135288flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 3/2016
gd1995-06-15.145838.sony.ecm909a.sterry.beckwith.miller.sirmick.flac16
1995-06-15Franklin County Airport
145838flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. This file set is 16 bit @ 44.1
gd1995-06-15.143132.SonyECM-909A.sterry.beckwith.sirmick.miller.flac2496
1995-06-15Franklin County Airport
143132flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
gd95-06-15.schoeps.7745.sbeok.shnf
1995-06-15Franklin County Airport
7745FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley
gd1995-06-15.146064.schoepscmc4-mk4.gastiwirt.miller.sirmick.flac1648
1995-06-15Franklin County Airport
146064flac16/48kHz; Source: FOB Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2019
gd1995-06-15.147120.walsh.suraci.at835.flac16
1995-06-15Franklin County Airport
147120flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-15.147121.walsh.suraci.at835.flac24
1995-06-15Franklin County Airport
147121flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-18.145846.sony.ecm909a.sterry.beckwith.miller.sirmick.flac16
1995-06-18Giants Stadium
145846flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1
gd1995-06-18.147123.walsh.suraci.at835.flac16
1995-06-18Giants Stadium
147123flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-18.147124.walsh.suraci.at835.flac24
1995-06-18Giants Stadium
147124flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-18.fob-nak300-patched-13307.stine.92802.shnf
1995-06-18Giants Stadium
92802FOB 30th row, DEAD fuckin center, Nak 300's Hand Held (Arm still sore) into my Sony d7. Dat > Sblive > CDwave > mkw Audio tools > Shn by Wally Stine - this is the update 10-21-2002 Patched using source "Running 2 TEAC decks and using AKG mics." ----- with additional track split by William of Tune tree
gd1995-06-18.120080.nak.Boedicker.flac16
1995-06-18Giants Stadium
120080flac16; Source: Sony D6 Cassette Master(Maxell XL-II-S 90 Minute Tape,1st Set,TDK MA-X 100 Minute Metal Cassette, 2nd Set,Both Sets Dolby "B" ON)> Nakamichi 300 Mics W/CP4 Shotguns>Sony TD-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 129,Row 29,Seat 26
gd95-06-18.aud.2543.sbeok.shnf
1995-06-18Giants Stadium
2543DAUD (Unknown Mics )> DAT> CDR; via Jeff M.
gd1995-06-18.143092.SonyECM-909A.sterry.beckwith.miller.sirmick.flac2496
1995-06-18Giants Stadium
143092flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018
gd1995-06-19.147125.walsh.suraci.at835.flac16
1995-06-19Giants Stadium
147125flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-19.147126.walsh.suraci.at835.flac24
1995-06-19Giants Stadium
147126flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd95-06-19.naks.10934.sbeok.shnf
1995-06-19Giants Stadium
10934FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine
gd95-06-19.daud.pujol.7994.sbeok.shnf
1995-06-19Giants Stadium
7994DAUD > Unknown Mics /Deck> DAT@48k>DAT CLONE> SOUND FORGE 4.5a> SHN(seekable); Via Aldo Torre; Marc P; Tim W
gd1995-06-21.Nak300CP4.Heaton.Keo.115993.Flac1644
1995-06-21Knickerbocker Arena
115993flac16; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
gd1995-06-21.bk4021.120370.flac1644
1995-06-21Knickerbocker Arena
120370flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
gd1995-06-21.bk4021.120371.flac1648
1995-06-21Knickerbocker Arena
120371flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
gd1995-06-21.141999.walsh.suraci.at835.flac1648
1995-06-21Knickerbocker Arena
141999flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-21.148797.nak300-cp4.boedicker.flac1644
1995-06-21Knickerbocker Arena
148797flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate, Transfer By Dave Boedicker
gd95-06-21.naks.5971.sbeok.shnf
1995-06-21Knickerbocker Arena
5971Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson
gd1995-06-21.Nak300CP4.Heaton.Keo.115992.Flac2496
1995-06-21Knickerbocker Arena
115992flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
gd1995-06-21.141512.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1995-06-21Knickerbocker Arena
141512flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd1995-06-22.142037.walsh.suraci.at835.flac1648
1995-06-22Knickerbocker Arena
142037flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-22.150395.nak300.boedicker.flac1644
1995-06-22Knickerbocker Arena
150395flac16; Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate; Transfer By Dave Boedicker
gd1995-06-22.nak300.carpenter.andrewf.100122.flac24
1995-06-22Knickerbocker Arena
100122flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 07/2009
gd1995-06-22.nak300.carpenter.andrewf.100123.flac16
1995-06-22Knickerbocker Arena
100123flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 07/2009
gd95-06-22.daud.wiley.8767.sbeok.shnf
1995-06-22Knickerbocker Arena
8767DAUD(no mic info)>DAT>ZA2>SHN>CD; Seeded to etree by Tim W
gd95-06-22.naks.18802.sbeok.shnf
1995-06-22Knickerbocker Arena
18802Source: NAK 300s > DAT > CD > CD(?) > EAC > SHNv3. Seeded by: Scott Agne.
