Sources for Artist Group Wilco
1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2019 2021
SHNIDArtistDateVenueCityStateArchive Identifier
120331Wilco2012-01-19Fillmore AuditoriumDenverCO
Source: Neumann AK40 > LC3KA > KM100 (FOB ORTF) > 744T @ 24 bit/48 khz Transfer: 744T > PC (via Firewire) > Audacity > CD Wave > r8brain PRO (dither & resample) > FLAC16
120332Wilco2012-01-21Grady Gammage Auditorium - Arizona State Univ.TempeAZ
Source: Studio Projects C4s (hyper-cardioids) > Segue Dogstar XLRs > Fostex FR-2LE (24bit/44.1khz) Transfer: CF Card > .bwf > Audacity (gain/fades/dither) > CDWave > .wav > .flac
130203Wilco2012-01-21Grady Gammage Auditorium - Arizona State Univ.TempeAZ
DPA 4022's (ortfish)>Oade m148>Oade warm mod Maramtz 661 @ 24/48 slightly ROC, 60 ft from stage @ 6ft cool edit pro>cdwave editor>flac16
118549Wilco2012-01-25Wiltern TheaterLos AngelesCA
*FLAC16* Telefunken Ela 260's(Vacum Tube Microphones)(Hyper Card Cap's)- Grace V3(digital out)-Marantz PMD-661; Recorded By Todd Hudiluk; Mastered and Posted by Pat Myers.
120313Wilco2012-01-29Warfield TheaterSan FranciscoCA
Source: (front row balcony) Schoeps mk4>kc5>cmc6>Lunatec V2>Sound Devices 722 (24/48)>Wavelab (uv22hr/44.1)>CDWave Editor>FLAC
120314Wilco2012-01-31Fox TheaterOaklandCA
Source: (fob) Schoeps mk4>kc5>cmc6>Lunatec V2>Sound Devices 722 (24/48)>Wavelab (uv22hr/44.1)>CDWave Editor>FLAC
118757Wilco2012-02-03Hult CenterEugeneOR
Source: Schoeps MK4/CMC6 > Grace Design Lunatec V2 > Apogee Mini-Me (24/48) > Tascam HD-P2
Transfer: SF8 (volume/fades) > WaveLab (resample/UV22HR) CD WAVE > FLAC
118707Wilco2012-02-03Hult CenterEugeneOR
Busman BSC-2 K11 > Naiant littlebox > Tascam DR-40 > Audacity (Tracking) > Flac16
120312Wilco2012-02-05Orpheum TheatreVancouverBC
Source: CA-14 Cardioids > CA-9100 > Zoom H4n (XLR inputs) @ 24 bit/48 kHz Transfer: .WAV > Audacity 1.3.14-beta (fades, gain, tracking, downsampling) > Trader's Little Helper v.2.7.0 build 172
120310Wilco2012-02-07Paramount TheaterSeattleWA
ony PCM-D50 Built In Mics at soundboard, 8 ft up, Transfer: iZotope SRC at High, Mbit+ Dither at Ultra, Tracked and exported to FLAC 16 using Wave Editor (Macintosh Based)
120311Wilco2012-02-07Paramount TheaterSeattleWA
flac24;Source: Sony PCM-D50 Built In Mics at soundboard, 8 ft up, Transfer: Tracked and exported to FLAC using Wave Editor (Macintosh Based)
118792Wilco2012-02-08Arlene Schnitzer Concert HallPortlandOR
Busman Audio BSC-2 K11 > Naiant littlebox > Tascam DR-40 24/48 > Audacity (Tracking) > Flac16
124357Wilco2012-03-08AlcatrazMilanItaly
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
129126Wilco2012-06-23Red RocksMorrisonCO
Source: Neumann AK40 > LC3KA > KM100 (DFC behind SBD ORTF) > 744T @ 24 bit/48 khz Transfer: 744T > PC (via Firewire) > Audacity > CD Wave > r8brain PRO (dither & resample) > FLAC16
129741Wilco2012-06-28Big Sky Brewing AmphitheaterMissoulaMT
Source: AKG 460 ck61 mics (fob, dfc, ortf) > Lunatec V2 > Edirol R44-OCM (44.1kHz) > CDR
129689Wilco2012-07-01Bayfront Festival ParkDuluthMN
Source: Schoeps MK4(DIN)>KCY>Tinybox(output transformers)>Sony PCM-M10 @24/48 Location: FOB, Slightly LOC, 10' up Lineage: M10>USB>PC>Wavelab6>CDwave>TLH
137529Wilco2012-07-07Grandview ParkSioux CityIA
AKG C460B/a60/ck1s (DIN/DFC/10ft High) >
Naiant Littlebox > Sony PCM-M10 @24/48 >
Amadeus Pro (tracking, fades, FLAC8 )
131645Wilco2012-07-08Fifth Third Bank BallparkGenevaIL
AKG 481 (fob) > V3 > Marantz PMD661 (16/44.1)
131295Wilco2012-07-27Newport Folk FestivalNewportRI
Schoeps CMC64> Lunatec V2> Benchmark AD2K (88.2/24bit)> Tascam HD-P2
121519Wilco2012-08-01Bushnell TheaterHartfordCT
FOB Orch Sec D Row R 6' Right of DFC 6'high CA-11>Sony PCM-M10(24/48) Sony PCM-M10>USB>Soundforge 9.0(16/44)>CDWav>FLAC (Level 8)
121623Wilco2012-08-01Bushnell TheaterHartfordCT