gd1995-06-22.141513.OTS.AKG.Ackerman.Miller.Noel.t-flac.1648
1995-06-22Knickerbocker Arena
141513flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
gd95-06-24.aud.schoeps-oade.wiley.8819.sbeok.shnf
1995-06-24Robert F. Kennedy Stadium
8819FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W
gd95-06-24.naks.12271.sbeok.shnf
1995-06-24Robert F. Kennedy Stadium
12271FOB Nak 300's at 6 feet, then up to 8 feet. 40 feet from stage, DFC. Into a sony D-7. Dat > Sblive > cdwave > mkw audio tools >SHN
gd1995-06-25.147721.sbd.spd-cor.sbeok.t-flac16
1995-06-25Robert F. Kennedy Stadium
147721flac16; speed- and pitch-corrected version of the (flag encoded & tagged version) of shnid: 2236 (DSBD>DAT>CDR); Speed-correction done with Celemony Capstan by Roger Eichorn; SBE's fixed with Trader's Little Helper; New .md5 and .ffp made with Trader's Little Helper
gd95-06-25.nak300.stine.10935.sbeok.shnf
1995-06-25Robert F. Kennedy Stadium
10935FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine
gd1995-06-25.Nak300CP4.Baker.Keo.113092.Flac1644
1995-06-25Robert F. Kennedy Stadium
113092flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
gd1995-06-25.Nak300CP4.Baker.Keo.113093.Flac2496
1995-06-25Robert F. Kennedy Stadium
113093flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
gd1995-06-25.121122.nak300.dunbar-graves.flac1648
1995-06-25Robert F. Kennedy Stadium
121122flac16/48kHz; Source: Nak 300's > A/D > D7; Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
gd95-06-25.sbd.2236.sbefail.shnf
1995-06-25Robert F. Kennedy Stadium
2236DSBD> DAT> CDR> EAC> shn; EAC>SHN by Bill Bina; etreed by Tony Gardner
gd1995-06-25.150028.sbd.dolphinsmile.flac1644
1995-06-25Robert F. Kennedy Stadium
150028flac16; SDB>Dat>one gen of cassette>back to Dat>clone>file cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
gd1995-06-27.pmz-nak.holtz.92185.flac16
1995-06-27The Palace
92185flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) DAT Tape-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8
gd1995-06-27.119107.nak304.thunich.48kHz.flac1648
1995-06-27The Palace
119107flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
gd1995-06-27.119108.nak304.thunich.flac16
1995-06-27The Palace
119108flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ) Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
gd95-06-27.schoeps.10180.sbeok.shnf
1995-06-27The Palace
10180AUD(Schoeps CMC4)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
gd1995-06-27.141916.walsh.suraci.AT8035.flac1644
1995-06-27The Palace
141916flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Master cassette>Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-28.pmz-nak.holtz.92186.flac16
1995-06-28The Palace
92186flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8
gd1995-06-28.141937.walsh.suraci.at8035.flac1644
1995-06-28The Palace
141937flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 (2003); Transfer 2: Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-28.119109.nak304.thunich.48kHz.flac1648
1995-06-28The Palace
119109flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
gd95-06-28.schoeps.10154.sbeok.shnf
1995-06-28The Palace
10154AUD, Schoeps CMC4>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
gd1995-06-28.119110.nak304.thunich.flac16
1995-06-28The Palace
119110flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
gd1995-06-30.schoeps.clemens.89393.flac1648
1995-06-30Three Rivers Stadium
89393flac16/48; Source: Schoeps mk4->DAT @ 48 kHz (FOB) Transfer: Sony DTC-ZE700->Tascam HDP2->CD Wave->Flac Frontend->.flac
gd1995-06-30.schoeps.jones.wklitz.95189.flac16
1995-06-30Three Rivers Stadium
95189flac16; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberger
gd1995-06-30.schoeps.jones.wklitz.95193.flac1648
1995-06-30Three Rivers Stadium
95193flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberger
gd1995-06-30.fob.nak300.holtz.jaz.92491.flac16
1995-06-30Three Rivers Stadium
92491flac16; Taper: Greg Holtz Source: WAY FOB-> Nakamichi CM-300's with Cp-1 caps, in hat-> Sony D-7 48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> r8brain 44.1kHz-> Traders Little Helper flac8
gd1995-06-30.147145.walsh.suraci.at835.flac16
1995-06-30Three Rivers Stadium
147145flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-06-30.147146.walsh.suraci.at835.flac24
1995-06-30Three Rivers Stadium
147146flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd95-06-30.schoeps.3376.sbeok.shnf
1995-06-30Three Rivers Stadium
3376FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai
gd1995-07-02.124799.akg461.cage.flac16
1995-07-02Deer Creek Music Center
124799flac16; akg461>b-18>d7 16/44.1; ots mics @ 12 ft. pas; dat(m)>hhb 830 cds in 2002; cd>cdwave splits>tlh flac 8; t&s by c. cage
gd1995-07-02.139737.cmc5-mk4.ebel-varnum.flac1644
1995-07-02Deer Creek Music Center
139737flac16/44.1khz Source Info: TS Schoeps CMC 5 MK4-> Sonosax P/S -> Sony D10 Pro II-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel & Ryan Varnum
gd1995-07-02.147152.walsh.suraci.at835.flac16
1995-07-02Deer Creek Music Center
147152flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-07-02.147153.walsh.suraci.at835.flac24
1995-07-02Deer Creek Music Center
147153flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-07-02.nak300.holtz.jaz.92522.flac16
1995-07-02Deer Creek Music Center
92522flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8
gd1995-07-02.aud.unknown.tetzeli.fix-12578.74417.reflac.flac16
1995-07-02Deer Creek Music Center
74417flac16; Seamless fix of shn id 12578 - SRC: Unknown AUD>??>Bootleg CD>WAV>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
gd95-07-02.aud.ball.587.sbeok.shnf
1995-07-02Deer Creek Music Center
587via B. Ball; fixed 12/8; defective version etreed 12/6 (fixed md5s are listed)
gd95-07-02.aud.unk.12578.sbeok.shnf
1995-07-02Deer Creek Music Center
12578Bootleg CD>WAV>SHN
gd1995-07-02.113283.BK4006.gotfob.flac16
1995-07-02Deer Creek Music Center
113283*Brought To You By gotfob* Source: (Marc Nutters Rig, DFC On Lawn) B&K 4006's > Lunatec 316 > Sv 250 > Patchbay > Sony D5 (Master Tapes) Transfer: (4.30.11)Marantz PMD 430 (XL II x 2) > Sd 702 @ 24/48 (+18db gain) > *Wavelab 6.0(edits,dither,resample) > Cd Wave > TLH > 16/44 FLAC
gd1995-07-05.AKG451.Darby.119401.Flac1648
1995-07-05Riverport Amphitheatre
119401flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1995-07-05.AKG451.Darby.119402.Flac1644
1995-07-05Riverport Amphitheatre
119402flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1995-07-05.pzm-nak.holtz.jaz.94628.flac16
1995-07-05Riverport Amphitheater
94628flac16; Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz; Taper: Greg Holtz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8
gd95-07-05.naks.1819.sbeok.shnf
1995-07-05Riverport Amphitheatre
1819Nak 300+cp4> D7; Conversion: D7> 7 pin digi coax> CDR880 (Master)> EAC > AddaWave > Sound Forge 3.0 (Fadeouts)> CDWave> SHN; Dat Seed from Chase Smith; Conversion by Chuck Rothofsky
gd95-07-05.sbd.9370.sbeok.shnf
1995-07-05Riverport Amphitheatre
9370SBD>DAT>C>DAT; via neo_levo/candyman FTP
gd1995-07-05.147118.walsh.suraci.at835.flac16
1995-07-05Riverport Amphitheatre
147118flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-07-05.147119.walsh.suraci.at835.flac24
1995-07-05Riverport Amphitheatre