Source: Set 1 Tracks 1 - 18: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Tascam HS-P82 (24bit 96Khz) Set 1 Track 19: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 48Khz) Encores: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 96Khz) Source Notes: - Tascam HS-P82 shutdown during "Shot" at very end of first set - patched in rest as noted above Transfer: - Tascam HS-P82 > USB > MacBook Pro - Sony PCM-M10 > USB > MacBook Pro Mastering: - Wavelab 7.2.1 (600) for OSX - track splitting and FLAC encoding - xACT 2.2.0 (5494) - FLAC Tagging Taped, transferred, and mastered by Richard Campbell
121622Wilco2012-08-01Bushnell TheaterHartfordCT
Source: Set 1 Tracks 1 - 18: - TS DFC Telefunken m262 (75 deg, 6' high) > Tascam HS-P82 (24bit 96Khz) Set 1 Track 19: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 48Khz) Encores: - TS DFC Schoeps mk5 (Card, 85 deg 6' high) > KCY250/0I > KS5I > AKI /2C > CMC6xt > E.A.A. PSP-2 > Sony PCM-M10 (24bit 96Khz) Source Notes: - Tascam HS-P82 shutdown during "Shot" at very end of first set - patched in rest as noted above Transfer: - Tascam HS-P82 > USB > MacBook Pro - Sony PCM-M10 > USB > MacBook Pro Mastering: - Wavelab 7.2.1 (600) for OSX - track splitting and FLAC encoding - xACT 2.2.0 (5494) - FLAC Tagging Taped, Transferred, and Mastered by Richard Campbell
121820Wilco2012-08-03Highland BowlRochesterNY
AUD > RØDE NT5 (ORTF stereo pair 7' high) > Pro Co BPBQXF10 > M-Audio MicroTrack 24/96 > WAV (16bit/44.1kHz)
121610Wilco2012-08-04LC PavilionColumbusOH
SOURCE 1: Schoeps MK21 Subcard (NOS - 30cm @ 90 degrees, 12' tall ) > KC5 > CMC6 > Tascam DR-680 @ 24/96 FOB DFC back of the floor. SOURCE 2: DPA 4021s (XY 12' tall) > EAA-PSP2 > Tascam DR-680 @ 24/96 FOB DFC back of the floor. MIX: The 2 mic sources were run right on top of each other on the same stand into the same DR-680, mixed in post. Mix is about 50/50 Schoeps & DPAs. LINEAGE: Tascam DR-680 > Computer hard drive > Samplitude 11 (mix, fades, EQ with EQ116, light peak limiting with sMax11, normalize, resample & dither to 16/44.1) > CD Wave (Track) > Traders Little Helper (flac level 6) > Foobar 2000 (tags).
129539Wilco2012-09-16The Blue NoteColumbiaMO
Source: AKG C480B / CK61-ULS's (DIN) > Naiant Littlebox > Sony PCM-M10 (16/44.1) Location: FOH (in SBD cage), ~3' LOC, ~50' from stage, ~8' high Transfer: PCM-M10 > USB > Audacity 1.3.13-beta (fades, normalize, amplify, splits) > WAV > FLAC Frontend 1.7 (Level 5) + FLAC 1.2.1 > FLAC
122882Wilco2012-09-21Greek TheaterBerkeleyCA
AK40 >> LC3 >> KM100 >> R-44 (Oade CM) >> WAV (24bit/44.1KHz); Adobe Audition 3.0 >> Ozone 4 VST >> multiband exciter >> loudness maximizer >> dither to 16 bit (MBIT+ algorithm) >> FLAC conversion with TLH
130100Wilco2012-09-22Greek TheaterBerkeleyCA
Source: (ortf) Schoeps mk4>Lunatec V2>Sound Devices 722 (24/48)>Wavelab>CD Wave Editor>FLAC
124358Wilco2012-10-10Teatro GeoxPadovaItaly
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
124359Wilco2012-10-12Teatro della Concordia di VenariaTurinItaly
Neumann km140 > Denecke PS-2 > Marantz PMD661 (16 bit - 44.1 KHz) > Cool Edit > CD Wave taper: romeo
122684Wilco2012-10-22TheaterhausStuttgartGermany
Source: MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 Mic Config: A-B Location: ~20m from the stage, FoB, center Transfer: Master WAVs > dEdit > FLAC V1.2.1 Editing: Volume boost in Apple Logic Pro V9.1.4; Fades in Audiofile Engineering Wave Editor V1.5.4 Resampling: 48.0 kHz > 44.1 kHz resampling using iZotope 64-bit SRC Dithering: MBIT+ Format: 16 bit / 44.1 kHz
122685Wilco2012-10-22TheaterhausStuttgartGermany
flac24;Source: MBHO KA 200 N > Naiant Tinybox > Sony PCM-M10 Mic Config: A-B Location: ~20m from the stage, FoB, center Transfer: Master WAVs > dEdit > FLAC V1.2.1 Editing: Volume boost in Apple Logic Pro V9.1.4, Fades in Audiofile Engineering Wave Editor V1.5.4 Format: 24 bit / 48 kHz