147119flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd95-07-06.NEWsbd.30888.sbeok.shnf_shn
1995-07-06Riverport Amphitheatre
30888Remastered SBD>DAT>C>DAT>CDR>DAT>SHN by Ben Clem
gd1995-07-06.AKG451.Darby.119429.Flac1648
1995-07-06Riverport Amphitheatre
119429flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
gd1995-07-06.AKG451.Darby.119430.Flac1644
1995-07-06Riverport Amphitheatre
119430flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
gd1995-07-06.pzm-nak.holtz.jaz.94675.flac16
1995-07-06Riverport Amphitheater
94675flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain 44.1kHz-> Traders Little Helper flac8
gd95-07-06.sbd.9119.sbeok.shnf
1995-07-06Riverport Amphitheatre
9119SBD>DAT>C>DAT>CDR; Seeded to etree by Chris L w/ thanks to Braverman
gd95-07-06.schoeps.5452.sbeok.shnf
1995-07-06Riverport Amphitheatre
5452Audience (Schoeps MK-4V/ Sony D-10) Master DAT> CDR> MKW> SHN; via Troy Richey from Chuck's seed discs
gd1995-07-06.146220.walsh.suraci.AT835b.flac16
1995-07-06Riverport Amphitheatre
146220flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003)* ; Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16 (TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-07-08.134129.oade-micro-mics.flac1648
1995-07-08Soldier Field
134129flac16/48kHz; ecording info: Oade Micro Mics > DAT Master @ 16bit/48kHz - 11th Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8
gd1995-07-08.147113.walsh.suraci.at835.flac16
1995-07-08Soldier Field
147113flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-07-08.147114.walsh.suraci.at835.flac24
1995-07-08Soldier Field
147114flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-07-08.sbd.larson.tetzeli.fix-35157.98576.flac16
1995-07-08Soldier Field
98576flac16; Pitch-adjusted version of shnid 35157; S: C> D> CDR > WAV > FLAC
gd95-07-08.BK401s.4362.sbeok.shnf
1995-07-08Soldier Field
4362FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner
gd95-07-08.sbd.10071.sbeok.shnf
1995-07-08Soldier Field
10071SBD>DAT>C>?>DAT>CDR; d1t07 (Eternity) from AUD source; See info file for details; via Paul B; seeded to etree by neo_levo
gd1995-07-08.sbd.miller.114363.flac16
1995-07-08Soldier Field
114363flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1995-07-08.127736.nick.flac16
1995-07-08Soldier Field
127736flac16; 2 source matrix from mix of audience source id 004362 and soundboard source id 114363
gd1995-07-09.134130.oade-micro-mics.flac1648
1995-07-09Soldier Field
134130flac16/48kHz; recording info: Oade Micro Mics > DAT Master @ 16bit/48kHz -23rd Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8
gd1995-07-09.147057.walsh.suraci.at835.flac16
1995-07-09Soldier Field
147057flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd1995-07-09.147058.walsh.suraci.at835.flac24
1995-07-09Soldier Field
147058flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
gd95-07-09.sbd.7233.sbeok.shnf
1995-07-09Soldier Field
7233DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley
gd1995-07-09.sbd.miller.114369.flac16
1995-07-09Soldier Field
114369flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
gd1995-07-09.schoeps.wklitz.95444.flac1648
1995-07-09Soldier Field
95444flac16/48; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger
gd1995-07-09.schoeps.wklitz.95445.flac16
1995-07-09Soldier Field
95445flac16; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger
gd1995-07-09.127735.nick.flac16
1995-07-09Soldier Field
127735flac16; 3 source matrix from mix of audience source id 95445, soundboard source id 114369, and audience source id 86405; the original source had a flaw in d2t06 please do not circulate that source